« AnteriorContinuar »
On THURSDAY the 15th of AUGUST, price 6d., or by post Eight Stamps,
No. I. of
9. IN THE SEASON. By EDMUND YATES. With a full-page Illustration.
10. ENGLISH STABILITIES. By the REV. C. W. DENISON.
11. SECOND THOUGHTS. By F. C. BURNAND.
Preface or Introduction
12. AMARANTH. By SAVILE CLARKE.
CONTENTS OF No. 1.
1. BRAKESPEARE; OR, THE FORTUNES OF A FREE LANCE. By the Author of "Guy Livingstone." With a full-page Illustration by J. A. PASQUIER. Chapters I. to V.
2. CHARMIAN. By ROBERT BUCHANAN.
3. DRAMATIC CRITICS CRITICISED. By JOHN HOLLINGSHEAD.
4. A WONDERFUL CRAB. By ERNEST GRISET. With 8 Illustrations.
5. WILLIAM CULLEN BRYANT AND AMERICAN POETRY. By W. CLARK RUSSELL.
6. FLO'S FATE. BY CLEMENT SCOTT.
7. HOLLAND HOUSE. By the REV. J. C. M. BELLEW. With a full-page Illustration by R. C. HULME.
8. FALLING IN LOVE. By the Author of "The Gentle Life."
The Author of " Guy Livingstone."
J. ASHBY STERRY.
R. M. BALLANTYNE.
J. T. BURGESS.
H. J. BYRON.
ARTHUR W. A. BECKETT.
THE REV. JOHN E. COX.
AMELIA B. EDWARDS.
M. BETHAM EDWARDS.
No. 2 will contain Contributions from
W. S. GILBERT.
MRS. J. H. RIDDELL.
The following Authors have promised also to write in The Broadway:
REV. C. W. DENISON.
W. J. PROWSE.
W. H. RUSSELL, LL.D.
London: THE BROADWAY, LUDGATE HILL.
New York: 416, BROOME STREET (2nd Block East of THE BROADWAY).
Printed by GEORGE ANDREW SPOTTISWOODE, at 5 New Street Square, in the Parish of St. Bride, in the County of Middlesex; and Published by WILLIAM GREIG SMITH, of 43 Wellington Street, Strand, in the said County-Saturday, August 10, 1857.
A Medium of Intercommunication
LITERARY MEN, GENERAL READERS, ETC.
"When found, make a note of."-CAPTAIN CUTTLE.
SATURDAY, AUGUST 17, 1867.
Just Published, Price 2s. 6d., Part XXIII. of THE HERALD AND GENEALOGIST.
Edited by JOHN GOUGH NICHOLS, F.S.A.
CONTENTS Valentine Carey, D.D., Bishop of Exeter, and the Family of Carey. Whitmore of Madeley, co. Stafford, and Laxton, co. Notts.Memorials of the Family of Scargill, of Thorpe-Stapleton.-Seals from Stowe Bardolph.-Notes on some of the Foreign Coats in a Roll of Arms of the Thirteenth Century-Barre's Court, and the Family of Newton-Were Crests acquired by Inheritance and Marriage or by Collateral Adoption ?-Origin and Descent of the Hainiltons-The Pedigree of Whatman-DOUBTFUL PEDIGREES.-Carey Estates in Durham. Lawrence of Great St. Alban's.- Trading Genealogists.HERALDIC CHRONICLE.With various articles of Review, Correspondence, and Notes and Queries.
Vols. I., II, and III. are sold in cloth boards at 16s. A Synopsis of the Contents of the several Parts may be had on application.
NICHOLS & SONS, 25, Parliament Street.
Stamped Edition, 5d.
THE CAMDEN SOCIETY.
attention of those who possess imperfect sets following terms on which such sets may be completed :
To Members of the Society, i. e. Subscribers for the current year applying whilst the Works of former years remain in stock, they will be supplied:
The books for each year, except the first (which are out of print) and the two last, at Ten Shillings.
The books for 1861-62 and 1862-63 (together) for Thirty Shillings.
The subscription of One Pound is due in advance on the 1st May in every year. No Books are delivered until the Subscription for the Year has been paid.
Copies of the Prospectus, containing a List of the Society's Publications, or the Report, may be had on application to MESSRS. NICHOLS AND SONS, 25, Parliament Street, Westminster.
