Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 57
... cavea , skene and parodoi . The central nucleus of the theatre was the pit , which began as a rather shapeless or roughly oblong plot of land , but had become by the end of the fifth century a circle marked out by a small stone perim ...
... cavea , skene and parodoi . The central nucleus of the theatre was the pit , which began as a rather shapeless or roughly oblong plot of land , but had become by the end of the fifth century a circle marked out by a small stone perim ...
Página 60
... cavea . The internal features remained the same as in the Greek theatre , but their function and mutual rela- tions were markedly different . The pit was halved and reduced to a semi - circle . The cavea naturally became semi - circular ...
... cavea . The internal features remained the same as in the Greek theatre , but their function and mutual rela- tions were markedly different . The pit was halved and reduced to a semi - circle . The cavea naturally became semi - circular ...
Página 112
... cavea for the audience , and stage - sets rather like bathing - huts THEATRVM COLISEVS SI VE THEATRVM and the ... cavea of the theatre was surmounted by a loggia , which was open on the inside , but closed at the back . Both the cavea ...
... cavea for the audience , and stage - sets rather like bathing - huts THEATRVM COLISEVS SI VE THEATRVM and the ... cavea of the theatre was surmounted by a loggia , which was open on the inside , but closed at the back . Both the cavea ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words