Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
Dentro del libro
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Página 138
... characters , especially the leading characters , had to preserve their decorum and grandeur . A variety of costumes was believed to be just as important in tragedy as it was for com- edy , in order to lend clarity and interest to the ...
... characters , especially the leading characters , had to preserve their decorum and grandeur . A variety of costumes was believed to be just as important in tragedy as it was for com- edy , in order to lend clarity and interest to the ...
Página 143
... main play , but ended up as the central climax of the dramatic performance ... characters to fly through the air on trails of clouds , or to spring up from ... characters on the stage itself was reduced to a minimum . The theme , too ...
... main play , but ended up as the central climax of the dramatic performance ... characters to fly through the air on trails of clouds , or to spring up from ... characters on the stage itself was reduced to a minimum . The theme , too ...
Página 228
... main character and also , unless there were traditions that justified retaining some special cos- tume , took to ... characters should occupy the centre of the stage and eliminated the scenes in which they did not appear . Even in ...
... main character and also , unless there were traditions that justified retaining some special cos- tume , took to ... characters should occupy the centre of the stage and eliminated the scenes in which they did not appear . Even in ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words