A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innnovative WritingUniversity of Iowa Press, 2007 M12 1 - 228 páginas Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors. Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation. Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing. |
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Página 97
... original thirty - seven sections , though the original sentences themselves were not altered . Each section begins with a kind of epigraph , an italicized phrase ( or " line " ) in the top left corner of the section ; after its initial ...
... original thirty - seven sections , though the original sentences themselves were not altered . Each section begins with a kind of epigraph , an italicized phrase ( or " line " ) in the top left corner of the section ; after its initial ...
Página 126
... original ” or single subject position to which they ( or anyone else ) can connect . A traditional practice of translation that seeks to position itself as a transparent representation of some original text ( that is , as a faithful ...
... original ” or single subject position to which they ( or anyone else ) can connect . A traditional practice of translation that seeks to position itself as a transparent representation of some original text ( that is , as a faithful ...
Página 155
... original behind the copies and retranslations . The reader's role here is retranslated into neither that of the ... original nor the copy . This space of retranslation figures the reader as both listener and speaker , one who takes the ...
... original behind the copies and retranslations . The reader's role here is retranslated into neither that of the ... original nor the copy . This space of retranslation figures the reader as both listener and speaker , one who takes the ...
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A Vocabulary of Thinking: Gertrude Stein and Contemporary North American ... Deborah M. Mix Vista previa limitada - 2007 |
Términos y frases comunes
allows American appears argues asserts attention authors autobiography avant-garde becomes begin body calls Cha's chapter collaborative comes connections consider construction contemporary conventions create critics culture desire DICTEE difference discussion Double emphasizes engagement Everybody's experience experimental explains female femininity feminist figure forces gender genre Gertrude Stein Hejinian identity important individual instance issues kind language lesbian Lifting Belly lines literary literature lives look love lyric lyric male marks Marlatt and Warland means move Mullen narrative notes offers original particular passage patriarchal perhaps poem poetry poets political position possible potential present Press question readers reading reference relationship repetition seek seems sense sexuality significant social space Spahr speak speaker Stein story suggests throughout tion Toklas tradition translation University vocabulary voice woman women writing written