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'You won't do it with three column of slushy headline, believe me. They don't sit up as quickly as some people.'

'I'm beginning to think that too. Does nothing make any difference in this country?' he said, looking out of the window. How old is that farmhouse?'

'New. It can't be more than two hundred years at the most.'

'Um. Fields, too?'

'That hedge there must have been clipped for about eighty years.'

'Labour cheap-eh ?'

'Pretty much. Well, I suppose you'd like to try the Times, wouldn't you?'

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'No,' said Keller, looking at Winchester Cathedral. Might as well try to electrify a hay-rick. And to think that the World would take three columns and ask for more-with illustrations too! It's sickening.'

'But the Times might,' I began.

Keller flung his paper across the carriage, and it opened in its austere majesty of solid type-opened with the crackle of an encyclopædia.

'Might! You might work your way through the bow-plates of a cruiser. Look at that first page!'

'It strikes you that way, does it?' I said. 'Then I'd recommend you to try a light and frivolous journal.'

'With a thing like this of mine-of ours? It's sacred history!'

I showed him a paper which I conceived would be after his own heart, in that it was modelled on American lines.

'That's homey,' he said, 'but it's not the real thing. Now, I should like one of these fat old Times' columns. Probably there'd be a bishop in the office, though.'

When we reached London Keller disappeared in the direction of the Strand. What his experiences may have been I cannot tell, but it seems that he invaded the office of an evening paper at 11.45 a. m. (I told him English editors were most idle at that hour), and mentioned my name as that of a witness to the truth of his story.

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I was nearly fired out,' he said furiously at lunch. As soon as I mentioned you, the old man said that I was to tell you that they didn't want any more of your practical jokes, and that you knew the hours to call if you had anything to sell, and that they'd see you condemned before they helped to puff one of your infernal yarns in advance. Say, what record do you hold for truth in this city, anyway?

6

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A beauty. You ran up against it, that's all. Why don't you leave the English papers alone and cable to New York? Everything goes over there.'

'Can't you see that's just why ?' he repeated.

'I saw it a long time ago. You don't intend to cable, then?'

'Yes, I do,' he answered, in the over-emphatic voice of one who does not know his own mind.

That afternoon I walked him abroad and about, over the streets that run between the pavements like channels of grooved and tongued lava, over the bridges that are made of enduring stone, through subways floored and sided with yard-thick concrete, between houses that are never rebuilt, and by river steps hewn to the eye from the living rock. A black fog chased us into Westminster Abbey, and, standing there in the darkness, I could hear the wings of the dead centuries circling round the head of Litchfield A. Keller, journalist, of Dayton, Ohio, U. S. A., whose mission it was to make the Britishers sit up.

He stumbled gasping into the thick gloom, and the roar of the traffic came to his bewildered ears.

'Let's go to the telegraph office and cable,' I said. 'Can't you hear the New York World crying for news of the great sea-serpent, blind, white, and smelling of musk, stricken to death by a submarine volcano, assisted by his loving wife to die in midocean, as visualised by an independent American citizen, a breezy, newsy, brainy newspaper man of Dayton, Ohio? 'Rah for the Buckeye State. Step lively! Both gates! Szz! Boom-ah!' Keller was a Princeton man, and he seemed to need encouragement.

'You've got me on your own ground,' said he, tugging at his overcoat pocket. He pulled out his copy, with the cable forms-for he had written out his telegram-and put them all into my hand, groaning, 'I pass. If I hadn't come to your cursed country-if I'd sent it off at Southampton-if I ever get you west of the Alleghanies, if'

'Never mind, Keller. It isn't your fault. It's the fault of your country. If you had been seven hundred years older you'd have done what I'm going to do.'

'What are you going to do?'

'Tell it as a lie.'

'Fiction?' This with the full-blooded disgust of a journalist for the illegitimate branch of the profession.

lie.'

'You can call it that if you like. I shall call it a

And a lie it has become, for Truth is a naked lady, and if by accident she is drawn up from the bottom of the sea, it behoves a gentleman either to give her a print petticoat or to turn his face to the wall, and vow that he did not see.

THE LOST LEGION.

WHEN the Indian Mutiny broke out, and a little time before the siege of Delhi, a regiment of Native Irregular Horse was stationed at Peshawur on the frontier of India. That regiment caught what John Lawrence called at the time 'the prevalent mania' and would have thrown in its lot with the mutineers, had it been allowed to do so The chance never came, for, as the regiment swept off down south, it was headed off by a remnant of an English corps into the hills of Afghanistan, and there the newly conquered tribesmen turned against it as wolves turn against buck. It was hunted for the sake of its arms and accoutrements from hill to hill, from ravine to ravine, up and down the dried beds of rivers and round the shoulders of bluffs, till it disappeared as water sinks in the sand-this officerless rebel regiment. The only trace left of its existence to-day is a nominal roll drawn up in neat round hand and countersigned by an officer who called himself, Adjutant, late Irregular Cavalry.' The paper is yellow with years and dirt, but on the back

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Copyright, 1892, by Rudyard Kipling.

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