A History of Experimental Film and VideoBloomsbury Academic, 1999 M03 1 - 256 páginas Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. |
Dentro del libro
Página 149
... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
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... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
Página
... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
... Modernist Montage : the Obscurity of Vision in Cinema and Literature ( New York : Columbia University Press , 1990 ) . Sitney , P. Adams Visionary Film - the American Avant - Garde ( New York : Oxford University Press , 1974 ) ; 2nd ...
Contenido
The canonical avantgarde | 15 |
Notes | 121 |
Britain 196698 | 138 |
Derechos de autor | |
Otras 4 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
abstract film aesthetic Art Cinema art form artists Arts Council avant avant-garde Brakhage British Avant-Garde Film Cambridge camera catalogue classic Co-op collage colour contemporary context critical cubism Dada David Hall Derek Jarman Diverse Practices documentary drama Duchamp Dwoskin early film editing Eggeling Eisenstein essay Expanded Cinema experimental film explored film and video Film As Film Film Culture Film London Film Theory film-makers film's footage formal Frampton Futurist Gallery garde genre Greenaway's Grice Grierson's ideas Jayne Parker John John Maybury journals Kenneth Anger landscape Larcher later mainstream Maya Deren Mekas Michael O'Pray modern art modernist montage movement narrative painting period Peter Gidal Peter Greenaway Picasso political Princeton radical realism Richter screen shot Sitney sound soundtrack space structural film style surrealism surrealist tradition Un chien Andalou University Press video art video-makers viewer vision visual Warhol Wollen York