SUBVERSIVE GENEALOGYKnopf Doubleday Publishing Group, 2013 M08 28 - 368 páginas In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists. |
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... masquerades in several disguises before revealing his identity to the tale's protagonist and to the reader. Why should the ... masquerade. We first meet the Red Rover outside Newport harbor, disguised as a slaver. “I will never trust to ...
... masquerades in several disguises before revealing his identity to the tale's protagonist and to the reader. Why should the ... masquerade. We first meet the Red Rover outside Newport harbor, disguised as a slaver. “I will never trust to ...
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... masquerades as a lawyer with political connections (like brothers Gansevoort and Allan Melville). Wilder then meets him disguised as a common sailor (like cousins Leonard and Peter Gansevoort, Pierre Thomas Melvill, and Melville.
... masquerades as a lawyer with political connections (like brothers Gansevoort and Allan Melville). Wilder then meets him disguised as a common sailor (like cousins Leonard and Peter Gansevoort, Pierre Thomas Melvill, and Melville.
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... masquerades disorient Wilder, and draw him into the outlaw's power. The pirate takes on identities at will; no lawyer ... masquerade, or else they lack the personal power to command assent. This split between authority's appearance and ...
... masquerades disorient Wilder, and draw him into the outlaw's power. The pirate takes on identities at will; no lawyer ... masquerade, or else they lack the personal power to command assent. This split between authority's appearance and ...
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... masquerade, and the restoration of slavery, hardly reassure the reader. Cooper's retreat from piracy back to slavery, in his apology for the Somers mutiny, does not carry conviction either. Slavery as the model for authority relations ...
... masquerade, and the restoration of slavery, hardly reassure the reader. Cooper's retreat from piracy back to slavery, in his apology for the Somers mutiny, does not carry conviction either. Slavery as the model for authority relations ...
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... masquerade in The Red Rover ends with the revelation and re-establishment of family relations. Cooper uses family to restore moral order and domesticate the subversive thrust of his tale. There may be an outlaw underneath the Rover's ...
... masquerade in The Red Rover ends with the revelation and re-establishment of family relations. Cooper uses family to restore moral order and domesticate the subversive thrust of his tale. There may be an outlaw underneath the Rover's ...
Contenido
SOCIETY | |
Herman Melvilles Eighteenth Brumaire | |
THE STATE | |
The Somers Mutiny and Billy Budd Melville in | |
Notes | |
Otras ediciones - Ver todas
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Paul Rogin Vista de fragmentos - 1983 |
Términos y frases comunes
Ahab Ahab’s Albany Allan Melvill American antebellum authority Bartleby Bartleby’s Battle-Pieces Benito Cereno Billy Budd Billy’s Boston brother buttons captain Civil confidence Confidence-Man conflict Cooper’s costume crew custom house death democratic dome Duyckinck escape father flogging freedom Gansevoort Melville Glendinning Guert Gansevoort Hawthorne heart Henry Herman Melville hero human Ibid imagined Indian Isabel Ishmael Israel Potter Jackson lawyer Lemuel Shaw Lincoln Mackenzie Mackenzie’s man’s Manifest Destiny Maria Melvill Marx masquerade Melvill to Peter Melville wrote Melville’s Melville’s fiction Moby Moby-Dick mother Mount Greylock mutiny narrator nature Neversink novel O’Sullivan Omoo Parker paternal Pequod Peter Gansevoort Philip Spencer Pierre Pierre’s poem Red Rover Redburn replaced Revolution revolutionary romance sailors San Dominick savage Shaw’s ship slave slavery SM/H social society Somers Spencer Stanwix stone story symbols Tartarus Theodore Parker Thomas Melvill Thoreau Tocqueville Vere Vere’s Webster whale whip White-Jacket York Young America