SUBVERSIVE GENEALOGYKnopf Doubleday Publishing Group, 2013 M08 28 - 368 páginas In this major reconsideration of Herman Melville’s life and work, Michael Paul Rogin shows that Melville’s novels are connected both to the important issues of his time and to the exploits of his patrician and politically prominent family—which, three generations after its Revolutionary War heroes, produced an alcoholic, a bankrupt, and a suicide. Rogin argues that a history of Melville’s fiction, and of the society represented in it, is also a history of the writer’s family. He describes how that family first engaged Melville in and then isolated him from American political and social life. Melville’s brother and father-in-law are shown to link Moby-Dick to the crisis over expansion and slavery. White-Jacket and Billy Budd, which concern shipboard conflicts between masters and seamen, are related to an execution at sea in which Melville’s cousin played a decisive part. The figure of Melville’s father haunts The Confidence Man, whose subject is the triumph of the marketplace and the absence of authority. A provocative study of one of our supreme literary artists. |
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... Revolution to the Civil War. Family connections located the writer at the center of the dominant public issues of his time: Manifest Destiny, slavery, and capitalist expansion. But the radical terms on which his family enmeshed him in ...
... Revolution to the Civil War. Family connections located the writer at the center of the dominant public issues of his time: Manifest Destiny, slavery, and capitalist expansion. But the radical terms on which his family enmeshed him in ...
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... Revolution. In Cooper's discussion, however, noble ancestors do not sustain their businessmen descendants. Traders claim respect, in imitation of their progenitors, but they have not earned their inheritance. They clothe themselves in ...
... Revolution. In Cooper's discussion, however, noble ancestors do not sustain their businessmen descendants. Traders claim respect, in imitation of their progenitors, but they have not earned their inheritance. They clothe themselves in ...
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... revolutionary days and contemporary anxiety.14 The masquerade in The Red Rover ends with the revelation and re ... Revolution. The fictional De Laceys resemble the real New York De Lanceys, Cooper's wife's family (with whom he had ...
... revolutionary days and contemporary anxiety.14 The masquerade in The Red Rover ends with the revelation and re ... Revolution. The fictional De Laceys resemble the real New York De Lanceys, Cooper's wife's family (with whom he had ...
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... revolutionary tale of disguise, rebellion, and family reunion, The Spy. The Red Rover, written soon after The Spy and carrying forward its themes, also concludes in the Revolution. The Rover fights England as an outlaw, and Wilder is a ...
... revolutionary tale of disguise, rebellion, and family reunion, The Spy. The Red Rover, written soon after The Spy and carrying forward its themes, also concludes in the Revolution. The Rover fights England as an outlaw, and Wilder is a ...
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... revolutionary fathers, it was feared in the nineteenth century, separated family from work, and emancipated both from an integrating, higher political purpose. Herman Melville's grandfathers were merchant heroes of the Revolution. His ...
... revolutionary fathers, it was feared in the nineteenth century, separated family from work, and emancipated both from an integrating, higher political purpose. Herman Melville's grandfathers were merchant heroes of the Revolution. His ...
Contenido
SOCIETY | |
Herman Melvilles Eighteenth Brumaire | |
THE STATE | |
The Somers Mutiny and Billy Budd Melville in | |
Notes | |
Otras ediciones - Ver todas
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Rogin Vista previa limitada - 1985 |
Subversive Genealogy: The Politics and Art of Herman Melville Michael Paul Rogin Vista de fragmentos - 1983 |
Términos y frases comunes
Ahab Ahab’s Albany Allan Melvill American antebellum authority Bartleby Bartleby’s Battle-Pieces Benito Cereno Billy Budd Billy’s Boston brother buttons captain Civil confidence Confidence-Man conflict Cooper’s costume crew custom house death democratic dome Duyckinck escape father flogging freedom Gansevoort Melville Glendinning Guert Gansevoort Hawthorne heart Henry Herman Melville hero human Ibid imagined Indian Isabel Ishmael Israel Potter Jackson lawyer Lemuel Shaw Lincoln Mackenzie Mackenzie’s man’s Manifest Destiny Maria Melvill Marx masquerade Melvill to Peter Melville wrote Melville’s Melville’s fiction Moby Moby-Dick mother Mount Greylock mutiny narrator nature Neversink novel O’Sullivan Omoo Parker paternal Pequod Peter Gansevoort Philip Spencer Pierre Pierre’s poem Red Rover Redburn replaced Revolution revolutionary romance sailors San Dominick savage Shaw’s ship slave slavery SM/H social society Somers Spencer Stanwix stone story symbols Tartarus Theodore Parker Thomas Melvill Thoreau Tocqueville Vere Vere’s Webster whale whip White-Jacket York Young America