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My heart is weary, my peace is gone, | And lo! as I beheld with awe

How shall I e'er my woes reveal?
I have no money, I lie in pawn,
A stranger in the town of Lille.

III.

The sun bursts out in furious blaze,
I perspirate from head to heel;
I'd like to hire a one-horse chaise,
How can I, without cash at Lille?

I pass in sunshine burning hot

By cafés where in beer they deal;
I think how pleasant were a pot,
A frothing pot of beer of Lille!

What is yon house with walls so thick,
All girt around with guard and
grille?

O gracious gods! it makes me sick,
It is the prison-house of Lille!

O cursed prison strong and barred,
It does my very blood congeal!
I tremble as I pass the guard,

And quit that ugly part of Lille.

The church-door beggar whines and
prays,

I turn away at his appeal :
Ah, church-door beggar! go thy ways!
You're not the poorest man in Lille.

My heart is weary, my peace is gone,
How shall I e'er my woes reveal ?
I have no money, I lie in pawn,

A stranger in the town of Lille.

IV.

Say, shall I to yon Flemish church,
And at a Popish altar kneel?
Oh, do not leave me in the lurch,
I'll cry, ye patron-saints of Lille!

Ye virgins dressed in satin hoops,

Ye martyrs slain for mortal weal, Look kindly down! before you stoops The miserablest man in Lille.

A pictured saint (I swear 'tis real), It smiled, and turned to grandmam

ma!

It did! and I had hope in Lille !

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But the red sun went down

In golden flame,

And though she looked round,
Yet no one came !

Presently came the night,
Sadly to greet her,-
Moon in her silver light,
Stars in their glitter;
Then sank the moon away
Under the billow,
Still wept the maid alone
There by the willow!

Through the long darkness,

By the stream rolling,
Hour after hour went on
Tolling and tolling.
Long was the darkness,
Lonely and stilly;
Shrill came the night-wind,
Piercing and chilly.

Shrill blew the morning breeze,

Biting and cold,

Bleak peers the gray dawn

Over the wold.

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II.

"Rouse thee, sir constable--
Rouse thee and look ;
Fisherman, bring your net,
Boatman your hook.
Beat in the lily-beds,
Dive in the brook!"

III.

Vainly the constable

Shouted and called her ; Vainly the fisherman

Beat the green alder, Vainly he flung the net, Never it hauled her!

IV.

Mother beside the fire Sat, her nightcap in; Father, in easy chair, Gloomily napping,

When at the window-sill Came a light tapping!

V.

And a pale countenance

Looked through the casement Loud beat the mother's heart,

Sick with amazement, And at the vision which

Came to surprise her, Shrieked in an agony "Lor! it's Elizar!"

VI.

Yes, 'twas Elizabeth

Yes, 'twas their girl; Pale was her cheek, and her Hair out of curl. "Mother!" the loving one, Blushing, exclaimed, "Let not your innocent Lizzy be blamed.

VII.

"Yesterday, going to aunt Jones's to tea,

Mother, dear mother, I

Forgot the door-key!

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There's lines from John Milton the | There's landscapes by Gruner, both

chamber all gilt on, And pictures beneath them that's shaped like a bow;

I was greatly astounded to think that that Roundhead

Should find an admission to famed
Pimlico.

O lovely's each fresco, and most picturesque O;

And while round the chamber astonished I go,

solar and lunar,

Them two little Doyles too, deserve

a bravo;

Wid de piece by young Townsend, (for janins abounds in't ;)

And that's why he's shuited to paint
Pimlico.

That picture of Severn's is worthy of rever'nce,

But some I won't mintion is rather
So so;

I think Dan Maclise's it baits all the For
pieces

Surrounding the cottage of famed
Pimlico.

Eastlake has the chimney, (a good one to limn he,)

And a vargin he paints with a sarpent below;

While bulls, pigs, and panthers, and other enchanthers,

Are painted by Landseer in sweet
Pimlico.

And nature smiles opposite, Stanfield he copies it;

O'er Claude or Poussang sure 'tis he that may crow:

But Sir Ross's best faiture is small mini-áture

He shouldn't paint frescoes in famed
Pimlico.

There's Leslie and Uwins has rather

small doings;

There's Dyce, as brave masther as
England can show;

And the flowers and the sthrawberries,
sure he no dauber is,
That_painted the panels of famed
Pimlico.

In the pictures from Walther Scott, never a fault there's got,

Sure the marble's as natural as thrue
Scaglio;

And the Chamber Pompayen is sweet to take tay in,

And ait butther'd muffins in sweet
Pimlico.

sweet philoso'phy, or crumpets and coffee,

O where's a Pavilion like sweet Pimlico?

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