The mind is a kind of theatre, where several perceptions successively make their appearance ; pass, repass, glide away, and mingle in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different,... The Principles of Psychology - Página 342por William James - 1890 - 1393 páginasVista completa - Acerca de este libro
| David Hume - 1826 - 508 páginas
...nor is there any ""'"other"' single power of the soul, which remains unalterably i"i^!™)uiiyf *-he same, perhaps for one moment. The mind is a kind of...notion of the place where these scenes are represented, or of the materials of which it is composed. What then gives us so great a propension to ascribe an... | |
| David Hume - 1854 - 470 páginas
...metaphysicians of this kind, I may venture to affirm of the rest of mankind, that they are nothing but a bundle or collection of different perceptions, which...notion of the place where these scenes are represented, or of the materials of which it is composed. What then gives us so great a propension to ascribe an... | |
| Robert Chambers - 1854 - 374 páginas
...consciousness of his own identity, is a similar series of impressions. " The mind," says the author, " is a kind of theatre, where several perceptions successively...notion of the place where these scenes are represented, or of the materials of which it is composed."1 From such a conclusion, the passage to scepticism on... | |
| Dugald Stewart - 1858 - 548 páginas
...where several perceptions successively make their appearance ; pass, repass, glide away, and mingle iu an infinite variety of postures and situations. There...notion of the place where these scenes are represented, or of the materials of which it is composed."1 We have thus, according to Hume, no apprehension or... | |
| David Hume - 1854 - 468 páginas
...perceptions successively make their appearance ; pass, repass, glide away, and mingle in an infinite varicty of postures and situations. There is properly no simplicity...notion of the place where these scenes are represented, or of the materials of which it is composed. What then gives us so great a propension to ascribe an... | |
| Victor Cousin - 1855 - 650 páginas
...glide away and mingle in an infinite variety of postures and situations The comparison of the theater must not mislead us. They are the successive perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed." — p. 313. Now even if it should be admitted with Hume,... | |
| Dugald Stewart - 1858 - 556 páginas
...succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...notion of the place where these scenes are represented, or of the materials of which it is composed."1 We have thus, according to Hume, no apprehension or... | |
| David Hume - 1874 - 604 páginas
...metaphysicians of this kind, I may venture to affirm of the rest of mankind, that they are nothing but a bundle or collection of different perceptions, which...distant notion of the place, where these scenes are SECT. represented, or of the materials, of which it is compos'd.1 . ^ What then gives us so great a... | |
| William Jackson - 1874 - 436 páginas
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed." It is curious that Hume wishing to represent Mind as... | |
| William Jackson - 1874 - 432 páginas
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed." It is curious that Hume wishing to represent Mind as... | |
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