MILMAN'S HISTORICAL WORKS.
This Day, post 8vo, 68. each, vols. 4, 5, and 6, of
THE HISTORY OF LATIN CHRISTIANITY; including that of the Popes to the Pontificate of Nicholas V. By H. H. MILMAN, D.D., Dean of St. Paul's. Forming the new volumes of a new, revised, and uniform edition of Dean Milman's Historical Works.
The Volumes already published contain
1.-MILMAN'S HISTORY OF THE JEWS, from the EARLIEST PERIOD, continued to MODERN TIMES, 3 vols. post 8vo, 18s.
HISTORY OF CHRISTIANITY, from the BIRTH OF CHRIST to the ABOLITION of PAGANISM in the ROMAN EMPIRE. 3 vols. Post 8vo. 188. JOHN MURRAY, Albemarle Street.
Just published, price 18. 6d. each; or post free for 1s. 7d. SCRAPS FOR JUVENILES-Coloured Series 1, 2, and 3.
HE EUCLID PUZZLE (in Tunbridge Wood).
easy Introduction to the Study of the Science. Post free, 18. 7d.
EXERCISES IN COLOURING-Country Scenes and Shipping, each, post free, for 1s. Id.
THE CRIBBAGE BOARD (in Tunbridge Wood).
Post free for 28. 1d.
THE KETTLE HOLDER (in Tunbridge Wood).
Post free for 18. 1d.
These are very pretty articles for Presents. LOHMANN & COCKHEAD, Booksellers and Publishers, 73, Norfolk Terrace, Westbourne Grove, W.
CHOLASTIC.-The UNIVERSITY SOCIETY Business of the late UNIVERSITY TUTORIAL ASSOCIATION. Gentlemen, Heads of Families, &c., requiring Tutors, are invited to apply.
G. BLENKINSOPP, B.A., Secretary.
LIBRARY, 12, St. James's Square,
S.W. A NEW EDITION of the CATALOGUE is just published, comprising the old Catalogue and Supplements incorporated into one Alphabetical List, with many additional cross References, an Index to the Collection of Tracts, and a classified Index of Subjects in one volume of 960 pages, royal 8vo. Price 108. 6d. to Members of the Library; 15. to Non-members. Terms of admission to the Library, 31. a year; 21. a year, with entrance fee of 6l.; or life subscription of 261.
HRONICLES OF THE ANCIENT BRITISH
Second Edition. Post 8vo. Price 5s. cloth.
"The study of our early ecclesiastical history has by some been considered one of great labour; but a little work, entitled Chronicles of the Ancient British Church,' has so collected the material from the many and various sources, and has so judiciously classified and condensed the records, that there is no longer this plea. We recommend the work not only to every student, but to every churchman who feels an interest in the early history of his church."— Literary Churchman, June 16, 1855.
"An excellent manual, containing a large amount of information on a subject little known, and still less understood. We recommend the volume to those who wish to know what were the religious institutions and advantages of our remote ancestors."'- Clerical Journal, August 22, 1855.
PAPER AND ENVELOPES.
THE PUBLIC SUPPLIED AT WHOLESALE PRICES and CARRIAGE PAID to the Country on all orders exceeding 20s.
Good Cream-laid Note, 2s., 38., and 4s. per ream.
Manuscript Paper (letter size), ruled or plain, 4s. 6d. per ream.
PARTRIDGE & COOPER,
192, Fleet Street, Corner of Chancery Lane.-Price List Post Free.
Now ready, price 38. 6d. free by post, cloth boards, uniform with Jesse's Memoirs of George the Third.
QUEEN CHARLOTTE AND THE CHEVALIER D'EON.
DR. WILMOT'S POLISH PRINCESS. REPRINTED FROM "NOTES AND QUERIES," WITH A FEW ADDITIONS.
By WILLIAM J. THOMS.
Opinions of the Press.
"We must, on the present occasion, content ourselves with adverting briefly to the curious and minute inquiry just instituted by Mr. Thoms into this tale.""-Quarterly Review.
"The Romance which Mr. Thoms has dissected with ruthless thoroughness."-Saturday Review.
