School Elocution: A Manual of Vocal Training in High Schools, Normal Schools, and AcademiesHarper & brothers, 1886 - 390 páginas |
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Página 13
... speak , or to whom you read . As you approach the end of a sentence , glance your eye along the words in ad- vance of the tongue , and then complete the sentence without looking on the book . It is a good plan to practice this by ...
... speak , or to whom you read . As you approach the end of a sentence , glance your eye along the words in ad- vance of the tongue , and then complete the sentence without looking on the book . It is a good plan to practice this by ...
Página 35
... speaking . " The first step towards becoming a good elocutionist , " says Comstock , " is a correct articulation . A public speaker , possessed of only a moderate voice , if he articulates correctly , will be better understood , and ...
... speaking . " The first step towards becoming a good elocutionist , " says Comstock , " is a correct articulation . A public speaker , possessed of only a moderate voice , if he articulates correctly , will be better understood , and ...
Página 36
... speaking in public , whether we advert to the larger space which must be traversed by the voice , or the greater moment of the topics of discourse which are usual on such occasions . 7. " The appropriate style of modern eloquence is ...
... speaking in public , whether we advert to the larger space which must be traversed by the voice , or the greater moment of the topics of discourse which are usual on such occasions . 7. " The appropriate style of modern eloquence is ...
Página 46
... speak of errors we can all avoid . Learning condemns beyond the reach of hope The careless churl that speaks of soap for soap : Her edict exiles from her fair abode The clownish voice that utters road for road , Less stern to him who ...
... speak of errors we can all avoid . Learning condemns beyond the reach of hope The careless churl that speaks of soap for soap : Her edict exiles from her fair abode The clownish voice that utters road for road , Less stern to him who ...
Página 47
... speak clearly , if you speak at all ; Carve every word before you let it fall ; Do n't , like a lecturer or dramatic star , Try over hard to roll the British r ; Do put your accents in the proper spot ; Don't let me beg you - do n't say ...
... speak clearly , if you speak at all ; Carve every word before you let it fall ; Do n't , like a lecturer or dramatic star , Try over hard to roll the British r ; Do put your accents in the proper spot ; Don't let me beg you - do n't say ...
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Términos y frases comunes
articulation ASPIRATES bells blood breath Chambered Nautilus Charco circumflex clauses concert drill Daniel Webster dead earth elocution emotion emphasis emphatic EXAMPLES expression eyes falling inflection Falstaff feeling fifth fire give hand hath hear heart heaven HOLMES honor Iago INFLECTION DRILL liberty light living long vocals lord loud force low pitch macron Marked median stress monotone never night o'er Oliver Wendell Holmes óne oratorical declamation orotund Othello poetry pronunciation pupils pure tone radical stress reader reading Repeat rhetorical pause Ring rising circumflex rising inflection Rule Sandalphon Scrooge SEMITONE sentence short shout slide slow movement soft force soul speak SUBVOCALS sweet syllables táct tálent teacher tell thee Thomas Starr King thou thought tion tūde unaccented unimpassioned utterance vocal voice vowel sounds wave whisper William Cullen Bryant wind WORDS OFTEN MISPRONOUNCED