A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women's Innnovative WritingUniversity of Iowa Press, 2007 M12 1 - 228 páginas Using experimental style as a framework for close readings of writings produced by late twentieth-century North American women, Deborah Mix places Gertrude Stein at the center of a feminist and multicultural account of twentieth-century innovative writing. Her meticulously argued work maps literary affiliations that connect Stein to the work of Harryette Mullen, Daphne Marlatt, Betsy Warland, Lyn Hejinian, and Theresa Hak Kyung Cha. By distinguishing a vocabulary-which is flexible, evolving, and simultaneously individual and communal--from a lexicon-which is recorded, fixed, and carries the burden of masculine authority--Mix argues that Stein's experimentalism both enables and demands the complex responses of these authors. Arguing that these authors have received relatively little attention because of the difficulty in categorizing them, Mix brings the writing of women of color, lesbians, and collaborative writers into the discussion of experimental writing. Thus, rather than exploring conventional lines of influence, she departs from earlier scholarship by using Stein and her work as a lens through which to read the ways these authors have renegotiated tradition, authority, and innovation. Building on the tradition of experimental or avant-garde writing in the United States, Mix questions the politics of the canon and literary influence, offers close readings of previously neglected contemporary writers whose work doesn't fit within conventional categories, and by linking genres not typically associated with experimentalism-lyric, epic, and autobiography-challenges ongoing reevaluations of innovative writing. |
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Página 18
... authors , and what these authors can teach us about Stein . This kind of dou- bled reading , one that looks both forward and backward , mirrors the other kind of back and forth I see as constitutive of all these texts : their emphasis ...
... authors , and what these authors can teach us about Stein . This kind of dou- bled reading , one that looks both forward and backward , mirrors the other kind of back and forth I see as constitutive of all these texts : their emphasis ...
Página 32
... authors in this study clearly place their work in a ge- nealogy with Stein's ( both Mullen and Hejinian do so explicitly ) . Others ( Marlatt and Warland and Cha ) seem more associatively connected , though not less significantly so ...
... authors in this study clearly place their work in a ge- nealogy with Stein's ( both Mullen and Hejinian do so explicitly ) . Others ( Marlatt and Warland and Cha ) seem more associatively connected , though not less significantly so ...
Página 79
... authors returned to Canada ( Warland , “ Moving " 131 ) . It is presented as a transcrip- tion of a conversation , with some parts of each author's commentary set off in brackets , perhaps to signify them as later additions to the ...
... authors returned to Canada ( Warland , “ Moving " 131 ) . It is presented as a transcrip- tion of a conversation , with some parts of each author's commentary set off in brackets , perhaps to signify them as later additions to the ...
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A Vocabulary of Thinking: Gertrude Stein and Contemporary North American ... Deborah M. Mix Vista previa limitada - 2007 |
Términos y frases comunes
allows American appears argues asserts attention authors autobiography avant-garde becomes begin body calls Cha's chapter collaborative comes connections consider construction contemporary conventions create critics culture desire DICTEE difference discussion Double emphasizes engagement Everybody's experience experimental explains female femininity feminist figure forces gender genre Gertrude Stein Hejinian identity important individual instance issues kind language lesbian Lifting Belly lines literary literature lives look love lyric lyric male marks Marlatt and Warland means move Mullen narrative notes offers original particular passage patriarchal perhaps poem poetry poets political position possible potential present Press question readers reading reference relationship repetition seek seems sense sexuality significant social space Spahr speak speaker Stein story suggests throughout tion Toklas tradition translation University vocabulary voice woman women writing written