blings through the forest, her tricks and humor, all were faded from her memory, and not a shadow left behind. Her parents saw their child; her brothers and sisters saw their sister. She now had all the knowledge that she had possessed in her first state previous to the change, still fresh and in as vigorous exercise as though no change had been. But any new acquisitions she had made, and any new ideas she had obtained, were lost to her now-yet not lost, but laid up out of sight in safe-keeping for future use. Of course her natural disposition returned; her melancholy was deepened by the information of what had occurred. All went on in the old-fashioned way, and it was fondly hoped that the mysterious occurrences of those five weeks would never be repeated, but these anticipations were not to be realized. After the lapse of a few weeks she fell into a profound sleep, and awoke in her second state, taking up her new life again precisely where she had left it when she before passed from that state. She was not now a daughter or a sister. All the knowledge she possessed was that acquired during the few weeks of her former period of second consciousness. She knew nothing of the intervening time. Two periods widely separated were brought into contact. She thought it was but one night.

"In this state she came to understand perfectly the facts of her case, not from memory, but from information. Yet her buoyancy of spirits was so great that no depression was produced. On the contrary, it added to her cheerfulness, and was made the foundation, as was everything else, of mirth.

"These alternations from one state to another continued at intervals of varying length for fifteen or sixteen years, but finally ceased when she attained the age of thirty-five or thirty-six, leaving her permanently in her second state. In this she remained without change for the last quarter of a century of her life."

The emotional opposition of the two states seems, however, to have become gradually effaced in Mary Reynolds:

"The change from a gay, hysterical, mischievous woman, fond of jests and subject to absurd beliefs or delusive convictions, to one retaining the joyousness and love of society, but sobered down to levels of practical usefulness, was gradual. The most of the twenty-five years which followed she was as different from her melancholy, morbid self as from the hilarious condition of the early years of her second state. Some of her family spoke of it as her third state. She is described as becoming rational, industrious, and very cheerful, yet reasonably serious; possessed of a well-balanced temperament, and not having the slightest indication of an injured or disturbed mind. For some years she taught school, and in that capacity was both useful and acceptable, being a general favorite with old and young.

"During these last twenty-five years she lived in the same house with the Rev. Dr. John V. Reynolds, her nephew, part of that

time keeping house for him, showing a sound judgment and a thorough acquaintance with the duties of her position.

"Dr. Reynolds, who is still living in Meadville," says Dr. Mitchell, "and who has most kindly placed the facts at my disposal, states in his letter to me of January 4, 1888, that at a later period of her life she said she did sometimes seem to have a dim, dreamy idea of a shadowy past, which she could not fully grasp, and could not be certain whether it originated in a partially restored memory or in the statements of the events by others during her abnormal state.

On

"Miss Reynolds died in January, 1854, at the age of sixty-one. the morning of the day of her death she rose in her usual health, ate her breakfast, and superintended household duties. While thus employed she suddenly raised her hands to her head and exclaimed : Oh! I wonder what is the matter with my head!' and immediately fell to the floor. When carried to a sofa she gasped once or twice and died."

In such cases as the preceding, in which the secondary character is superior to the first, there seems reason to think that the first one is the morbid one. The word inhibition describes its dulness and melancholy. Félida X.'s original character was dull and melancholy in comparison with that which she later acquired, and the change may be regarded as the removal of inhibitions which had maintained themselves from earlier years. Such inhibitions we all know temporarily, when we can not recollect or in some other way command our mental resources. The systematized amnesias (losses of memory) of hypnotic subjects ordered to forget all nouns, or all verbs, or a particular letter of the alphabet, or all that is relative to a certain person, are inhibitions of the sort on a more extensive scale. They sometimes occur spontaneously as symptoms of disease.* Now M. Pierre Janet has shown that such inhibitions when they bear on a certain class of sensations (making the subject anæsthetic thereto) and also on the memory of such sensations, are the basis of changes of personality. The anaesthetic and amnesic' hysteric is one person; but when you restore her inhibited sensibilities and memories by plunging her into the hypnotic trance-in other words, when

* Cf. Ribot's Diseases of Memory for cases. See also a large number of them in Forbes Winslow's Obscure Diseases of the Brain and Mind, chapters XIII-XVII.

