Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 47
... realities of the Athenian polis . There is a manifesto against war and the demagogues ( Acharnians , Peace , Lysistrata ) ... reality . So it is not surprising that Aristophanes frequently takes issue with his audience and makes a butt of ...
... realities of the Athenian polis . There is a manifesto against war and the demagogues ( Acharnians , Peace , Lysistrata ) ... reality . So it is not surprising that Aristophanes frequently takes issue with his audience and makes a butt of ...
Página 94
... reality which alone made any sense of the incessant passage of earthly things . The simultaneous structure of the scenery is the outstanding characteristic of mystery - play produc- tion . A variety of small features representing ...
... reality which alone made any sense of the incessant passage of earthly things . The simultaneous structure of the scenery is the outstanding characteristic of mystery - play produc- tion . A variety of small features representing ...
Página 282
... reality as it manifests itself ; it is much more the struggle to capture this reality , in its everyday crudity of course , but at those very moments when this is all there is . Hence , Jean Jullien , who together with Émile Zola was ...
... reality as it manifests itself ; it is much more the struggle to capture this reality , in its everyday crudity of course , but at those very moments when this is all there is . Hence , Jean Jullien , who together with Émile Zola was ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words