Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 37
... later date , two or three actors performed on a raised platform at the back of the pit . This pit or orchestra ( from orcheomai , the Greek verb ' to dance ' ) was initially oblong and later circular in shape , and was surrounded by the ...
... later date , two or three actors performed on a raised platform at the back of the pit . This pit or orchestra ( from orcheomai , the Greek verb ' to dance ' ) was initially oblong and later circular in shape , and was surrounded by the ...
Página 160
... later period ; he is alive , robust , even athletic and brutal Cap : Cadanganato Cap Cocodrillo 14 their mimed dialogues , had ceased to work alone and had united in small groups or formed family companies , even before their theatrical ...
... later period ; he is alive , robust , even athletic and brutal Cap : Cadanganato Cap Cocodrillo 14 their mimed dialogues , had ceased to work alone and had united in small groups or formed family companies , even before their theatrical ...
Página 219
... Later he repents bitterly of what he has done , begs for their forgiveness , and kills himself like a wife , who has been unfaithful yet truly in love . Jaffeir is matched by John Dryden's Anthony . In All for Love , Dryden ( 1631-1700 ) ...
... Later he repents bitterly of what he has done , begs for their forgiveness , and kills himself like a wife , who has been unfaithful yet truly in love . Jaffeir is matched by John Dryden's Anthony . In All for Love , Dryden ( 1631-1700 ) ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words