SUBVERSIVE GENEALOGYKnopf Doubleday Publishing Group, 2013 M08 28 - 368 páginas In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists. |
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... novel and the American romance is familiar. The protagonist of the European novel moves within powerful institutions and conflicting social classes; the asocial American innocent encounters racial doubles in nature. The novel presents a ...
... novel and the American romance is familiar. The protagonist of the European novel moves within powerful institutions and conflicting social classes; the asocial American innocent encounters racial doubles in nature. The novel presents a ...
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... novel on the European model. American antebellum fiction, Richard Brodhead has argued, is typically a mixed mode, conjoining novelistic description to allegorical representation and demonological possession. It inhabits, in Poe's words ...
... novel on the European model. American antebellum fiction, Richard Brodhead has argued, is typically a mixed mode, conjoining novelistic description to allegorical representation and demonological possession. It inhabits, in Poe's words ...
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... novel.30 The realist novel used clothing to convey character, but its characters were always in danger of losing their identities to the costumes they assumed. Lucien Chardon's acquisition of finery, in Balzac's Lost Illusions ...
... novel.30 The realist novel used clothing to convey character, but its characters were always in danger of losing their identities to the costumes they assumed. Lucien Chardon's acquisition of finery, in Balzac's Lost Illusions ...
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... novel.31 “In worlds otherwise arranged,” commented Henry James on the fancy headdresses worn to the Metropolitan Opera, “the occasion itself, with its character fully turned on, produces the tiara. In New York the symbol has, by an ...
... novel.31 “In worlds otherwise arranged,” commented Henry James on the fancy headdresses worn to the Metropolitan Opera, “the occasion itself, with its character fully turned on, produces the tiara. In New York the symbol has, by an ...
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... novel. It does not typically concern private, middle-class life; and even where it does, Melville does not create, through a set of techniques, the illusion that the fictional world described corresponds to real life. Yet if the realist ...
... novel. It does not typically concern private, middle-class life; and even where it does, Melville does not create, through a set of techniques, the illusion that the fictional world described corresponds to real life. Yet if the realist ...
Contenido
SOCIETY | |
Herman Melvilles Eighteenth Brumaire | |
THE STATE | |
The Somers Mutiny and Billy Budd Melville in | |
Notes | |
Otras ediciones - Ver todas
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Paul Rogin Vista de fragmentos - 1983 |
Términos y frases comunes
Ahab Ahab’s Albany Allan Melvill American antebellum authority Bartleby Bartleby’s Battle-Pieces Benito Cereno Billy Budd Billy’s Boston brother buttons captain Civil confidence Confidence-Man conflict Cooper’s costume crew custom house death democratic dome Duyckinck escape father flogging freedom Gansevoort Melville Glendinning Guert Gansevoort Hawthorne heart Henry Herman Melville hero human Ibid imagined Indian Isabel Ishmael Israel Potter Jackson lawyer Lemuel Shaw Lincoln Mackenzie Mackenzie’s man’s Manifest Destiny Maria Melvill Marx masquerade Melvill to Peter Melville wrote Melville’s Melville’s fiction Moby Moby-Dick mother Mount Greylock mutiny narrator nature Neversink novel O’Sullivan Omoo Parker paternal Pequod Peter Gansevoort Philip Spencer Pierre Pierre’s poem Red Rover Redburn replaced Revolution revolutionary romance sailors San Dominick savage Shaw’s ship slave slavery SM/H social society Somers Spencer Stanwix stone story symbols Tartarus Theodore Parker Thomas Melvill Thoreau Tocqueville Vere Vere’s Webster whale whip White-Jacket York Young America