Ham. Why, 'As by lot, God wot,' and then you know, 'It came to pass, as most like it was.' The first row of the pious chanson will shew you more: for look, where my abridgment comes. Enter Four or Five Players. You are welcome, masters; welcome, all :—I am glad to see thee well:-welcome, good friends.-O, my old friend! Thy face is valanced 13 since I saw thee last; comest thou to beard me in Denmark?—What! my young lady and mistress! By-'r-lady, your ladyship is nearer heaven, than when I saw you last, by the altitude of a chopine.14 Pray God, your voice, like a piece of uncurrent gold, be not cracked within the ring.15——] -Masters, you are all welcome. We'll e'en to 't like French falconers, fly at anything we see: we'll have a speech straight: come, give us a taste of your quality; come, a passionate speech. First Play. What speech, my lord? Ham. I heard thee speak me a speech once-but it was never acted; or, if it was, not above once; for the play, I remember, pleased not the million; 'twas caviare to the general: 16 but it was (as I received it, and others, whose judgments, in such matters, cried in the top of mine) an excellent play; well digested in the scenes; set down with as much modesty as cunning. I remember, one said, there were no sallets in the lines,17 to make the matter savoury; nor no matter in the phrase that might indict the author of affectation; but called it, an honest method, as wholesome as sweet, and by very much more handsome than fine. One chief speech in it I chiefly loved: 'twas Eneas' tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter: if it live in your memory, begin at this line; let me see, let me see ;— The rugged Pyrrhus, like the Hyrcanian beast, It is not so; it begins with Pyrrhus :— The rugged Pyrrhus-he, whose sable arms, To their vile murders: roasted in wrath and fire, With eyes like carbuncles, the hellish Pyrrhus So proceed you. Pol. My lord, well spoken; with good accent, and good discretion. First Play. Anon he finds him Striking too short at Greeks; his antique sword, Repugnant to command: unequal match'd, Pyrrhus at Priam drives; in rage But with the whiff and wind of his fell sword The unnerved father falls. Then senseless Ilium, Of reverend Priam, seem'd i' the air to stick : But, as we often see, against some storm, On Mars's armours, forg'd for proof eterne, Out, out, thou strumpet, Fortune! All you gods, Break all the spokes and fellies from her wheel, As low as to the fiends! Pol. This is too long. Ham. It shall to the barber's, with your beard.-Prithee, say on-he's for a jig or a tale, or he sleeps:-say on; come to Hecuba. First Play. But who, O who, had seen the mobled queen- Pol. That's good: mobled queen is good. First Play. Run barefoot up and down, threat'ning the flame A blanket, in the alarm of fear caught up ;- Would have made milch the burning eyes of heaven, And passion in the gods. Pol. Look, whether he has not turn'd his colour, and has tears in his eyes.-Pray you, no more. Ham. 'Tis well; I'll have thee speak out the rest soon.-Good my lord, will you see the players well bestowed? Do you hear, let them be well used; for they are the abstracts and brief chronicles of the time: after your death you were better have a bad epitaph than their ill report while you live. Pol. My lord, I will use them according to their desert. Ham. Odds bodikins, man, better: use every man after his desert, and who should 'scape whipping? Use them after your own honour and dignity: the less they deserve, the more merit is in your bounty. Take them in. Pol. Come, sirs. Ham. Follow him, friends: we'll hear a play to-morrow. [Exit POLONIUS with all the Players, except the First. Dost thou hear me, old friend; can you play the Murder of Gonzago ? First Play. Ay, my lord. Ham. We'll have 't to-morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down, and insert in 't? could you not? First Play. Ay, my lord. Ham. Very well.-Follow that lord; and look you mock him not. [Exit First Player.] My good friends [To ROSENCRANTZ and GUILDENSTERN], I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord! [Exeunt ROSENCRANTZ and GUILDENSTERN. Ham. Ay, so, good-bye t' you.-Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, That I have? He would drown the stage with tears, Confound the ignorant; and amaze, indeed, The very faculties of eyes and ears.-Yet I, Who calls me villain? breaks my pate across? Why, what an ass am I ! This is most brave, Fie upon 't! foh! About, my brain! I have heard For murder, though it have no tongue, will speak |