Writing Television SitcomsPenguin, 1999 - 281 páginas With twenty years in the business - as a writer, programming executive, and university instructor - Evan Smith knows what it takes to get from spec script to sitcom success. Here he offers the first published description of Premise-Driven Comedy, the writing method he has developed and popularized; tips from writer-producers who have worked on series from 'Frasier' to 'The Cosby Show' to 'Roseanne;' a complete story outline from the series 'Home Improvement;' explicit advice on how the business works and how to get an agent; and script layout guidelines for all three sitcom formats. Clear, comprehensive, and cutting-edge, this is the true insider's guide to becoming a sitcom writer. |
Contenido
Introduction | 1 |
The Game Plan 7882 | 7 |
Putting Theory into Practice | 19 |
Level OneComedy in the Story Premise | 25 |
Level TwoComedy in Sequences and Scenes | 42 |
Doing Your Homework | 75 |
Developing an Episode Premise | 83 |
Developing the Story | 90 |
Rewriting an Outline | 121 |
Writing the First Draft | 140 |
Step OneDeveloping a Strategy | 169 |
Step TwoLanding an Agent | 181 |
Step ThreeGetting Your Work Out There | 199 |
Step FourPitching for Assignments | 215 |
Step Five Landing a Staff Job | 227 |
Step SixClimbing the Ladder | 237 |
Character Arcs | 96 |
Remember the Mix | 102 |
How the Production Process Affects Your Script | 108 |
How It Should Look on Paper | 115 |
In Closing | 243 |
Script Format Guidelines | 245 |
Additional Resources | 265 |
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Términos y frases comunes
action actually agent already assignment audience beat become better break changes character character's comedy comes course create deal describe develop dialogue discuss don't draft episode example executives feel final five format Frasier friends funny give happen heading hired humor idea it's Jill joke keep later laughs lead look material means meeting move notes once outline person pitch play predicaments premise present probably problem producers punch line remember rewriting scene scene description script setup show's sitcom someone sometimes sound space spec script staff start starts step story story lines talk television tells tension thing usually week writing written
Referencias a este libro
Television and Screen Writing: From Concept to Contract Richard A. Blum Sin vista previa disponible - 2001 |