The Bookman, Volumen2Dodd, Mead and Company, 1890 |
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Página 10
... mean heart , ' murmured Cupid . What is your Profession ? " 66 My Professions are unlimited , ” said Cupid . 64 But you can't practise an unlim- ited- " " Of course not ; I only promise . ' 66 66 Really , you must be more precise ...
... mean heart , ' murmured Cupid . What is your Profession ? " 66 My Professions are unlimited , ” said Cupid . 64 But you can't practise an unlim- ited- " " Of course not ; I only promise . ' 66 66 Really , you must be more precise ...
Página 19
... means finding out what is important and unimportant , what you can afford and cannot afford to do . It means thinking out the results of every movement you set up in the reader's mind , how that movement will work into , help , or mar ...
... means finding out what is important and unimportant , what you can afford and cannot afford to do . It means thinking out the results of every movement you set up in the reader's mind , how that movement will work into , help , or mar ...
Página 20
... mean that you have lacked general con- ception of the subject , that the connec- tion between what you began and what you ended with is arbitrary or acciden- tal , instead of being logical and organic . It will mean that your mind has ...
... mean that you have lacked general con- ception of the subject , that the connec- tion between what you began and what you ended with is arbitrary or acciden- tal , instead of being logical and organic . It will mean that your mind has ...
Página 21
... mean- while , one usually goes under water all the same . I have no doubt that most of the stories which we have all written between the ages of fifteen and twenty were either in the autobiographical or the epistolary form , that they ...
... mean- while , one usually goes under water all the same . I have no doubt that most of the stories which we have all written between the ages of fifteen and twenty were either in the autobiographical or the epistolary form , that they ...
Página 22
... means a portion of the story is given with considerable efficacy ; the dialogue and gesture , so to speak , are made as striking as possible ; in fact , we get all the apparent lifelikeness of a play . I say the apparent lifelikeness ...
... means a portion of the story is given with considerable efficacy ; the dialogue and gesture , so to speak , are made as striking as possible ; in fact , we get all the apparent lifelikeness of a play . I say the apparent lifelikeness ...
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Pasajes populares
Página 506 - My poems represent, on the whole, the main movement of mind of the last quarter of a century, and thus they will probably have their day as people become conscious to themselves of what that movement of mind is, and interested in the literary productions which reflect it.
Página 316 - And the multitude of them that believed were of one heart and of one soul: neither said any of them that aught of the things which he possessed was his own; but they had all things common.
Página 396 - We live in better times ; and we are not afraid to say, that, though there were many clever men in England during the latter half of the seventeenth century, there were only two minds which possessed the imaginative faculty in a very eminent degree. One of those minds produced the Paradise Lost, the other the Pilgrim's Progress.
Página 420 - In all poor foolish things that live a day, Eternal beauty wandering on her way.
Página 224 - The fields breathe sweet, the daisies kiss our feet, Young lovers meet, old wives a-sunning sit; In every street these tunes our ears do greet: Cuckoo, jug-jug, pu-we, to-witta-woo! Spring, the sweet spring!
Página 472 - FIELD WHERE A THOUSAND CORPSES LIE. DO NOT WEEP, BABE, FOR WAR IS KIND. BECAUSE YOUR FATHER TUMBLED IN THE YELLOW TRENCHES, RAGED AT HIS BREAST, GULPED AND DIED, Do NOT WEEP. WAR is KIND.
Página 268 - BEHOLD me waiting — waiting for the knife. A little while, and at a leap I storm The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life. The gods are good to me : I have no wife, No innocent child, to think of as I near The fateful minute ; nothing ail-too dear Unmans me for my bout of passive strife.
Página xii - Floods of light on the ration d'ttre, origin, and methods of the dark figure that directs the destinies of our cities. ... So strongly imagined and logically drawn that it satisfies the demand for the appearance of truth in art.
Página 419 - But seek alone to hear the strange things said By God to the bright hearts of those long dead, And learn to chaunt a tongue men do not know.
Página 200 - There is something in the autumn that is native to my blood — Touch of manner, hint of mood; And my heart is like a rhyme, With the yellow and the purple and the crimson keeping time. The scarlet of the maples can shake me like a cry Of bugles going by.