Designs on Truth: The Poetics of the Augustan Mock-EpicPenn State Press, 1992 M09 1 - 256 páginas Designs on Truth provides a reinterpretation of Augustan poetry, not as works to be defended before the court of Matthew Arnold and the Romantic tradition but as works that examine the rich relationships among text, culture, and world. In Designs on Truth, Gregory Colomb identifies the characteristics of the mock-epic and argues that the form had developed formal expectations. In making this argument, he explains the intentions of the writers of mock-epics, and expands our conception of the interest and significance of such poems. By demonstrating how these poems are supported by the genre's poetics, he brings out ways these poems differ from other &"Augustan&" poems such as the Horatian epistles that are often discussed with them. Designs on Truth puts into question the distinction between history and poetry in the mock-epic, examining it at three levels of poetic structure: fable (global narrative structure), and portraits (characterological narrative structure). Focusing chiefly on the mock-epic's representations in terms of class and &"kind,&" this study returns historical particulars to the central role that the poets had always given them and seeks to understand how they are made poetic. Designs on Truth shows how the poems themselves subvert any easy distinction between historical and poetic particulars. This often philosophical genre is itself a reconsideration of the role of reference (fact) and judgment (value) in representation. This study shows how representation and judgment work in the mock-epic, and how together they stand at the heart of the dominant Augustan poetic. Colomb also provides new readings of the mock-epic, including the first comprehensive reading of The Dispensary since the eighteenth century. |
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... social facts of persons and places with the " prosaic " par- ticulars of history . Doing so , it shows how the poems themselves sub- vert any easy distinction between history and poetry . This often philosophical genre grounds itself in ...
... Social Milieu of Alexander Pope ( 1975 ) , works that finally put the poems ' figures on center stage , it was clear that even here was the in- fluence of a poetics that distrusted particulars . Although figures and their haunts held ...
... social practices . The poetical relation of the mock - epic is chiefly description , depiction . It centers on a form of depiction — partly caricature , partly the taxon- omy of natural philosophy — that shapes all the poem's major ...
... social domination . The third line of argument concerns politics and ideology . The mock - epic has a complex relation to law — because it presumes to remedy the fail- ings of the law and because it is so concerned with questions of ...
... too , play a role , since con- temporary readers are , by and large , responsive to matters of intentionulity , of original context , of literary and social affiliations . All books gather debts , but I have been more XX PREFACE.
Contenido
Prologue | 33 |
Naming Names | 35 |
Dullness by Its Proper Name 3 | 59 |
Urban Gravitation | 79 |
Ranging Afield | 95 |
Prologue | 119 |
From Caricature to Portraiture 6 | 129 |
Dishonourable Confederacies | 145 |
A Taxonomy of Dunces 8 | 163 |
A Succession of Monarchs 9 | 183 |
Epilogue | 207 |
209 | |
219 | |
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Designs on Truth: The Poetics of the Augustan Mock-Epic Gregory G. Colomb Vista previa limitada - 1992 |