"Mr. Thoms, the able Editor of that successful little farrago of learning, oddities, absurdities, and shrewdnesses, Notes and Queries, perhaps the one weekly newspaper which will be consulted three hundred years hence, has been trying very hard to get at the truth of the Hannah Lightfoot story. It is nearly impossible to prove a negative, and quite impossible to prove a negative about the secret history of Courts; but Mr. Thoms has certainly succeeded in raising a violent presumption that the story is a delusion, probably based on some intrigue carried on by one of the Royal Family."
LONDON, SATURDAY, AUGUST 17, 1867.
NOTES:-Shakespeariana: Runaway's Eyes: "Romeo and Juliet"-Curious Printing of the First Folio - Hamlet to Guildenstern-"Troilus and Cressida "-"As you like it," 121-"Chevy Chase," 123-Political Epigrams of last Century, 124-English Adherents of the House of Stuart, 125-Fata Morgana in the Japygian Peninsula-Notes on Fly-leaves-False Quantity in Byron's "Don Juan"Silver Font- Washington's Masonic Apron-Stuffing the Ears with Cotton-An old Don-Juanic Rhyme - Lines from a Canadian Paper-Holland: fine Linen, 126. QUERIES:- Unknown Object in Yaxley Church, Suffolk, 128-Portraits of Yorkshiremen, Ib.-Lord DarnleyDepledge-Ermine in Heraldry-Passage from Fortescue Earl of Home 'Frightened Isaac -Sir Godfrey Kneller-Passage in "Don Juan"- Permanent Colours -A Philosophic Brute-Poem concerning St. Sepulchre's, London - Qualifications for Voting Quiz Royal Christian Names - Samuel Smith, of Prettlewell, EssexScotish Peers: Eglinton Earldom Shenstone's Inn Verses-Vent - Wells in Churches, 129.
QUERIES WITH ANSWERS:- -The Fool in Pagan TimesSt. John of Beverley, 132.
REPLIES:- Pews or Seats, 133-Cap-a-pie, 135- Bishop Hay, 136 Debentures-"Oil of Mercy" "Thus! Earl St. Vincent - Duke of Moncada, Marquis D'Aytone -"Cut one's Stick"-Coat Cards or Court Cards-"Suppressed Poem of Lord Byron "- Perjury - Source of Quotations wanted-James Hamilton-"All is lost save Honour"-Shekel - Frederick Prince of Wales - Hanging in the Bell-ropes-Churches-Almack's Walking under a Ladder - Rule of the Road- Verna: Creole, &c. - Drinking Healths in New England, &c., 136.
Notes on Books, &c.
RUNAWAY'S EYES: "ROMEO AND JULIET " (Act III. Sc. 2). –
"That runaway's eyes may wink," &c., &c.
Is there room in "N. & Q." for yet one word on this thoroughly winnowed, but still "vexed" passage?
If we resolve on adopting a conjectural reading, I suppose opinions may fairly be divided between "rude day's," "rumour's," and "rumourers'." As for "unawares," I heartily agree with the critic who pronounced it "villainous," and should be much disposed to apply the same epithet to "renomy's." "Enemies" is neither very good nor very bad-certainly not satisfactory.
Let us make one more effort to expound the text as it stands. Warburton, who holds Phoebus to be meant, or Halpin, who stands up gallantly for Cupid, may possibly be right. Indeed it is impossible not to admit the great ingenuity of the argument for the last interpretation. But, even if I acquiesced in the conclusion, I should still dissent from the dictum of a critic in Blackwood, that "there could not be a happier-chosen and more expressive word than 'runaway's' as here employed."
How Steevens can satisfy himself that Night herself is the personage intended, I cannot under
First. Why may not "runaway's eyes," or "runaway eyes," mean the eyes of those prying pests of society, whose business and pleasure it is to lie ever on the watch for any faux pas on the part of their neighbours, and, having seen one, to run away and spread the discovery through every "scandalous college" of which they are members? Does not Juliet simply mean: May the eyes of any watcher, lying perdu to run away with a report of our meeting, be made to wink-be blinded in spite of their malicious acuteness, by the darkness-and our interview consequently remain unseen and untalked of? "Untalked of" seems to me conclusive that Juliet was afraid of somebody who could "talk." So evidently thought the German translator, when he rendered the passage (one-volume Shakspere, Wien, 1826): —
"Verbreite deinen dichten Vorhang, Nacht,
To me this interpretation is the simplest and most satisfactory: but secondly, to bring out this meaning more unmistakeably, is it not possible that the second word is the one misprinted-its first letter having also got accidentally tacked on to the preceding word; and that we ought, instead of "runaway's eyes," to read " runaway spies," or, with the alteration of only one letter, "runawaye spyes"? Everyone notoriously loves his own brain-children too much; but I must say, if we are to alter at all, this alteration appears to me to be as reasonable and small as any hitherto suggested by bigger men than I. But I am quite content to gather the same meaning, without any alteration whatever, from the words as they stand.
