The Best American Poetry 2007: Series Editor David Lehman

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David Lehman, Heather McHugh
Simon and Schuster, 2007 M09 11 - 192 páginas
The twentieth edition of The Best American poetry series celebrates the rich and fertile landscape of American poetry. Renowned poet Heather McHugh loves words and the unexpected places they take you; her own poetry elevates wordplay to a species of metaphysical wit. For this year's anthology McHugh has culled a spectacular group of poems reflecting her passion for language, her acumen, and her vivacious humor.

From the thousands of poems published or posted in one year, McHugh has chosen seventy-five that fully engage the reader while illustrating the formal and tonal diversity of American poetry. With new work by established poets such as Louise Glück, Robert Hass, and Richard Wilbur, The Best American Poetry 2007 also features such younger talents as Ben Lerner, Meghan O'Rourke, Brian Turner, and Matthea Harvey.

Graced with McHugh's fascinating introduction, the anthology includes the ever-popular notes and comments section in which the contributors write about their work. Series editor David Lehman's engaging foreword limns the necessity of poetry. The Best American Poetry 2007 is an exciting addition to a series committed to covering the American poetry scene and delivering great poems to a broad audience.

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Páginas seleccionadas

Contenido

Helen Ransom Forman Daily
36
Forrest Hamer Initiation
43
Jane Hirshfield Critique of Pure Reason
50
Galway Kinnell HideandSeek 1933
56
Ben Lerner From Angle of Yaw
63
Leslie Adrienne Miller On Leonardos Drawings
70
Meghan ORourke Peep Show
76
Ecstatic Cling
82
Frederick Seidel The Death of the Shah
94
David Shumate Drawing Jesus
101
Cody Walker Coulrophobia
108
Joe Wenderoth The Home of the Brave
114
Harriet Zinnes Remiss Rebut
120
Magazines Where the Poems Were First Published
162
Kazim Ali The Art of Breathing
165
Derechos de autor

David Rivard The Rev Larry Love Is Dead
88

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Página ix - The tide is full, the moon lies fair Upon the straits: — on the French coast the light Gleams and is gone ; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air ! Only, from the long line of spray Where the sea meets the moon-blanch'd land, Listen ! you hear the grating roar Of pebbles which the waves draw back, and fling, 10 At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow,...
Página ix - To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain ; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.
Página ix - Listen ! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin. With tremulous cadence slow, and bring The eternal note of sadness in.
Página ix - Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the Aegean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, ao Hearing it by this distant northern sea.
Página ix - But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another ! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant...
Página xviii - Fame is the one that does not stay Its occupant must die Or out of sight of estimate Ascend incessantly Or be that most insolvent thing A Lightning in the GermElectrical the embryo But we demand the Flame c.
Página viii - ... melody, Now roars, now murmurs with the changing sea, Now bird-like pipes, now closes soft in sleep: And one is of an old half-witted sheep Which bleats articulate monotony, And indicates that two and one are three, That grass is green, lakes damp, and mountains steep : And, Wordsworth, both are thine : at certain times Forth from the heart of thy melodious rhymes, The form and pressure of high thoughts will burst: At other times — good Lord ! I'd rather be Quite unacquainted with the ABC Than...
Página 103 - To yield to force is an act of necessity, not of will— at the most, an act of prudence. In what sense can it be a duty? Suppose for a moment that this socalled "right
Página 10 - Vowels loveless vessels we vow solo love we see love solve loss else we see love sow woe selves we woo we lose losses we levee we owe we sell loose vows so we love less well so low so level wolves evolve from New American Writing 11 A Voice from the City And why, Nephew, does this engine make you sad?

Acerca del autor (2007)

David Lehman, the series editor of The Best American Poetry, edited The Oxford Book of American Poetry. His eleven books of poetry include The Morning Line, Playlist, Poems in the Manner Of, New and Selected Poems, When a Woman Loves a Man, and The Daily Mirror. The most recent of his many nonfiction books is The Mysterious Romance of Murder: Crime, Detection, and the Spirit of Noir. He lives in New York City and Ithaca, New York.

Heather McHugh is the author of numerous books of poetry, including Eyeshot and Hinge & Sign. She teaches at the University of Washington in Seattle and at Warren Wilson College in North Carolina.

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