tion which, considering the undoubted merit of his play, "The Man of the World," appears all but incredible. It is, however, certain that he was coarse, illiterate, and unfeeling; and the manner in which he suffered the Dublin manager to depart from the engagements into which he had entered with poor Holcroft does very little honour to his principles.

For the next seven years our luckless adventurer was tossed about the world as a strolling player, taking all parts, but succeeding best in old men and low comedy, singing in choruses, filling the post of prompter-always penniless, and sometimes nearly starved. At the end of that time his prospects improved; some family connection (it is not said what) threw him upon the powerful protection of the Grevilles and the Crewes, and we find him numbered in the Drury Lane company, and complaining in a letter to Sheridan of walking in processions, and playing the part of a dumb steward in "Love for Love."

Nevertheless, matters are mending. He takes a house in London, marries a second wife, becomes a recognised author, and is employed by the London booksellers to write an account of the riots of 1780. Whilst attending the Old Bailey trials for that purpose, he was happy enough to save the life of an innocent man, who had nearly been condemned through the mistake of a witness.

Things go better. He brings out his less-known novels, his least celebrated, but still successful plays; and becomes one of the best and most voluminous translators upon record. If ever one happens to take up an English version of a French or German book of that period-" Memoirs of Baron Trenck," or "Caroline de Litchfeld"—and if that version have in it the zest and savour of original writing, we shall be sure to find the name of Thomas Holcroft in the title-page.

One of his translating feats was remarkable. Beaumarchais' wonderful play of "Figaro," was carrying the world before it in Paris; and would be sure to make the fortune of an English theatre. But the comedy was unpublished, and no copy could be procured from any quarter. Holcroft made up his mind to attend the performance every evening until he had fixed the whole work in his memory. He took a friend with him, and they wrote down their several recollections on their return, very literally comparing notes. When it is remembered that the "Marriage of Figaro" is the longest play in the French language, the effort of a foreigner bringing the whole away in a week or ten days will appear most extraordinary, for not the slightest memorandum could be made in the theatre. His translation under the name of "Follies of a Day" appeared almost immediately at Covent Garden, producing him six hundred pounds

from the manager, besides a large sum for the copyright.

This was perhaps the happiest time of Mr. Holcroft's life-this and a few succeeding years. His comedies, "Duplicity," "The School for Arrogance," and "The Road to Ruin," evinced talent (I had well nigh written genius) of the highest order. The serious parts above all are admirable. Perhaps no scenes have ever drawn so many tears as those between the father and the son in the last-mentioned play. The famous "Good Night" is truly the one touch of nature that makes the whole world kin; and although I have seen it played as well as anything can be played by Munden and Elliston, I have always felt that the real merit belonged to the author. His greater novels, too, "Anna St. Ives" and "Hugh Trevor," were full of powerful writing; and he seemed destined to a long course of literary prosperity. A terrible domestic grief came to break the course of this felicity. I transcribe Mr. Hazlitt's narrative:

"William Holcroft was his only son, and favourite child; and this very circumstance, perhaps, led to the catastrophe which had nearly proved fatal to his father, as well as to himself. He had been brought up, if anything, with too much care and tenderness; he was a boy of extraordinary capacity, and Mr. Holcroft thought no pains should be spared for his instruction and improvement. From the first,

however, he had shown an unsettled disposition; and his propensity to ramble was such, from his childhood, that when he was only four years old, and under the care of an aunt in Nottingham, he wandered away to a place at some distance, where there was a coffee-house, into which he went, and read the newspapers to the company, by whom he was taken care of, and sent home. This propensity was so strong in him, that it became habitual, and he had run away six or seven times before the last.

"On Sunday, November 8th, 1789, he brought his father a short poem. A watch, which had been promised to him as a reward, was given to him ; his father conversed with him in the most affectionate manner, praised, encouraged him, and told him that, notwithstanding his former errors and wanderings, he was convinced he would become a good and excellent man. But he observed, when taking him by the hand to express his kindness, that the hand of the youth, instead of returning the pressure as usual, remained cold and insensible. This, however, at the moment was supposed to be accidental. He seemed unembarrassed, cheerful, and asked leave without any appearance of design or hesitation to dine with a friend in the city, which was immediately granted. He thanked his father, went down stairs, and several times anxiously inquired whether his father were gone to dress.

As soon as he was told that he had left his

room, he went up stairs again, broke open a drawer, and took out forty pounds. With this, the watch, a pocket-book, and a pair of pistols of his father's, he hastened away to join one of his acquaintances, who was going to the West Indies. He was immediately pursued to Gravesend, but ineffectually. It was not discovered till the following Wednesday that he had taken the money. After several days of the most distressing inquietude, there appeared strong presumptive proof that he, with on board the Fame,' his acquaintance, was Captain Carr, then lying in the Downs. The father and a friend immediately set off, and travelled post all Sunday night to Deal. Their information proved true, for he was found to be on board the Fame,' where he assumed a false name, though his true situation was known to the Captain. He had spent all his money, except fifteen pounds, in paying for his passage, and purchasing what he thought he wanted. He had declared he would shoot any person who came to take him; but that if his father came he would shoot himself. His youth, for he was but sixteen, made the threat appear incredible. The pistols, pocket-book, and remaining money were locked up in safety for him by his acquaintance. But he had another pair of pistols concealed. Mr. Holcroft and his friend went on board, made inquiries, and understood he was there. He had retired into a dark part of the steerage. When