...troubled look ; and the remainder of the Court, at the two extremities, pressing, as it were, toward a single point, while the audience below were wrapping...catch each look, and every movement of the speaker's fnce If a painter could give us the scene on canvas — those forms and countenances, and Daniel Webster...

...troubled look; and the remainder of the Court, at the two extremities, pressing, as it were, toward a single point, while the audience below were wrapping...speaker's face. If a painter could give us the scene on canvas—those forms and countenances, and Daniel Webster as he then stood in the midst, it would be...

...suffused with tearsj Mr. Justice Washington at his side, with his small and emaciated frame, and a countenance more like marble than I ever saw on any...speaker's face. If a painter could give us the scene on canvass — those forms and countenances, and Daniel Webster as he then stood in the midst — it would...

...the court, at the two extremities, pressing, as it were, towards a single point, while the andience below were wrapping themselves round in closer folds beneath the bench to cateh each look, and every movement of the speaker's face. If a painter could give us the scene on...

...remainder of the court, at the two extremities, pressing as it were to a single point, while the audience were wrapping themselves round in closer folds beneath...speaker's face. If a painter could give us the scene on canvass — their forms and countenances, and Daniel Webster as he then stood in the midst — it would...

...look ; and the remainder of the court, at the two extremities, pressing, as it were, toward a wngle point, while the audience below were wrapping themselves...movement of the speaker's face. If a painter could give ua the scene on canvas, — those forms and countenances, and Dauiel Webster as he then stood in the...

...troubled look ; and the remainder of the court, at the two extremities, pressing, as it were, toward a single point, while the audience below were wrapping...bench, to catch each look and every movement of the speaker^ face. If a painter could give us the scene on canvas — those forms and countenances, and...

...troubled look; and the remainder of tho court, at the two extremities, pressing, as it were, toward a single point, while the audience below were wrapping...bench, to catch each look and every movement of the speakers face. If a painter could give us the scene on canvas—those forms and countenances, and Daniel...

...themselves round in closer folds beneath the bench, to catch each look and every movement of the speakers face. If a painter could give us the scene on canvas...those forms and countenances, and Daniel Webster as he there stood in the midst — it would be one of the most touching pictures in the history of eloquence....

...at the two extremities, pressing, as it were, towards a single point, while the audience below wero wrapping themselves round in closer folds beneath...speaker's face. If a painter could give us the scene on canvas—those forms and countenances, and Daniel Webster as he then stood in the midst, it would be...