Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
Dentro del libro
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Página 181
... arranged around both sides of the stage and along the back , leaving a central area free for the action . The loca- tion of the action at any given moment was indicated , as in the Middle Ages , by the point from which the actors made ...
... arranged around both sides of the stage and along the back , leaving a central area free for the action . The loca- tion of the action at any given moment was indicated , as in the Middle Ages , by the point from which the actors made ...
Página 221
... arranged the stage - settings typical of Italian theatre , in other words , painted flats and backdrops . Two doors ... arrangement , although their relationships had been considerably modified . The apron or front - stage was merely an ...
... arranged the stage - settings typical of Italian theatre , in other words , painted flats and backdrops . Two doors ... arrangement , although their relationships had been considerably modified . The apron or front - stage was merely an ...
Página 254
... arranged to create an illusion of perspective . They favoured , instead , a more elaborate arrangement of scenery with plenty of three - dimensional features , rostra and pierced flats . At the same time there was plenty of room for ...
... arranged to create an illusion of perspective . They favoured , instead , a more elaborate arrangement of scenery with plenty of three - dimensional features , rostra and pierced flats . At the same time there was plenty of room for ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words