Theatre Through the AgesMcGraw-Hill, 1975 - 324 páginas |
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Página 111
... ancient Roman theatrical performances : the actors , apart , accessible only to the educated . The most the illiterate believer could do was just to be there . In the cultural sense , the Church was no longer an ecclesia , a community ...
... ancient Roman theatrical performances : the actors , apart , accessible only to the educated . The most the illiterate believer could do was just to be there . In the cultural sense , the Church was no longer an ecclesia , a community ...
Página 112
... ancient theatre to present it in humanist terms : a cavea for the audience , and stage - sets rather like bathing - huts THEATRVM COLISEVS SI VE THEATRVM and the discovery by Nicholas of Cusa of previously unknown comedies of Plautus in ...
... ancient theatre to present it in humanist terms : a cavea for the audience , and stage - sets rather like bathing - huts THEATRVM COLISEVS SI VE THEATRVM and the discovery by Nicholas of Cusa of previously unknown comedies of Plautus in ...
Página 125
... ancient architecture in a particular interpretation . This could guide , but could not give a precise form to contemporary endeavours , which were necessarily linked to a different mentality , served a different purpose and satisfied ...
... ancient architecture in a particular interpretation . This could guide , but could not give a precise form to contemporary endeavours , which were necessarily linked to a different mentality , served a different purpose and satisfied ...
Contenido
FRENCH PROFESSIONAL ACTING FROM FARCE TO TRAGEDY | 169 |
ENGLISH THEATRE DURING THE RESTORATIONGARRICK | 219 |
LESSING AND MIDDLECLASS THEATRE | 231 |
Derechos de autor | |
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Términos y frases comunes
17th century acting actors Aeschylus Anaxarete ancient architectural arranged audience avant-garde became Bibliothèque Bibliothèque de l'Arsenal boulevard theatres called cavea chorus classical Comédie Française comedy commedia dell'arte companies complete contemporary costumes court cultural dance drama dramatic action Elizabethan Elizabethan theatre emotion Engraving expression farce festivals French Garrick genre gestures Hamlet hand Hegionis hero Hôtel de Bourgogne idea inspired intermezzos interpretation Iriphile Italian Italy jongleurs kabuki kathakali King later liturgical dramas London main characters masks meaning middle-class mime miniature Molière moral Moscow Art Theatre movement Museum mystery-plays natural never opera painted Paris Passion performance play precisely production realism reality repertory represented ritual rôle Roman theatre satyric scene scene-painting scenery setting Shakespeare skene social Sophocles sort of theatre space spectators stage stage-production stage-setting Stanislavsky story style symbolic Teatro Théâtre theatrical themes tion tradition tragedy tragic Vase Venice Vitruvius words