School Elocution: A Manual of Vocal Training in High Schools, Normal Schools, and AcademiesHarper & brothers, 1886 - 390 páginas |
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Página 78
... fifth , and eighth notes in the musical scale , including the semi- tones , or chromatic notes , of the minor second , third , fifth , and eighth notes . " " 3. The " second " and " third are classed as the un- emotional slides , as ...
... fifth , and eighth notes in the musical scale , including the semi- tones , or chromatic notes , of the minor second , third , fifth , and eighth notes . " " 3. The " second " and " third are classed as the un- emotional slides , as ...
Página 79
... fifth and octave , for interrogatives , not of wisdom but of envious . curiosity ; the downward third , fifth , and octave , for dog- matic or tyrannical command ; waves for the surprise of ignorance , the snarling of ill - humor , and ...
... fifth and octave , for interrogatives , not of wisdom but of envious . curiosity ; the downward third , fifth , and octave , for dog- matic or tyrannical command ; waves for the surprise of ignorance , the snarling of ill - humor , and ...
Página 80
... fifth and the eighth , which are the slides of emotion and passion . VIII . INFLECTION DRILL ON THE THIRD . 1. Count , with moderate force and emphasis , from one to twenty with the rising third , thus : óne , twó , thrée , etc. 2 ...
... fifth and the eighth , which are the slides of emotion and passion . VIII . INFLECTION DRILL ON THE THIRD . 1. Count , with moderate force and emphasis , from one to twenty with the rising third , thus : óne , twó , thrée , etc. 2 ...
Página 81
... FIFTH AND THE EIGHTH . 1. The slide of the fifth corresponds to the interval between C and G , or Do and Sol , and the slide of the eighth , or the octave , to the interval between C and C , or Do and Do. 2. When the voice rises through ...
... FIFTH AND THE EIGHTH . 1. The slide of the fifth corresponds to the interval between C and G , or Do and Sol , and the slide of the eighth , or the octave , to the interval between C and C , or Do and Do. 2. When the voice rises through ...
Página 82
... [ Fifth and Eighth . - Strong Emphasis . ] 4. Hates any man the thing he would not kill ? 5. What ! wouldst thou have a serpent sting thee twice ? 6. And dar'st thou then To beard the lion in his den , The Douglas in his hall ? 7. Art ...
... [ Fifth and Eighth . - Strong Emphasis . ] 4. Hates any man the thing he would not kill ? 5. What ! wouldst thou have a serpent sting thee twice ? 6. And dar'st thou then To beard the lion in his den , The Douglas in his hall ? 7. Art ...
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Términos y frases comunes
articulation ASPIRATES bells blood breath Chambered Nautilus Charco circumflex clauses concert drill Daniel Webster dead earth elocution emotion emphasis emphatic EXAMPLES expression eyes falling inflection Falstaff feeling fifth fire give hand hath hear heart heaven HOLMES honor Iago INFLECTION DRILL liberty light living long vocals lord loud force low pitch macron Marked median stress monotone never night o'er Oliver Wendell Holmes óne oratorical declamation orotund Othello poetry pronunciation pupils pure tone radical stress reader reading Repeat rhetorical pause Ring rising circumflex rising inflection Rule Sandalphon Scrooge SEMITONE sentence short shout slide slow movement soft force soul speak SUBVOCALS sweet syllables táct tálent teacher tell thee Thomas Starr King thou thought tion tūde unaccented unimpassioned utterance vocal voice vowel sounds wave whisper William Cullen Bryant wind WORDS OFTEN MISPRONOUNCED