...futtle and fine, but more fimple, fenfuous, and paffionate. I me art not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which \iaAriJlotlcs poetics, in Horace, and the Italian commentaries of Cajtelvetro, Tajo,....

...futtle and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; bur that fublime art which in Arijlotles poetics, in Horace, and the Italian commentaries of Caftefaetro,...

...(if again. I may ufe the nerypus expreffion of the fame Great Man*) the profpdy of a verfe, which one could not but have hit on before among the rudiments of Grammar; but that Sublime^ Art which, in Arijlotles POETICS, teaches what the Laws are of a • true Epic foem, ..what of a Dramatic, what of...

...fubtile and fine, but more fimple, fenfoous and paflionate. I mean not here the profody of a verle, which they could not but have hit on before among the rudiments of grammar; but that fublime art, which in Ariftotlc's Poetics, in Horace, and the Italian commentaries of Caftlevetro,...

...own, to which appeal may be made. ' Not the mere prosody of a verse,' to adopt Milton's language, ' but that sublime art which in Aristotle's poetics, in ' Horace, and the Italian commentaries of Castelvetro, Tasso, ' Mazzoni, and others, teaches what the laws are of a true epic ' poem, what of...

...fubtile and fine, but more fimple, fenfuous, and paffionate. I mean not here the profody of a verfe, which they could not but have hit on before among the rudiments of grammar; but that fublime art which in Ariftotle's poetics, in Horace, and the Italian commentaries of Caftlevetro, Taffo,...

...of those writers on the art of poetry, whom the young are to consult : " I mean not here, (says he) the prosody of a verse, which they could not but have...but that sublime art, which, in Aristotle's poetics, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the CHAP, vin....

...poetry would be made subsequent, or, indeed, rather precedent, as being lesse subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazsoni, and others, teaches what the laws are of a true Epic poem, what of a dramatic,...

...to which Poetry would be made subsequent, or indeed rather precedent, as less subtle and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvettro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a...

...which, poetry would be made subsequent, or indeed rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate. I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic,...