Virgils Gnat, which is illusory, the poem being entirely self-regarding, and referring to the disaster, whatever it was, which had made shipwreck of the author's early prospects. In some way he had offended his patron, the Earl of Leicester, and under an allegory he defends his motives. So far as it is possible to understand it, he had warned the Earl against some proceedings of Lord Burghley, and had incurred the Earl's displeasure for his pains. Leicester is apparently the "Shepheard," Burghley the "Serpent," and the author is the "Gnat." The poem bears evidence of being a youthful production, and it is so described by the author, viz. "Virgils Gnat: long since dedicated to the most noble and excellent lord, the Earle of Leicester, late deceased." The words "late deceased " evidently refer, not to the time of writing, but to the time when the collection of "Complaints" was put together, viz. subsequently to 1588. The dedication is as follows: Wrong'd yet not daring to expresse my paine, To you (great Lord) the causer of my care, But if that any Oedipus unware Shall chaunce, through power of some divining spright, And know the purporte of my evill plight, Let him rest pleased with his owne insight, But what so by my selfe may not be showen, It has been suggested that the offence given to Leicester was some officious advocacy on the part of the poet that he should marry the Queen, a match to which Burghley was strenuously opposed, to the extent even of favouring the unpopular French marriage as a means of preventing it (as well as for reasons connected with foreign diplomacy). There is some evidence, to which I shall come, which bears out this suggestion. Another 1 See Chapter IX. suggestion is that the cause of offence was some advocacy on behalf of Grindal in a case in which he had opposed Leicester's wishes. My view of the situation is that Leicester took a liking to Francis Bacon as a boy, and that some time in the year 1579, after Bacon's return from France in March of that year, the Earl invited him to form part of his establishment (not necessarily in residence). He would thus definitely become his "patron," and Bacon would gain the advantage of a position in London, which, owing to his father's death, was no longer available for him at York House. But his restless genius would never allow him to be content with a courtier's life, and I suppose he paid court to Burghley at the same time, and thus "fell between two stools." Leicester and Burghley belonged to different worlds, and were not on cordial terms, and the attractions of Leicester House would not be regarded by the minister as a good school for the service of the State. The petulant attacks on Burghley, and the regretful allusions to early days in or about Leicester House, bear out these suggestions. Thus in the Ruines of Time the author refers to Leicester's bounty: And who so els did goodnes by him gaine, and again in the beautiful Prothalamion," written in 1596, when Bacon was at the lowest ebb of his fortunes. The allusion occurs in the eighth stanza, which may be read with the first: Calme was the day, and through the trembling ayre A gentle spirit, that lightly did delay Hot Titans beames, which then did glyster fayre ; Through discontent of my long fruitlesse stay Of idle hopes, which still doe fly away, Like empty shaddowes, did afflict my brayne,) 1 Cf. Chapter X. 2 For two daughters of the Earl of Worcester. 3 Bacon had at this time been for some years in great pecuniary difficulties, and he was arrested for debt in 1598. Walkt forth to ease my payne Along the shoare of silver streaming Themmes; And all the meades adornd with daintie gemmes, And crowne their Paramours, Against the Brydale day, which is not long : At length they all to mery London came, To mery London, my most kyndly Nurse, That to me gave this Lifes first native sourse, There when they came, whereas those bricky towres, Next whereunto there standes a stately place, Of that great Lord, which therein wont to dwell, Olde woes, but joyes, to tell Against the bridale daye, which is not long : Sweete Themmes runne softly, till I end my Song. These stanzas are utterly unintelligible in the case of Spenser, who is supposed at this time to have been enjoying a second brief visit to London from his exile in Ireland, and had only the year before published, in Colin Clouts Come Home Again, an effusive account of his previous visit in 1590. I have already alluded to the attack on Burghley in the Ruines of Time. The well-known passage in Mother Hubberds Tale, though less open, is even more daring: But the false Foxe1 most kindly plaid his part; For whatsoever mother-wit or arte 1 The false Foxe. That this was taken to be an allusion to Burghley is shown by a reference to it in a pamphlet entitled "A Declaration of the True Causes," etc. (1592), containing a violent attack on him from the Catholic standpoint. In the course of it the writer states that there is matter enough against Cecil "in plain proof," "which is not extracted out of Could worke, he put in proofe: no practise slie, No reach, no breach, that might him profit bring, And of them all whatso he likte he kept. He fed his cubs with fat of all the soyle, No statute so established might bee, Yet under colour of the confidence The which the Ape repos'd in him alone, And reckned him the kingdomes corner stone. This poem, according to the author's statement in the dedication, was "long sithens composed in the raw conceipt of my youth," and the statement is borne out by the line, "But his late chayne his Liege unmeete esteemeth," which, Grosart observes, evidently points to the Earl of Leicester's marriage in 1578 with Lettice Knollys, widow of the Earl of Essex (Walter Devereux), which drew down upon him the wrath of Queen Elizabeth. The following is the passage in which it Occurs: Mother Hubberds tale of the false fox and his crooked cubbes." In the margin is printed, "Prosopopoia or Mother Hubberds tale." The last words in the sentence quoted refer, of course, to Robert Cecil, whom the writer reviles as follows: "He is friendly to none but for his owne profit. He is not welcome to his peeres, nor of affection followed by his inferiors: but resembleth a storme in the aire, which all creatures do feare and shun, and none do love or desyre." For a further account of this pamphlet see Chapter VIII. p. 209. But tell us (said the Ape) we doo you pray, We make seeke favour of the best of all? And loose thy labour and thy fruitles cost. The poem therefore was presumably written (at any rate in its first state) sometime after the summer of 1579, when the Queen came to hear of Leicester's marriage through Simier.1 But Spenser was then a man of twentyseven or twenty-eight, an age to which the phrase in the dedication is quite inappropriate. Bacon, however, was eighteen or nineteen, when the rawness of youth may, at least without absurdity, be pleaded in extenuation of indiscretions. It is significant that in a book published under the name of Gabriel Harvey in 1592 an admission occurs that the attack was overdone : Invectives by favour 2 have been too bolde: and satyres by usurpation too presumptuous: I overpasse Archilochus, Aristophanes, Lucian, Julian, Aretine, and that wholly venomous and viperous brood of old and new Raylers: even Tully and Horace otherwhiles over reched and I must needs say, Mother 1 This is said to have occurred in August 1579, but Froude has a note which indicates that it was before July: "Leicester and Hatton are married secretly, which hath so offended this Queen. . . ."-The Queen of Scots to the Archbishop of Glasgow, July 4, 1579. (History of England, xi. 154.) 2 The words "by favour" may refer to the lack of censorship. See Chapter II. p. 51 sq. |