History of English Literature, Volumen3Colonial Press, 1900 |
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Página iii
... England . - Cowper's Poetry .. IV . The Romantic School ...... 43 48 65 72 V. - Philosophy Enters into Literature . - Wordsworth . - Shelley . 87 CHAPTER SECOND Lord Byron I. His Life and Character .. II . The Style of Byron's Poetry ...
... England . - Cowper's Poetry .. IV . The Romantic School ...... 43 48 65 72 V. - Philosophy Enters into Literature . - Wordsworth . - Shelley . 87 CHAPTER SECOND Lord Byron I. His Life and Character .. II . The Style of Byron's Poetry ...
Página v
... England . 267 II . - Essays 268 III . His Critical Method . 271 IV . His Love of Political Liberty ..... 275 V. Characteristics of Macaulay's Style . 278 VI . His Rudeness and Humor .... 287 VII . - Estimate of Macaulay's Work . 292 ...
... England . 267 II . - Essays 268 III . His Critical Method . 271 IV . His Love of Political Liberty ..... 275 V. Characteristics of Macaulay's Style . 278 VI . His Rudeness and Humor .... 287 VII . - Estimate of Macaulay's Work . 292 ...
Página vi
... England .. Part III . - Philosophy , Morality , and Criticism I. — Carlyle's Metaphysics II . - His Transposition of German Metaphysics into English III . - Conception of God and Duty . Puritanism IV . Conception of Christianity .. V ...
... England .. Part III . - Philosophy , Morality , and Criticism I. — Carlyle's Metaphysics II . - His Transposition of German Metaphysics into English III . - Conception of God and Duty . Puritanism IV . Conception of Christianity .. V ...
Página 3
... England , extending from the restoration of the Stuarts to the French Revolution , we perceive that all the productions , independently of the English character , bear a classical impress , and that this impress , special to this region ...
... England , extending from the restoration of the Stuarts to the French Revolution , we perceive that all the productions , independently of the English character , bear a classical impress , and that this impress , special to this region ...
Página 4
... England and France , impressed its form on an infinite diversity of literary works , so that in its universal manifest ascendancy we cannot but recognize the presence of one of those internal forces which bend and govern the course of ...
... England and France , impressed its form on an infinite diversity of literary works , so that in its universal manifest ascendancy we cannot but recognize the presence of one of those internal forces which bend and govern the course of ...
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Términos y frases comunes
abstract admiration amidst amongst artist beautiful become Byron Carlyle cause century character charm Châteaubriand Childe Harold's Pilgrimage David Copperfield Dickens divine Don Juan dreams Dunciad emotions England English eyes facts feel French French Revolution genius genuine George Sand gloomy Goethe hand happy heart heaven human Ibid ideas imagination inner instincts kind lady light literary literature living look Lord Lord Byron Macaulay manners marriage Martin Chuzzlewit ment mind moral nature never noble novels object paint passion Pecksniff philosophy pleasure poem poet poetic poetry political poor Pope Puritan religion Revolution Sartor Resartus satire Section seems sentiments Siege of Corinth smile society soul speak spirit style talent Tartuffe taste tears tender Thackeray things thought tion truth verses vice virtue Voltaire Warren Hastings whilst whole words write young
Pasajes populares
Página 107 - STOOD in Venice, on the Bridge of Sighs; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me.
Página 390 - On lips that are for others ; deep as love, Deep as first love, and wild with all regret; O Death in Life, the days that are no more.
Página 320 - Universal History, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.
Página 381 - Breathing like one that hath a weary dream. Full-faced above the valley stood the moon ; And like a downward smoke, the slender stream Along the cliff to fall and pause and fall did seem. A land of streams ! some, like a downward smoke, Slow-dropping veils of thinnest lawn, did go ; And some thro' wavering lights and shadows broke, Rolling a slumbrous sheet of foam below.
Página 397 - The old order changeth, yielding place to new, And God fulfils himself in many ways, Lest one good custom should corrupt the world Comfort thyself: what comfort is in me?
Página 390 - TEARS, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy Autumn-fields, And thinking of the days that are no more. Fresh as the first beam glittering on a sail, That brings our friends up from the underworld, Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
Página 200 - Now, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else.
Página 62 - Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And while the bubbling and loud-hissing urn Throws up a steamy column, and the cups, That cheer but not inebriate, wait on each, So let us welcome peaceful evening in.
Página 20 - Placed on this isthmus of a middle state, A being darkly wise, and rudely great ; With too much knowledge for the sceptic side, With too much weakness for the stoic's pride, He hangs between ; in doubt to act or rest ; In doubt to deem himself a god, or beast...
Página 397 - Then saw they how there hove a dusky barge, Dark as a funeral scarf from stem to stern, Beneath them ; and descending they were ware That all the decks were dense with stately forms, Black-stoled, black-hooded, like a dream — by these Three Queens with crowns of gold : and from them rose A cry that...