Reading the Middle Generation Anew: Culture, Community, and Form in Twentieth-Century American PoetryEric Haralson University of Iowa Press, 2006 M05 1 - 271 páginas Ten original essays by advanced scholars and well-published poets address the middle generation of American poets, including the familiar---Robert Lowell, Elizabeth Bishop, Randall Jarrell, and John Berryman---and various important contemporaries: Delmore Schwartz, Theodore Roethke, Robert Hayden, and Lorine Niedecker. This was a famously troubled cohort of writers, for reasons both personal and cultural, and collectively their poems give us powerful, moving insights into American social life in the transforming decades of the 1940s through the 1960s.In addition to having worked during the broad middle of the last century, these poets constitute the center of twentieth-century American poetry in the larger sense, refuting invidious connotations of “middle” as coming after the great moderns and being superseded by a proliferating postmodern experimentation. This middle generation mediates the so-called American century and its prodigious body of poetry, even as it complicates historical and aesthetic categorizations.Taking diverse formal and thematic angles on these poets---biographical-historical, deconstructionist, and more formalist accounts---this book re-examines their between-ness and ambivalence: their various positionings and repositionings in aesthetic, political, and personal matters. The essays study the interplay between these writers and such shifting formations as religious discourse, consumerism, militarism and war, the ideology of America as “nature's nation,” and U.S. race relations and ethnic conflicts. Reading the Middle Generation Anew also shows the legacy of the middle generation, the ways in which their lives and writings continue to be a shaping force in American poetry. This fresh and invigorating collection will be of great interest to literary scholars and poets. |
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Página 163
... beginning Again and again , while History is unforgiven . ( What Is to Be Given , 4—5 ) In an Eliotic strain , Schwartz finds that time is disjointed to the extent that the past has been cut off as a source of access to meaningful ...
... beginning Again and again , while History is unforgiven . ( What Is to Be Given , 4—5 ) In an Eliotic strain , Schwartz finds that time is disjointed to the extent that the past has been cut off as a source of access to meaningful ...
Página 172
... beginnings , but only departures en- titled beginnings , " since " each event lives in the heavy head forever , wait- ing to renew itself . ” Yet In Dreams did mark the beginning of Schwartz's promising career , and the future did bring ...
... beginnings , but only departures en- titled beginnings , " since " each event lives in the heavy head forever , wait- ing to renew itself . ” Yet In Dreams did mark the beginning of Schwartz's promising career , and the future did bring ...
Página 215
... beginning of the first stanza coincides with the beginning of a sentence , and the end of the last stanza coincides with the end of a sentence . Within groups , there are varying degrees of stanzaic enjambment , both prospective and ...
... beginning of the first stanza coincides with the beginning of a sentence , and the end of the last stanza coincides with the end of a sentence . Within groups , there are varying degrees of stanzaic enjambment , both prospective and ...
Otras ediciones - Ver todas
Reading the Middle Generation Anew: Culture, Community, and Form in ... Eric Haralson Vista previa limitada - 2006 |
Reading the Middle Generation Anew: Culture, Community, and Form in ... Eric Haralson Vista de fragmentos - 2006 |
Términos y frases comunes
aesthetic American poets argues Auden Benjamin Berryman Bidart Bob Lowell Bob Lowell's Cambridge Chattarji Collected Poems consciousness consumer culture contemporary context critics critique Day by Day death Delmore Schwartz Dream Songs edited Edwards elegies and elegiac Elizabeth Bishop essay experience Farrar Father's Bedroom flyleaf Flynn Frank Bidart Freud Gender Hayden's elegies human images inscriptions irony Jarrell's John Berryman John Brown landscape Letters Levertov Library lines literary living Lorine Niedecker lyric Mass Culture metaphor modern modernist mourning Niedecker Niedecker's past perspective poem's poetic poetry political present prose Protestant Randall Jarrell readers references will appear Review Robert Hayden Robert Lowell Roethke Roethke's Sad Heart Selected Poems sense sentimental social soldiers speaker stanza Straus and Giroux Subsequent references appear suggests Supermarket television text abbreviated theater tion trauma Union Dead University Press Vietnam Vietnam War W. H. Auden Walter Benjamin Williams Winslow writing York