Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 215
... tion are so arranged that there is an exchange between persons standing below on the stage and others higher up on the balcony . The most convinc- ing illustration of this is the celebrated balcony- scene in Romeo and Juliet . However ...
... tion are so arranged that there is an exchange between persons standing below on the stage and others higher up on the balcony . The most convinc- ing illustration of this is the celebrated balcony- scene in Romeo and Juliet . However ...
Página 255
... tion of Goethe's Faust . Topics of current interest were not neglected , although their interpretation would be in romantic and highly imaginative terms . Indeed , around the middle of the century the social inspiration of the ...
... tion of Goethe's Faust . Topics of current interest were not neglected , although their interpretation would be in romantic and highly imaginative terms . Indeed , around the middle of the century the social inspiration of the ...
Página 314
... tion to take part in the Théâtre des Nations festival in Paris in 1961. However , they did not finally leave America till 1964. The interest immediately aroused in Europe was enormous , although their productions were not , at first ...
... tion to take part in the Théâtre des Nations festival in Paris in 1961. However , they did not finally leave America till 1964. The interest immediately aroused in Europe was enormous , although their productions were not , at first ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words