Critical Essays of the Early Nineteenth CenturyRaymond Macdonald Alden C. Scribner's Sons, 1921 - 410 páginas |
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Página v
... tion , however , have been normalized to modern usage , and quotations corrected without special remark . The editor wishes to acknowledge his indebtedness to the apparatus in Professor Albert S. Cook's editions of Shelley's , Newman's ...
... tion , however , have been normalized to modern usage , and quotations corrected without special remark . The editor wishes to acknowledge his indebtedness to the apparatus in Professor Albert S. Cook's editions of Shelley's , Newman's ...
Página xiv
... tion , and to the stress laid upon it by his contempora- ries ; he knows the word still only in the old sense of a means to illusory embellishment , such as " an Irish peasant with a little whiskey in his head " is possessed of . " The ...
... tion , and to the stress laid upon it by his contempora- ries ; he knows the word still only in the old sense of a means to illusory embellishment , such as " an Irish peasant with a little whiskey in his head " is possessed of . " The ...
Página xv
... tion . . . . I am myself now entirely indifferent which word I use . ' " 9 11 See page 9. I have regretfully , for want of space , omitted the discussion of this topic as it appears in Wordsworth's state- ment of his theory and ...
... tion . . . . I am myself now entirely indifferent which word I use . ' " 9 11 See page 9. I have regretfully , for want of space , omitted the discussion of this topic as it appears in Wordsworth's state- ment of his theory and ...
Página xvii
... tion , the nature of Shakespeare's powers seemed to be not accidental or paradoxical , but in accord with the pro- founder laws of composition , apprehended naturally by genius . Of this doctrine Coleridge was the high priest . That he ...
... tion , the nature of Shakespeare's powers seemed to be not accidental or paradoxical , but in accord with the pro- founder laws of composition , apprehended naturally by genius . Of this doctrine Coleridge was the high priest . That he ...
Página xx
... tion - the relation of historic to appreciative criticism- in a single sentence which is worthy to stand at the head of every work devoted to the subject : " As a living poet must surely write , not for the ages past , but for that in ...
... tion - the relation of historic to appreciative criticism- in a single sentence which is worthy to stand at the head of every work devoted to the subject : " As a living poet must surely write , not for the ages past , but for that in ...
Otras ediciones - Ver todas
Critical Essays of the Early Nineteenth Century Raymond MacDonald Alden Sin vista previa disponible - 2016 |
Critical Essays of the Early Nineteenth Century: With Introduction and Notes ... Sin vista previa disponible - 2008 |
Términos y frases comunes
acter admiration appear Ariosto Banquo beauty called character Charles Lamb Coleridge Compare composition connected criticism Dante delight diction dramatic Edinburgh Review Edited effect essay excite expression eyes faculty Faerie Queene fancy feeling genius give Hamlet heart Homer human images imagination imitation interest judgment Julius Cæsar Keats King Lear language Lear Leigh Hunt less literature living Lord Byron Lyrical Ballads Macbeth manner means ment meter metrical Milton mind moral nature ness never object original Othello ottava rima Paradise Lost passage passion person Petrarch philosophical play pleasure poem poet poet's poetical poetry Pope present principle produced Professor of English prose reader reason rhyme Romeo and Juliet scene sense sentiment Shakespeare Spenser spirit stanza sublime supposed taste things thought tion tragedy true truth University verse whole words Wordsworth write
Pasajes populares
Página 216 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Página 212 - tis later, sir. Ban. Hold, take my sword. There's husbandry in heaven, Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Página 229 - Ingratitude ! thou marble-hearted fiend, More hideous when thou show'st thee in a child Than the sea-monster ! Alb.
Página 13 - Aristotle, I have been told, has said, that Poetry is the most philosophic of all writing : it is so : its object is truth^ not individual and local, but general, and operative ; not standing upon external testimony, but carried alive into the heart by passion...
Página 384 - The One remains, the many change and pass; Heaven's light forever shines, Earth's shadows fly; Life, like a dome of many-colored glass, Stains the white radiance of Eternity, Until Death tramples it to fragments.
Página 222 - The Lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic. Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
Página 3 - ... a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual way; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement.
Página 104 - DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination.
Página 162 - Made for our searching : yes, in spite of all, Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old and young, sprouting a shady boon For simple sheep ; and such are daffodils With the green world they live in...
Página 233 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.