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thought of the pack per se. What a thought is, and what it may be developed into, or explained to stand for, and be equivalent to, are two things, not one.*

An analysis of what passes through the mind as we utter the phrase the pack of cards is on the table will, I hope, make this clear, and may at the same time condense into a concrete example a good deal of what has gone before.

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It takes time to utter the phrase. Let the horizontal line in Fig. 29 represent time. Every part of it will then stand for a fraction, every point for an instant, of the time. Of course the thought has time-parts. The part 2-3 of it, though continuous with 1-2, is yet a different part from 1-2. Now I say of these time-parts that we cannot take any one of them so short that it will not after some fashion or other be a thought of the whole object 'the pack of cards is on the table.' They melt into each other like dissolving views, and no two of them feel the object just alike, but each feels the total object in a unitary undivided way. This is what I mean by denying that in the thought any parts can be found corresponding to the object's parts. Time-parts are not such parts.

* I know there are readers whom nothing can convince that the thought of a complex object has not as many parts as are discriminated in the object itself. Well, then, let the word parts pass. Only observe that these parts are not the separate 'ideas' of traditional psychology. No one of them can live out of that particular thought, any more than my head can live off of my particular shoulders. In a sense a soap-bubble has parts; it is a sum of juxtaposed spherical triangles. But these triangles are not separate realities; neither are the parts' of the thought separate realities. Touch the bubble and the triangles are no more. Dismiss the thought

and out go its parts. You can no more make a new thought out of 'ideas' that have once served than you can make a new bubble out of old triangles. Each bubble, each thought, is a fresh organic unity, sui generis.

Now let the vertical dimensions of the figure stand for the objects or contents of the thoughts. A line vertical to any point of the horizontal, as 1-1', will then symbolize the object in the mind at the instant 1; a space above the horizontal, as 1-1'-2'-2, will symbolize all that passes through the mind during the time 1-2 whose line it covers. The entire diagram from 0 to 0' represents a finite length of thought's stream.

Can we now define the psychic constitution of each vertical section of this segment? We can, though in a very rough way. Immediately after 0, even before we have opened our mouths to speak, the entire thought is present to our mind in the form of an intention to utter that sentence. This intention, though it has no simple name, and though it is a transitive state immediately displaced by the first word, is yet a perfectly determinate phase of thought, unlike anything else (see p. 253). Again, immediately before 0', after the last word of the sentence is spoken, all will admit that we again think its entire content as we inwardly realize its completed deliverance. All vertical sections made through any other parts of the diagram will be respectively filled with other ways of feeling the sentence's meaning. Through 2, for example, the cards will be the part of the object most emphatically present to the mind; through 4, the table. The stream is made higher in the drawing at its end than at its beginning, because the final way of feeling the content is fuller and richer than the initial way. As Joubert says, "we only know just what we meant to say, after we have said it." And as M. V. Egger remarks, "before speaking, one barely knows what one intends to say, but afterwards one is filled with admiration and surprise at having said and thought it so well."

This latter author seems to me to have kept at much closer quarters with the facts than any other analyst of consciousness.*. But even he does not quite hit the mark, for, as I understand him, he thinks that each word as it occupies the mind displaces the rest of the thought's content. He distinguishes the 'idea' (what I have called the total

*In his work, La Parole Intérieure (Paris, 1881), especially chapters VI and VII.

object or meaning) from the consciousness of the words, calling the former a very feeble state, and contrasting it with the liveliness of the words, even when these are only silently rehearsed. "The feeling," he says, "of the words makes ten or twenty times more noise in our consciousness than the sense of the phrase, which for consciousness is a very slight matter." And having distinguished these two things, he goes on to separate them in time, saying that the idea may either precede or follow the words, but that it is a 'pure illusion' to suppose them simultaneous.† Now I believe that in all cases where the words are understood, the total idea may be and usually is present not only before and after the phrase has been spoken, but also whilst each separate word is uttered. It is the overtone, halo, or fringe of the word, as spoken in that sentence. It is never absent; no word in an understood sentence comes to consciousness as a mere noise. We feel its meaning as it passes; and although our object differs from one moment to another as to its verbal kernel or nucleus, yet it is similar throughout the entire segment of the stream. The same object is known everywhere, now from the point of view, if we may so call it, of this word, now from the point of view of that. And in our feeling of each word there chimes an echo or foretaste of every other. The consciousness of the 'Idea' * Page 301.

