soul which remains unalterably the same, perhaps for one moment The mind is a kind of theatre, where several perceptions successively make their appearance; pass, repass, glide away and mingle in an infinite variety of postures and situations. The Principles of Psychology - Página 336por William James - 1890Vista completa - Acerca de este libro
| David Hume - 1826 - 508 páginas
...nor is there any ""'"other"' single power of the soul, which remains unalterably i"i^!™)uiiy f *-he same, perhaps for one moment. The mind is a kind of...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| Dugald Stewart - 1858 - 556 páginas
...succeed each other with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
| 1865 - 728 páginas
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Charles Beard - 1865 - 736 páginas
...lying behind phenomena, either sensible or mental. " The mind is a kind of theatre," says Mr. Hume, " where several perceptions successively make their...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Robert Chambers - 1870 - 650 páginas
...man's consciousness of his own identity is a similar series of impressions. "The mind, says the author, "is a kind of theatre, where several perceptions successively...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| William Jackson - 1874 - 436 páginas
...catch myself at anytime without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| William Jackson - 1875 - 420 páginas
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different ; whatever natural propension... | |
| William Jackson - 1875 - 452 páginas
...catch myself at any time without a perception, and never can observe anything but the perception. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different; whatever natural propension... | |
| Robert Chambers - 1875 - 608 páginas
...consciousness of his own identity is a similar series of impressions. "The mind," 'says the author, "is a kind of theatre, where several perceptions successively...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
| Thomas Henry Huxley - 1879 - 228 páginas
...succeed one another with an inconceivable rapidity, and are in a perpetual flux and movement. . . . The mind is a kind of theatre, where several perceptions...in an infinite variety of postures and situations. There is properly no simplicity in it at one time, nor identity in different, whatever natural propension... | |
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