Narrative Prosthesis: Disability and the Dependencies of DiscourseNarrative Prosthesis: Disability and the Dependencies of Discourse develops a narrative theory of the pervasive use of disability as a device of characterization in literature and film. It argues that, while other marginalized identities have suffered cultural exclusion due to a dearth of images reflecting their experience, the marginality of disabled people has occurred in the midst of the perpetual circulation of images of disability in print and visual media. The manuscript's six chapters offer comparative readings of key texts in the history of disability representation, including the tin soldier and lame Oedipus, Montaigne's "infinities of forms" and Nietzsche's "higher men," the performance history of Shakespeare's Richard III, Melville's Captain Ahab, the small town grotesques of Sherwood Anderson's Winesburg, Ohio and Katherine Dunn's self-induced freaks in Geek Love. David T. Mitchell is Associate Professor of Literature and Cultural Studies, Northern Michigan University. Sharon L. Snyder is Assistant Professor of Film and Literature, Northern Michigan University. |
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Contenido
1 | |
15 | |
Chapter 2 Narrative Prosthesis and the Materiality of Metaphor | 47 |
Chapter 3 Montaignes Infinities of Formes and Nietzsches Higher Men | 65 |
The Making and Unmaking of Richard III | 95 |
Chapter 5 The Language of Prosthesis in MobyDick | 119 |
Literary Contortions of the Disabled Body | 141 |
Disability Representations in These Times | 163 |
Notes | 179 |
Works Cited | 197 |
Index | 207 |
Otras ediciones - Ver todas
Narrative Prosthesis: Disability and the Dependencies of Discourse David T. Mitchell,Sharon L. Snyder Vista previa limitada - 2000 |
Narrative Prosthesis: Disability and the Dependencies of Discourse David T. Mitchell,Sharon L. Snyder Vista de fragmentos - 2000 |
Narrative Prosthesis: Disability and the Dependencies of Discourse David T. Mitchell,Sharon L. Snyder Vista de fragmentos - 2000 |
Términos y frases comunes
ability aesthetic Ahab Ahab’s Anderson’s anomalies argues arti‹cial artistic Arty’s audience belief biological bodily body’s catalog chapter characterization contemporary crip cripples critical critique ctional cultural de‹ne de‹nition deformity demonstrate depictions deviance disability scholars disability studies disability subjectivity disability’s disabled body disabled characters discourses discussion Dunn’s embodied essay euthanasia evidence experience freak show Geek Love grotesque gures historical human hunchback ical identi‹cation identity ideological images in‹nities in›uence in›uential interpretation interrogates literary narratives literature lives meaning Melville Melville’s metaphor Moby-Dick monstrosity Montaigne Montaigne’s moral narrative prosthesis narrator nature Nietzsche Nietzsche’s normalcy norms novel ofthe Olympia one’s performance perspective philosophical physical and cognitive physical differences physiognomy play ples political Pope’s portraits postmodern prosthetic protagonist proves provides re›ection representations of disability Richard Richard III seek Shakespeare’s signi‹cance social realism Socrates speci‹c Steadfast Tin Soldier story surface symbolic textual theory tion tradition Übermensch Victorian Winesburg writers Zarathustra