Motives, 658; Grades of, 659 note. Musical rhythm, Overtones of, 190. NARRATION (Chap. xv), 511; Defini- tion of, 512; THE ART OF, 513; Narrative movement, Aid from, in de- Narrative touches, 504. Narratives, Combination of, 537. NEGATION, 268; degrees of, 268. Neologisms, 62. Newspaper words, 63; criticism, 592. Nucleus of description, The, 483. Observation, The spirit of, 397; sketches Obverse, The, as repetition, 466; in ex- Occasion, The response to, 393. Onomatopoetic words and coloring, 160. Order of arguments in debate, 639; of PHRASEOLOGY (Chap. viii), 223. Picturing power of language, in poetic Plan, the making of the, 432; append- Pliancy of the recitative measures, 197. Plots, Interwoven, 538. POETIC DICTION AND ITS INTER- ACTIONS WITH PROSE (Chap. vi), POETIC RHYTHM, Elements OF, 172. IN POETRY AND IN PROSE, 141; Poetry, Descriptive, 508. Point of view, 481; The traveller's, 506. conditioned, 504; Panoramic, 505. Precision, as aspect of clearness, 29. Prefacing statement, 288. Preliminary paragraph, The, 381; ends Premises, 616. Preparation of question, in debate, 635. Preparative elements in movement, 525. PRESENT USE of words, 61. Presentive words, 117. Principle of division, The, 570. Progress in plan, Manner of, 439; Nat- Prominence, Law of, in retrospective Proportion in paragraph, Claims of, 375. Relation and arrangement, Principles of, REPETITION, 302; in disguise, 305; of Repose, The element of, 42. Reproduction of thought, Forms of, 582. Residues, The method of, 625. Rhyme, 158; in prose diction, 158. (Chap. vii), 171; Poetic, elements of, Romance and novel, 551. Saxon derivatives, 70. SCHOLARLY USE of words, 68. SENSE OF LITERARY FORM, THE, 390. tion of, 311; ORGANISM OF, 312; Sequence, in plan headings, 440. Sequential conjunctions, 267. Setting, Influence of poetic, in diction, 145. Shades of meaning, 47. Shall and will, 233. Short sentence, The, in diction, 345. Similarity and contrast, Law of, in Simile, 77; in description, 494. Sound, Language employed for qualities Sounds in sequence and repetition, 156. Split infinitive, The, 230. Stages of progress in plan, Natural, STANDARD PROSE DICTION, 109. rhymed, 184; ode, 185; elegiac, 186; Stock expressions, 73. Stress, Concentration of, in collocation, Structure, Landmarks of, in completed Style, as division of rhetoric, 9; IN GENERAL (Book 1), 13; NATURE Subconscious mental action, Avails of, Subdual of descriptive details, 486; of Subject, of sentence, 313; of compo- Subjective description, 502. Subordinating class of conjunctions, 265. SUPPORT FROM SELF-CULTURE, THE, Supporting medium, The, in story, 530. SUSPENSION, 279; Workmanship of, 280. 618; in enlargement, 620. Symbolic element, The, 117; words, 117. SYMBOLS OF THINGS, EXPOSITION OF THE, 575. Synchronism of events, 540. Synonyms, 47. Synonymy in exposition, 576. SYNTACTICAL ADJUSTMENTS, 223. Taste, relation to writing, 21; as basis Tautology, 307. Technicalisms, 56. Temperament of qualities, 41. THEME, THE, 421; Definition of, 421; as related to subject, 421; Signifi- THINGS, EXPOSITION OF, 557. Thought-building, Orders of, 446. THREE IDIOMS, 232. OF THE, 135. Topic of paragraph, Prominence of, 359; Total effect, Problem of, in description, Transitional paragraph, The, 381. Travel and observation, Sketches of, 509. Tributary portions, of sentence, The, Trisyllabic feet, 176. Trochaic measure, 175. TYPES, THE LITERARY (Book v), 475. Unamplified expression, The province of, 460. Understatement, 105; of emotion, 656. Untranslatable, The, 589 footnote. Utility, as standard of prose choice, 109. Value, Practical, of figures, 75. Variety, Claims of, in sentence stress, 342. Vehicle of THE STORY, THE, 529. Vigor, Condensation for, 295; of narra- Vision, 98. Vocabulary of prose, 109. Waiving, in debate, 638. Will, Appeal to the, in oratory, 657; as TION (Chap. iii), 46; AND FIG- Written discourse for public delivery, I22. Written diction, 126; Mechanical aids |