"Even the attempt," says MR. KEIGHTLEY, "to elucidate, if it be only a single word in our great dramatist, though mayhap a failure, is laudable;" and I therefore offer no apology for casting my small conjectural pebble on the huge cairn which commentators and critics have heaped over the bones of Shakspere.
In the copy of Romeo and Juliet, in the library of the Garrick Club-adapted to the stage by David Garrick, revised by J. P. Kemble, and published as it is acted at the Theatre Royal Covent Garden (1811), the reading is
"That the runaway's eyes may wink," &c. Is there any authority whatever for this?
CURIOUS PRINTING OF THE FIRST FOLIO.-I am not aware if the circumstances of the position of Troilus and Cressida, in the volume of 1623 have been fully commented on by bibliographers and editors-1. It does not appear at all in the list of contents. 2. It is inserted, out of all order as to paging and signature, after Henry VIII. which ends the histories, and before Coriolanus, which should commence the tragedies.
It has remains of its own paging on the 2nd and 3rd pages only, being 79, 80 respectively; and, on what should be the 81st page, appears as a signature apparently the italic capital G, followed as an interpolated signature by p reversed, the usual mark used to indicate a paragraph in the authorised version. On examining further I find that it has evidently been displaced to make room for Timon of Athens. There is no signature i i, nor any pagination from 100 to 108 inclusive among the tragedies. Romeo and Juliet ends at p. 77, being part of signature gg; Julius Caesar begins at p. 109, being part of signature kk. Troilus and Cressida, if continuously paged, would begin at p. 78, being part of signature G italic, and end at p. 106. If we then allow a page and a blank for the prologue, we exactly fill the space required; whereas, Timon of Athens, the substitute, falls short by eight pages of the required quantity. From this it is quite evident that, as the volume was originally set up in type, Troilus and Cressida must have been "cast off" to follow Romeo and Juliet, and to precede Julius Cæsar.
It will be curious at this distance of time to speculate as to the causes of this alteration. There is one anomaly, however: allowance is made in this paging for the prologue to follow, not precede Troilus and Cressida; but it is not possible the whole play can have been shifted from its original position merely on account of a difficulty so easily remedied, and thus placed, as it were, in limbo between history and tragedy, as though the editors were in doubt with which division properly to locate it.
HAMLET TO GUILDENSTERN (3rd S. xii. 3.)—
"I am but mad north-north west; when the wind is southerly, I know a hawk from a hand-saw."
As your correspondent J. A. G. can find no explanation of this proverb, he offers a solution of
the difficulty by substituting anser, pronounced by the ignorant handser, and at last handsaw. I have always considered the word to be a corruption of hern-shaw; i. e. heronry. Heron was gradually contracted, in the speech of the vulgar, to hern, and at length crept into poetry. Gay writes:
"The tow'ring hawk, let future poets sing, Who terror bears upon his soaring wing; Let them on high the frighted hern survey, And lofty numbers paint their airy fray.'
The encounter between the hawk and the heron
was a favourite pastime in the middle ages for princes and nobles, and they watched the contest with strained gaze, as the one attacked and the other threw himself on his back to receive his too eager assailant on the long sharp beak, which frequently proved a fatal stratagem to the bird of prey. That Shakspeare was a dear lover from hackneyed version of his deer-stealing-say rather early youth of field sports we gather from the poaching-in Sir Thomas Lucy's domain, and his ridicule of that worthy squire for inflicting magisterial punishment on the culprit. And it is curious to note in this our day-three hundred years later—a similar result, how the offenders against the game laws have the press and playwrights as apologists for their transgressions. No doubt there was near the domain at Charlecote a heronry as well as a deer preserve, and our immortal bard may have incurred the penalty of the sixteenth century-twenty shillings for killing a heron, and ten shillings for robbing her nest. At any rate he was much more likely to put into Hamlet's mouth a proverb relating to the highlyprized sport of hawks and herons, than any allusion to a silly goose.