Veneering, that art of covering cheap or ordinary wood with a thin covering of more ornamental and valuable wood, known from the days of the Egyptians, has been vastly extended by modern machinery. The practice, however, so emphatically denounced centuries ago by Pliny, as "the monstrous invention of paint and dyes applied to the woods or veneers, to imitate other woods," has yet its practitioners and admirers.

T. M. Brunel, in 1805-1808, devised a set of circular saws run by a steam engine, which cut sheets of rosewood and mahogany, one-fourteenth of an inch thick, with great speed and accuracy. Since that day the veneer planing machine, for delicately smoothing the sheets, the straightening machine, for straightening scrolls that have been cut from logs, the polishing machines for giving the sheets their bright and glossy appearance, the pressing machine for applying them to the surfaces to which they are to be attached, the hammering machine for forcing out superfluous glue from between a veneer and the piece to which it is applied; all of these and numerous modifications of the same have been invented, and resulted in placing in the homes everywhere many beautiful ornamental articles of furniture, which before the very rich only could afford to have.

Special forms of machinery for making various articles of wood are about as numerous as the articles themselves.

We appear before the house and know before entering that its doors and sills, clapboards and window frames, its sashes and blinds, its cornices, its embrasures and pillars, and shingles, each or all have had a special machine invented for its manufacture. We enter the house and find it is so with objects

within the flooring may be adorned with the beautiful art of marquetry and parquetry, wood mosaic work, the wainscoting and the frescoes and ceilings, the stairs and staircases, its carved and ornamental supporting frames and balusters, the charming mantel frames around the hospitable fireplaces, and every article of furniture we see in which wood is a part. So, too, it is with every useful wooden implement and article within and without the house,-the trays, the buckets, the barrels, the tubs, the clothes-pins, the broom-handles, the mops, the ironing and bread boards; and outside the house, the fences, railings and posts-many of these objects entirely unknown to the poor of former generations, uncommon with the rich, and the machinery for making them unknown to all.

It was a noble array of woodwork and machinery with which the nations surprised and greeted the world, at each of its notable international Expositions during the century. Each occasion surpassed its predecessor in the beauty of construction of the machines displayed and efficiency of their work. The names of the members of this array were hard and uncouth, such as the axe, the adze, and the bit, the auger, bark-cutting and grinding machines, blindslat boring, and tenoning, dovetail, mortising, matching and planing, wood splitting, turning, wheeling and planing, wood-bending, rim-boring dowelling, felly-jointing, etc., etc. These names and the clamour of the machines were painful to the ear, but to the thoughtful, they were converted into sweeter music, when reflection brought to mind the hard toil of human hands they had saved, the before unknown comforts and blessings of civilisation they had brought and were bringing to the human race, and the enduring forms of beauty they had produced.

To the invention of wood-working machinery we are also indebted for the awakening of interest in the qualities of wood for a vast number of artistic purposes. It was a revelation, at the great Philadelphia Exposition of 1876, to behold the specimens of different woods from all the forests of the earth, selected and assembled to display their wonderful grain and other qualities, and showing how well nature was storing up for us in its silent shades those growths which were waiting the genius of invention to convert into forms of use and beauty for every home.

CHAPTER XXII.

FURNITURE.

So far as machinery is concerned for converting wood into furniture, the same has been anticipated in the previous chapter, but much remains to be said about the articles of furniture themselves.

Although from ancient days the most ancient countries provided by hand elaborate and beautiful articles of furniture of many descriptions, yet it has been left for modern advances in machinery and kindred arts to yield that universal supply of convenient and ornamental furniture which now prevails.

The Egyptians used chairs and tables of a more modern form than the Greeks or Romans, who lolled about on couches even at their meals; but the Egyptians did not have the convenient section tables built in sliding sections, which permit the table to be enlarged to accommodate an increased number of guests. And now recently this modern form of table has been improved, by arranging the sections and leaves so that when the sections are slid out the leaves are automatically raised and placed in position, which is done either by lazy-tongs mechanism, or by a series of parallel links: Tables constructed with folding detachable and adjustable legs, tables constructed for special purposes as sewing machines, and typewriting machine tables, by which the machine head may be dropped beneath the table top when

not in use; tables combined with desks wherein the table part may be slid into the desk part when not in use and the sliding cover pulled down to cover and lock from sight both the table and desk; surgical tables, adapted to be raised or lowered at either end or at either side and to be extended; "knock down " tables, adapted to be taken all apart for shipment or storage; tables combined with chairs to be folded down by the side of the chair when not in use; and many other useful forms have been added to the list.

Much ingenuity has been displayed in the construction of desks, to save and economise space. Mention has been made of a combined folding desk and extensible table. Another form is an arrangement of desk drawers, whereby when one drawer is locked or unlocked all the rest are locked

or unlocked automatically. Whatever shape or function anyone desires in a desk may be met, except, perhaps, the performance of the actual work of the occupant.

In the matter of beds, the principal developments have been due to the advancement of wood-working machinery, and the manufacture of iron, steel, and brass. The old-fashioned ponderous bedsteads, put together by heavy screws, have given way to those mortised and tenoned, joined and matched, and by which they can easily be put up and taken down; and to iron and brass bedsteads, which are both ornamental and more healthful. No bed may be without an inexpensive steel spring frame or mattress for the support of the bedding. Folding beds made to economise space, and when folded upright become an ornamental bureau; and invalid bedsteads, designed for shifting the position of the invalid, are among the many modern improvements.

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