Personal Adventures During the Indian Rebellion in Rohilcund, Futtehghur, and Oude, Volumen1Smith, Elder and Company, 1858 - 206 páginas |
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Términos y frases comunes
accompanied Agra arrived attack bank Bareilly Bithoor boat body Bramley Budaon Cawnpore Churcher cloth concealed danger Delhi Demy 8vo Dhunna Singh Dhurumpore district Donald Edition enemy escape Etah district Europeans Fcap feared fire Furruckabad Futtehghur garrison ghaut guard guns HARRIET MARTINEAU Havelock heard hope horse hour Hurdeo Buksh immediately India informed intelligence Jane Eyre JOHN WILLIAM KAYE joined Jones Khan Singh Kussowrah Kussuree leave letter Lord Metcalfe Lucknow massacred messenger miles miserable morning Multan Khan murder mutineers Nana's native Nawab never night Nynee Nynee Tal once Oude ourselves party passed Plates plunder poor Post 8vo price 12s Probyn protect Puttealee Ramgunga reached ready rebels received regiment remain reply reported river road Robertson rode Rohilcund Rohna rupees safe safety saying Seetah Ram seized sent sepoys soon sowars stream Subahdar Thakoors thought told troops village vols wife Wuzeer Singh zemindar
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Página 137 - That it may please thee to succour, help, and comfort, all that are in danger, necessity, and tribulation ; We beseech thee to hear us, good Lord.
Página 2 - Considered as an illustrated volume, this is the most remarkable which Mr. Ruskin has yet issued. The plates and woodcuts are profuse, and include numerous drawings of mountain form by the author, which prove Mr. Ruskin to be essentially an artist. He is an unique man , both among artists and writers.
Página 2 - The present volume of Mr. Ruskin's elaborate work treats chiefly of mountain scenery, and discusses at length the principles involved in the pleasure we derive from mountains and their pictorial representation. The singular beauty of his style, the hearty sympathy with all forms of natural loveliness, the profusion of his illustrations, and above all the earnest denunciation of cant, form irresistible attractions.
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Página 4 - Mr. Thackeray has selected for his hero a very noble type of the cavalier softening into the man of the eighteenth century, and for his heroine one of the sweetest women that ever breathed from canvas or from book, since Raffaelle painted and Shakepeare wrote. The style is manly, clear, terse, and vigorous, reflecting every mood — pathetic, grave, or sarcastic — of the writer.
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