Designs on Truth: The Poetics of the Augustan Mock-EpicPenn State Press, 1992 M09 1 - 256 páginas Designs on Truth provides a reinterpretation of Augustan poetry, not as works to be defended before the court of Matthew Arnold and the Romantic tradition but as works that examine the rich relationships among text, culture, and world. In Designs on Truth, Gregory Colomb identifies the characteristics of the mock-epic and argues that the form had developed formal expectations. In making this argument, he explains the intentions of the writers of mock-epics, and expands our conception of the interest and significance of such poems. By demonstrating how these poems are supported by the genre's poetics, he brings out ways these poems differ from other &"Augustan&" poems such as the Horatian epistles that are often discussed with them. Designs on Truth puts into question the distinction between history and poetry in the mock-epic, examining it at three levels of poetic structure: fable (global narrative structure), and portraits (characterological narrative structure). Focusing chiefly on the mock-epic's representations in terms of class and &"kind,&" this study returns historical particulars to the central role that the poets had always given them and seeks to understand how they are made poetic. Designs on Truth shows how the poems themselves subvert any easy distinction between historical and poetic particulars. This often philosophical genre is itself a reconsideration of the role of reference (fact) and judgment (value) in representation. This study shows how representation and judgment work in the mock-epic, and how together they stand at the heart of the dominant Augustan poetic. Colomb also provides new readings of the mock-epic, including the first comprehensive reading of The Dispensary since the eighteenth century. |
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... , Chalmers's 1810 edition in The Works of the English Poets will serve those who cannot find one of the better texts . Moralizing the Song 1 For the moral ( as Bossu A Note on the Text A Note on the Text: of The Dispensary.
... better times would have been occupied by the epic , but that view oversimplifies . Granted that genres as self - conscious as mock- epic tend to arise in response to perceived lacunae in the generic rep- ertoire . Granted also that the ...
... better than philosophy because it furnishes examples rather than precepts and better than history because its examples are feigned rather than true " ( Youngren , 1968 , 160 ) . Renaissance critics had been little concerned with ...
... better know their place and its demands on them ; and a warning for his countrymen at large , that the demands of place have just as strong a claim on them . The College does not face this disorder alone . A similarly disposed fable ...
... better able to enforce its example ; but chiefly a device on which to hang the poem's many descriptions . As in the preceptual fable , the sign relationship in the mock - epic's fable is from whole to whole : the whole of the poem ...
Contenido
Prologue | 33 |
Naming Names | 35 |
Dullness by Its Proper Name 3 | 59 |
Urban Gravitation | 79 |
Ranging Afield | 95 |
Prologue | 119 |
From Caricature to Portraiture 6 | 129 |
Dishonourable Confederacies | 145 |
A Taxonomy of Dunces 8 | 163 |
A Succession of Monarchs 9 | 183 |
Epilogue | 207 |
209 | |
219 | |
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Designs on Truth: The Poetics of the Augustan Mock-Epic Gregory G. Colomb Vista previa limitada - 1992 |