The Artist on the ArtistIntellect Books, 2000 - 462 páginas |
Contenido
1 | |
41 | |
59 | |
75 | |
PAINTING CARAVAGGIO TO REMBRANDT | 111 |
FORMALITY TO SUBJECTIVISM | 123 |
ENGLISH GOTHICK TO KEATS | 165 |
THE LEGACIES OF ROMANTICISM | 181 |
QUESTIONING REALITY | 317 |
ASSESSORS OF REALITY | 329 |
TREATING THE KNOWN AND THE UNKNOWN | 355 |
FILM AND DRAMA | 373 |
ORIENTAL ATTITUDES | 381 |
THE EAST FOR THE WEST | 403 |
Relevant Works by Harry Guest | 419 |
INDEX OF NAMES | 443 |
Términos y frases comunes
actually admired Aeschylus appears artist asks attempt beauty become beginning blue Browning called century Chapter character claims colour complete composed contemporary course created dark dead death depicted described dream earlier effect expression eyes face fact fall feels figure finds given gives green hand head holding human Ibid imagination implies included language later leaves less letter light lines live looking mind nature never novel offers once painter painting past Penguin perhaps picture play poem poet poetry portrait praise present reader refers romantic says scene seems seen self-portrait sense shows song sonnet stand story tells theme things thought translated true turns verse wife wish wonders writing written wrote young
Pasajes populares
Página 170 - Ah! then, if mine had been the Painter's hand, To express what then I saw; and add the gleam The light that never was on sea or land, The consecration and the Poet's dream; I would have planted thee, thou hoary Pile!
Página 170 - Lyrical Ballads, in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic — yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief, for the moment, which constitutes poetic faith.
Página 60 - For, don't you mark ? we're made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted — better to us, Which is the same thing. Art was given for that; God uses us to help each other so, Lending our minds out.
Página 29 - I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit...
Página 174 - The brightness it may veil. When lofty thought Lifts a young heart above its mortal lair, And love and life contend in it, for what Shall be its earthly doom, the dead live there, And move like winds of light on dark and stormy air.
Página 169 - I was often unable to think of external things as having external existence, and I communed with all that I saw as something not apart from, but inherent in, my own immaterial nature. Many times while going to school have I grasped at a wall or tree to recall myself from this abyss of idealism to the reality.
Página 237 - Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in.
Página 151 - Zum Sehen geboren, Zum Schauen bestellt, Dem Turme geschworen, Gefällt mir die Welt. Ich blick in die Ferne, Ich seh in der Näh Den Mond und die Sterne, Den Wald und das Reh. So seh ich in allen Die ewige Zier, Und wie mirs gefallen, Gefall ich auch mir.
Página 10 - Or view the Lord of the unerring bow, The God of life, and poesy, and light — The Sun in human limbs array'd, and brow All radiant from his triumph in the fight; The shaft hath just been shot — the arrow bright With an immortal's vengeance; in his eye And nostril beautiful disdain, and might, And majesty, flash their full lightnings by Developing in that one glance the Deity.