The Mirror and the Lamp: Romantic Theory and the Critical TraditionOxford University Press, 1971 - 406 páginas Traces the evolution of the Romantic approach to literary criticism and compares it to the other methods which prevailed in the early nineteenth century. |
Contenido
Introduction ORIENTATION OF CRITICAL THEORIES | 3 |
i Some Coordinatesof Art Criticism | 6 |
ii Mimetic Theories | 8 |
iii Pragmatic Theories | 14 |
iv Expressive Theories | 21 |
v Objective Theories | 26 |
IMITATION AND THE MIRROR | 30 |
i Art Is Likea Mirror | 31 |
i The Mechanical Theory of Literary Invention | 159 |
ii Coleridges Mechanical Fancy and Organic Imagination | 167 |
iii The Associative Imagination in the Romantic Period | 177 |
The Psychology of Literary Invention UNCONSCIOUS GENIUS AND ORGANIC GROWTH | 184 |
i Natural Genius Inspiration and Grace | 187 |
ii Natural Genius and Natural Growth in EighteenthCentury England | 198 |
iii German Theories of Vegetable Genius | 201 |
iv Unconscious Invention in English Criticism | 213 |
the Empirical Ideal | 35 |
iii The Transcendental Ideal | 42 |
ROMANTIC ANALOGUES OF ART AND MIND | 47 |
i Metaphors of Expression | 48 |
ii Emotion and the Objects of Poetry | 53 |
iii Changing Metaphors of Mind | 57 |
THE DEVELOPMENT OF THE EXPRESSIVE THEORY OF POETRY AND ART | 70 |
i Si vis me flere | 71 |
ii Longinus and the Longinians | 72 |
iii Primitive Language and Primitive Poetry | 78 |
iv The Lyric as Poetic Norm | 84 |
Ut Musica Poesis | 88 |
vi Wordsworth Blair and The Enquirer | 95 |
vii Expressive Theory and Expressive Practice | 97 |
Varieties of Romantic Theory WORDSWORTH AND COLERIDGE | 100 |
i Wordsworth and the Eighteenth Century | 103 |
ii Coleridge on Poems Poetry and Poets | 114 |
Varieties of Romantic Theory SHELLEY HAZLITT KEBLE AND OTHERS | 125 |
i Shelley and Romantic Platonism | 126 |
ii Longinus HazlittKeats and the Criterion of Intensity | 132 |
John Keble and Others | 138 |
Alexander Smith | 148 |
The Psychology of Literary Invention MECHANICAL AND ORGANIC THEORIES | 156 |
v Coleridge and the Aesthetics of Organism | 218 |
LITERATURE AS A REVELATION OF PERSONALITY | 226 |
i Style and the Man | 229 |
ii Subjective and Objective and Romantic Polysemism | 235 |
iii Subjective and Objective in English Theory | 241 |
iv The Paradox of Shakespeare | 244 |
v Milton Satan and Eve | 250 |
vi The Key to Homers Heart | 256 |
The Criterion of Truth to Nature ROMANCE MYTH AND METAPHOR | 263 |
i Truth and the Poetic Marvelous | 265 |
ii The Logic of Deviation from Empirical Truth | 268 |
iii The Poem as Heterocosm | 272 |
iv Poetic Truth and Metaphor | 285 |
v Wordsworth and Coleridge on Personification and Myth | 290 |
SCIENCE AND POETRY IN ROMANTIC CRITICISM | 298 |
i Positivism vs Poetry | 300 |
ii NewtonsRainbow and the Poets | 303 |
iii Poetic Truth and Sincerity | 312 |
iv Poetry as neither True nor False | 320 |
v The Use of Romantic Poetry | 326 |
Notes | 337 |
393 | |
Otras ediciones - Ver todas
The Mirror and the Lamp: Romantic Theory and the Critical Tradition Meyer Howard Abrams Vista de fragmentos - 1958 |
Términos y frases comunes
aesthetic analogy Aristotle artist attributes beauty Biographia Biographia Literaria century character Coleridge Coleridge's composition concept creation creative Critical Essays critical theory Defence of Poetry discourse distinction doctrine eighteenth eighteenth-century elements emotion English epic expression external fact faculty fancy feeling Friedrich Schlegel genius German Goethe Hazlitt human Hurd I. A. Richards Ibid ideas imagination imitation invention John John Dennis John Keble John Stuart Mill Johnson Joseph Warton Keats Keble kind language literature London Longinus lyric mechanical metaphor Mill Milton mimetic mind mirror moral nature neo-classic objects organic original passage passion philosophy Plato pleasure poem Poesy poet poet's poetic Pope Preface principle prose qualities reader Richard Hurd romantic critics says Schlegel sense Shakespeare Shakespearean Criticism Shelley Shelley's soul spirit spontaneous sublime theorists theory things thought tion tradition true truth unconscious universe words Wordsworth Wordsworth's Literary Criticism writings wrote
Referencias a este libro
Social Linguistics and Literacies: Ideology in Discourses James Paul Gee Sin vista previa disponible - 2008 |