Page 218. To prove this point, M. Egger appeals to the fact that we often hear some one speak whilst our mind is preoccupied, but do not understand him until some moments afterwards, when we suddenly 'realize' what he meant. Also to our digging out the meaning of a sentence in an unfamiliar tongue, where the words are present to us long before the idea is taken in. In these special cases the word does indeed precede the idea. The idea, on the contrary, precedes the word whenever we try to express ourselves with effort, as in a foreign tongue, or in an unusual field of intellectual invention. Both sets of cases, however, are exceptional, and M. Egger would probably himself admit, on reflection, that in the former class there is some sort of a verbal suffusion, however evanescent, of the idea, when it is grasped—we hear the echo of the words as we catch their meaning. And he would probably admit that in the second class of cases the idea persists after the words that came with so much effort are found. In normal cases the simultaneity, as he admits, is obviously there.

A good way to get the words and the sense separately is to inwardly articulate word for word the discourse of another. One then finds that the meaning will often come to the mind in pulses, after clauses or sen tences are finished.

and that of the words are thus consubstantial. They are made of the same mind-stuff,' and form an broken stream. Annihilate a mind at any instant, cut its thought through whilst yet uncompleted, and examine the object present to the cross-section thus suddenly made; you will find, not the bald word in process of utterance, but that word suffused with the whole idea. The word may be so loud, as M. Egger would say, that we cannot tell just how its suffusion, as such, feels, or how it differs from the suffusion of the next word. But it does differ; and we may be sure that, could we see into the brain, we should find the same processes active through the entire sentence in different degrees, each one in turn becoming maximally excited and then yielding the momentary verbal 'kernel,' to the thought's content, at other times being only sub-excited, and then combining with the other sub-excited processes to give the overtone or fringe.*

The pack of cards is on the table.
FIG. 80.

We may illustrate this by a farther development of the diagram on p. 279. Let the objective content of any vertical section through the stream be represented no longer by a line, but by a plane figure, highest opposite whatever part of the object is most prominent in consciousness at the moment when the section is made. This part, in verbal thought, will usually be some word. A series of sections 1-1', taken at the moments 1, 2, 3, would then look like this: The horizontal breadth stands for the entire object in each of the figures; the height of the curve above each part of that object marks the relative prominence of that part in the thought. At the moment symbolized by the first figure pack is the

The pack of cards is on the table.
FIG. 31.

The pack of cards is on the table.
FIG. 32.

prominent part; in the third figure it is table, etc.

The nearest approach (with which I am acquainted) to the doctrine set forth here is in O. Liebmann's Zur Analysis der Wirklichkeit, pp. 427-438.

We can easily add all these plane sections together to make a solid, one of whose solid dimensions will represent time, whilst a cut across this at right angles will give the thought's content at the moment when the cut is made.

I am the same I,that I was yesterday.

FIG. 33.

Let it be the thought, 'I am the same I that I was yesterday.' If at the fourth moment of time we annihilate the thinker and examine how the last pulsation of his consciousness was made, we find that it was an awareness of the whole content with same most prominent, and the other parts of the thing known relatively less distinct. With each prolongation of the scheme in the time-direction, the summit of the curve of section would come further towards the end of the sentence. If we make a solid wooden frame with the sentence written on its front, and the time-scale on one of its sides, if we spread flatly a sheet of India rubber over its top, on which rectangular co-ordinates are painted, and slide a smooth ball under the rubber in the direction from 0 to 'yesterday,' the bulging of the membrane along this diagonal at successive moments will symbolize the changing of the thought's content in a way plain enough, after what has been said, to call for no more explanation. Or to express it in cerebral terms, it will show the relative intensities, at successive moments, of the several nerve-processes to which the various parts of the thought-object correspond.

The last peculiarity of consciousness to which attention is to be drawn in this first rough description of its stream is that

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