AMBIGUITY OF VERBAL ABSTRACTIONS 153 you may suppose that I am not yet quite dead!" The next day the child was asked, in class, to explain the passive voice, and said, "It's the kind of voice you speak with when you ain't quite dead." In such a case as this the illustration ought to have been more varied. Every one's memory will probably furnish examples of the fantastic meaning which their childhood attached to certain verbal statements (in poetry often), and which their elders, not having any reason to suspect, never corrected. I remember being greatly moved emotionally at the age of eight by the ballad of Lord Ullin's Daughter. Yet I thought that the staining of the heather by the blood was the evil chiefly dreaded, and that, when the boatman said, "I'll row you o'er the ferry. It is not for your silver bright, he was to receive the lady for his pay. Similarly, I recently found that one of my own children was reading (and accepting) a verse of Tennyson's In Memoriam as "Ring out the food of rich and poor, and finding no inward difficulty. The only safeguard against this sort of misconceiving is to insist on varied statement, and to bring the child's conceptions, wherever it be possible, to some sort of practical test. Let us next pass to the subject of Appercep tion. APPERCEPTION 'APPERCEPTION' is a word which cuts a great figure in the pedagogics of the present day. Read, for example, this advertisement of a certain text-book, which I take from an educational journal: WHAT IS APPERCEPTION ? For an explanation of Apperception see The difference between Perception and " Many teachers are inquiring, "What is the meaning of Apperception in educational psychology? Just the book for them is Blank's PSYCHOLOGY in which the idea was first expounded. The most important idea in educational psychology is Apperception. The teacher may find this expounded in Blank's PSY. CHOLOGY. The idea of Apperception is making a revolution in educational methods in Germany. It is explained in Blank's PSYCHOLOGY, Vol. of the Education Series, just published. Blank's PSYCHOLOGY will be mailed prepaid to any address on receipt of $1.00. Such an advertisement is in sober earnest a disgrace to all concerned; and such talk as it indulges-in is the sort of thing I had in view when I said at our first meeting that the teachers were suffering at the present day from a certain industrious mystification on the part of editors and publishers. Perhaps the word 'apperception' flourished in their eyes and ears as it nowadays often is, embodies as much of this mystification as any other single thing. The conscientious young teacher is led to believe that it contains a recondite and portentous secret, by losing the true inwardness of which her whole career may be shattered. And yet, when she turns to the books and reads about it, it seems so trivial and commonplace a matter, - meaning nothing more than the manner in which we receive a thing into our minds, that she fears she must have missed the point through the shallowness of her intelligence, and goes about thereafter afflicted with a sense either of uncertainty or of stupidity, and in each case remaining mortified at being so inadequate to her mission. Now apperception is an extremely useful word in pedagogics, and offers a convenient name for a process to which every teacher must frequently APPERCEPTION DEFINED 157 refer. But it verily means nothing more than the act of taking a thing into the mind. It corresponds to nothing peculiar or elementary in psychology, being only one of the innumerable results of the psychological process of association of ideas; and psychology itself can easily dispense with the word, useful as it may be in pedagogics. The gist of the matter is this: Every impression that comes in from without, be it a sentence which we hear, an object of vision, or an effluvium which assails our nose, no sooner enters our consciousness than it is drafted off in some determinate direction or other, making connection with the other materials already there, and finally producing what we call our reaction. The particular connections it strikes into are determined by our past experiences and the 'associations' of the present sort of impression with them. If, for instance, you hear me call out A, B, C, it is ten to one that you will react on the impression by inwardly or outwardly articulating D, E, F. The impression arouses its old associates; they go out to meet it; it is received by them, recognized by the mind as 'the beginning of the alphabet.' It is the fate of every impression thus to fall into a mind pre |