you rescue them from their dissociated' and split-off condition, and make them rejoin the other sensibilities and memories-she is a different person. As said above (p. 203), the hypnotic trance is one method of restoring sensibility in hysterics. But one day when the hysteric anæsthetic named Lucie was already in the hypnotic trance, M. Janet for a certain reason continued to make passes over her for a full half-hour as if she were not already asleep, The result was to throw her into a sort of syncope from which, after half an hour, she revived in a second somnambulic condition entirely unlike that which had characterized her thitherto different sensibilities, a different memory, a different person, in short. In the waking state the poor young woman was anesthetic all over, nearly deaf, and with a badly contracted field of vision. Bad as it was, however, sight was her best sense, and she used it as a guide in all her movements. With her eyes bandaged she became entirely helpless, and like other persons of a similar sort whose cases have been recorded, she almost immediately fell asleep in consequence of the withdrawal of her last sensorial stimulus. M. Janet calls this waking or primary (one can hardly in such a connection say 'normal') state by the name of Lucie 1. In Lucie 2, her first sort of hypnotic trance, the anesthesias were diminished but not removed. In the deeper trance, Lucie 3,' brought about as just described, no trace of them remained. Her sensibility became perfect, and instead of being an extreme example of the visual' type, she was transformed into what in Prof. Charcot's terminology is known as a motor. That is to say, that whereas when awake she had thought in visual terms exclusively, and could imagine things only by remembering how they looked, now in this deeper trance her thoughts and memories seemed to M. Janet to be largely composed of images of movement and of touch.

Having discovered this deeper trance and change of personality in Lucie, M. Janet naturally became eager to find it in his other subjects. He found it in Rose, in Marie, and in Léonie; and his brother, Dr. Jules Janet, who was interne at the Salpétrière Hospital, found it in the celebrated subject Wit.... whose trances had been studied for years

by the various doctors of that institution without any of them having happened to awaken this very peculiar individuality.*

With the return of all the sensibilities in the deeper trance, these subjects turned, as it were, into normal persons. Their memories in particular grew more extensive, and hereupon M. Janet spins a theoretic generalization. When a certain kind of sensation, he says, is abolished in an hysteric patient, there is also abolished along with it all recollection of past sensations of that kind. If, for example, hearing be the anesthetic sense, the patient becomes unable even to imagine sounds and voices, and has to speak (when speech is still possible) by means of motor or articulatory cues. If the motor sense be abolished, the patient must will the movements of his limbs by first defining them to his mind in visual terms, and must innervate his voice by premonitory ideas of the way in which the words. are going to sound. The practical consequences of this law would be great, for all experiences belonging to a sphere of sensibility which afterwards became anæsthetic, as, for example, touch, would have been stored away and remembered in tactile terms, and would be incontinently forgotten as soon as the cutaneous and muscular sensibility should come to be cut out in the course of disease. Memory of them would be restored again, on the other hand, so soon as the sense of touch came back. Now, in the hysteric subjects on whom M. Janet experimented, touch did come back in the state of trance. The result was that all sorts of memories, absent in the ordinary condition, came back too, and they could then go back and explain the origin of many otherwise inexplicable things in their life. One stage in the great convulsive crisis of hystero-epilepsy, for example, is what French writers call the phase des attitudes passionelles, in which the patient, without speaking or giving any account of herself, will go through the outward movements of fear, anger, or some other emotional state of mind. Usually this phase is, with each

* See the interesting account by M. J. Janet in the Revue Scientifique, May 19, 1888.

patient, a thing so stereotyped as to seem automatic, and doubts have even been expressed as to whether any consciousness exists whilst it lasts. When, however, the patient Lucie's tactile sensibility came back in the deeper trance, she explained the origin of her hysteric crisis in a great fright which she had had when a child, on a day when certain men, hid behind the curtains, had jumped out upon her; she told how she went through this scene again in all her crises; she told of her sleep-walking fits through the house when a child, and how for several months she had been shut in a dark room because of a disorder of the eyes. All these were things of which she recollected nothing when awake, because they were records of experiences mainly of motion and of touch.

But M. Janet's subject Léonie is interesting, and shows best how with the sensibilities and motor impulses. the memories and character will change.

"This woman, whose life sounds more like an improbable romance than a genuine history, has had attacks of natural somnambulism since the age of three years. She has been hypnotized constantly by all sorts of persons from the age of sixteen upwards, and she is now forty-five. Whilst her normal life developed in one way in the midst of her poor country surroundings, her second life was passed in drawing-rooms and doctors' offices, and naturally took an entirely different direction. Today, when in her normal state, this poor peasant woman is a serious and rather sad person, calm and slow, very mild with every one, and extremely timid: to look at her one would never suspect the personage which she contains. But hardly is she put to sleep hypnotically when a metamorphosis occurs. Her face is no longer the same. She keeps her eyes closed, it is true, but the acuteness of her other senses supplies their place. She is gay, noisy, restless, sometimes insupportably so. She remains good-natured, but has acquired a singular tendency to irony and sharp jesting. Nothing is more curious than to hear her after a sitting when she has received a visit from strangers who wished to see her asleep. She gives a word-portrait of them, apes their manners, pretends to know their little ridiculous aspects and passions, and for each invents a romance. To this character must be added the possession of an enormous number of recollections, whose existence she does not even suspect when awake, for her amnesia is then complete. . . She refuses the name of Léonie and takes that of Léontine (Léonie 2) to which her first magnetizers had accustomed her. That good woman is not myself,' she says, she is too stupid!' To herself, Léontine or Léonie 2, she attributes all the sensations and all the actions, in a word all the conscious experiences which she has undergone in somnambulism,