Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 281
... movement , nor a school , nor does it entail acceptance of any particular articles of artistic faith . Indeed , from a historical standpoint , the avant - garde comprises a number of considerably different movements : Sym- bolism ...
... movement , nor a school , nor does it entail acceptance of any particular articles of artistic faith . Indeed , from a historical standpoint , the avant - garde comprises a number of considerably different movements : Sym- bolism ...
Página 294
... movement . Fuchs sees art with a supremely practical purpose , that of meeting the psychological need for a higher quality of life . The rhythmical movements of the actor's body at stage - level is experienced as an emotion and brings ...
... movement . Fuchs sees art with a supremely practical purpose , that of meeting the psychological need for a higher quality of life . The rhythmical movements of the actor's body at stage - level is experienced as an emotion and brings ...
Página 304
... movement which felt betrayed rather than defeated . Its best leaders , Karl Liebknecht and Rosa Luxemburg , had been ... Movement . This was possibly the only one of all the avant - garde movements to state clearly not only its aesthetic ...
... movement which felt betrayed rather than defeated . Its best leaders , Karl Liebknecht and Rosa Luxemburg , had been ... Movement . This was possibly the only one of all the avant - garde movements to state clearly not only its aesthetic ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words