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He dyes his reeking sword, and strews the ground
With headless ranks. What can they do? Or how
Withstand his wide-destroying sword?"

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Addison, with excellent sense and taste, departed from this ridiculous fashion. He reserved his praise for the qualities which made Marlborough truly great, energy, 10 sagacity, military science. But above all, the poet extolled the firmness of that mind which, in the midst of confusion, uproar, and slaughter, examined and disposed. everything with the serene wisdom of a higher intelligence.

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Here it was that he introduced the famous comparison of Marlborough to an angel guiding the whirlwind. We will not dispute the general justice of Johnson's remarks on this passage. But we must point out one circumstance which appears to have escaped all the critics. 20 The extraordinary effect which this simile produced when it first appeared, and which to the following generation seemed inexplicable, is doubtless to be chiefly attributed to a line which most readers now regard as a feeble parenthesis:

"Such as, of late, o'er pale Britannia passed."

The

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Addison spoke, not of a storm, but of the storm. great tempest of November, 1703, the only tempest which in our latitude has equaled the rage of a tropical hurricane, had left a dreadful recollection in the minds of all 30 men. No other tempest was ever in this country the occasion of a parliamentary address or of a public fast. Whole fleets had been cast away. Large mansions had been blown down. One prelate had been buried beneath

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the ruins of his palace. London and Bristol had presented the appearance of cities just sacked. Hundreds of families were still in mourning. The prostrate trunks of large trees and the ruins of houses still attested, in all the southern counties, the fury of the blast. The popu

larity which the simile of the angel enjoyed among Addison's contemporaries has always seemed to us to be a remarkable instance of the advantage which, in rhetoric and poetry, the particular has over the general.

Soon after the Campaign,' was published Addison's narrative of his travels in Italy. The first effect produced by this narrative was disappointment. The crowd of readers who expected politics and scandal, speculations on the projects of Victor Amadeus, and anecdotes 15 about the jollities of convents and the amours of cardinals and nuns, were confounded by finding that the writer's mind was much more occupied by the war between the Trojans and Rutulians than by the war between

France and Austria; and that he seemed to have heard 20 no scandal of later date than the gallantries of the Em

press Faustina. In time, however, the judgment of the many was overruled by that of the few; and before the book was reprinted, it was so eagerly sought that it sold for five times the original price. It is still read with 25 pleasure; the style is pure and flowing; the classical quotations and allusions are numerous and happy; and we are now and then charmed by that singularly humane and delicate humor in which Addison excelled all men. Yet this agreeable work, even when considered merely 30 as the history of a literary tour, may justly be censured on account of its faults of omission. We have already said that, though rich in extracts from the Latin poets, it contains scarcely any references to the Latin orators and historians. We must add that it contains little, or

rather no, information respecting the history and literature of modern Italy. To the best of our remembrance, Addison does not mention Dante, Petrarch, Boccaccio, Boiardo, Berni, Lorenzo de' Medici, or Machiavelli. coldly tells us that at Ferrara he saw the tomb of Ariosto, 5 and that at Venice he heard the gondoliers sing verses of Tasso. But for Tasso and Ariosto he cared far less than for Valerius Flaccus and Sidonius Apollinaris. The gentle flow of the Ticin brings a line of Silius to his mind. The sulphurous steam of Albula suggests to him several 10 passages of Martial. But he has not a word to say of the illustrious dead of Santa Croce; he crosses the wood of Ravenna without recollecting the Specter Huntsman, and wanders up and down Rimini without one thought of Francesca. At Paris he had eagerly sought an introduc- 15 tion to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison,-of the greatest lyric poet of modern times, Vincenzio Filicaja. This is the more remarkable because Filicaja was 20 the favorite poet of the accomplished Somers, under whose protection Addison traveled, and to whom the account of the travels is dedicated. The truth is, that Addison knew little, and cared less, about the literature of modern Italy. His favorite models were Latin. His 25 favorite critics were French. Half the Tuscan poetry that he had read seemed to him monstrous, and the other half tawdry.

His 'Travels' were followed by the lively opera of 'Rosamond.' This piece was ill set to music, and therefore 30 failed on the stage; but it completely succeeded in print, and is indeed excellent in its kind. The smoothness with which the verses glide, and the elasticity with which they bound, are, to our ears at least, very pleasing. We

are inclined to think that if Addison had left heroic couplets to Pope, and blank verse to Rowe, and had employed himself in writing airy and spirited songs, his reputation as a poet would have stood far higher than it 5 now does. Some years after his death, ‘Rosamond' was set to new music by Doctor Arne, and was performed with complete success. Several passages long retained their popularity, and were daily sung, during the latter part of George the Second's reign, at all the harpsichords 10 in England.

While Addison thus amused himself, his prospects, and the prospects of his party, were constantly becoming brighter and brighter. In the spring of 1705 the ministers were freed from the restraint imposed by a House of 15 Commons in which Tories of the most perverse class had the ascendency. The elections were favorable to the Whigs. The coalition which had been tacitly and gradually formed was now openly avowed. The Great Seal was given to Cowper. Somers and Halifax were sworn of the 20 Council. Halifax was sent in the following year to carry the decorations of the Order of the Garter to the Electoral Prince of Hanover, and was accompanied on his honorable mission by Addison, who had just been made Undersecretary of State. The Secretary of State under whom 25 Addison first served was Sir Charles Hedges, a Tory. But Hedges was soon dismissed to make room for the most vehement of Whigs, Charles, Earl of Sunderland. In every department of the State, indeed, the High Churchmen were compelled to give place to their oppo30 nents. At the close of 1707 the Tories who still remained in office strove to rally, with Harley at their head. But the attempt, though favored by the Queen, who had always been a Tory at heart, and who had now quarreled with the Duchess of Marlborough, was unsuccessful.

The time was not yet. The Captain-General was at the height of popularity and glory. The Low Church party had a majority in Parliament. The country squires and rectors, though occasionally uttering a savage growl, were for the most part in a state of torpor, which lasted till 5 they were roused into activity, and indeed into madness, by the prosecution of Sacheverell. Harley and his adherents were compelled to retire. The victory of the

Whigs was complete. At the general election of 1708, their strength in the House of Commons became irresist- 10 ible; and before the end of that year, Somers was made Lord President of the Council, and Wharton Lord Lieutenant of Ireland.

Addison sat for Malmesbury in the House of Commons which was elected in 1708. But the House of Com- 15 mons was not the field for him. The bashfulness of his nature made his wit and eloquence useless in debate. He once rose, but could not overcome his diffidence, and ever after remained silent. Nobody can think it strange that a great writer should fail as a speaker. But many, 20 probably, will think it strange that Addison's failure as a speaker should have had no unfavorable effect on his success as a politician. In our time, a man of high rank and great fortune might, though speaking very little and very ill, hold a considerable post. But it would now be incon- 25 ceivable that a mere adventurer, a man who, when out of office, must live by his pen, should in a few years become successively Undersecretary of State, Chief Secretary for Ireland, and Secretary of State, without some oratorical talent. Addison, without high birth and with little 30 property, rose to a post which dukes, the heads of the great houses of Talbot, Russell, and Bentinck, have thought it an honor to fill. Without opening his lips in debate, he rose to a post the highest that Chatham or

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