Hemingway: The Writer's Art of Self-DefenseU of Minnesota Press - 202 páginas Hemingway was first published in 1970. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a close critical analysis of five of Ernest Hemingway's novels and a number of his most important short stories, Professor Benson provides a fascinating new view of his work. The novels discussed are The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, Across the River and into the Trees,and the Old Man and the Sea. Hemingway's art of self-defense, which Professor Benson refers to in his subtitle, was, as he demonstrates in his perceptive criticism, the writer's use of style and technique to attack the sentimentalities which were Hemingway's own weakness. Emotion was central to the task which Hemingway defined for himself, Professor Benson explains, and a critical appraisal of his work must, therefore, focus particularly on the ways in which he dealt with and expressed emotion. |
Dentro del libro
Resultados 1-5 de 19
... Bell Tolls, Green Hills of Africa, The Old Man and the Sea, The Short Stories of Ernest Hemingway, The Sun Also Rises, and To Have and Have Not. Used by permission of Charles Scribner's Sons, the Executors of the Ernest Hemingway Estate ...
... Bell Tolls (New York, 1960), The Scribner Library (the same as the first edition of 1940, the Collier edition of 1942, Modern Standard Authors edition of 1957, and the "uniform edition" of 1962) . (A.RJ.T.) Across the River and into the ...
... how brilliant a biography is eventually produced, it. 'Marcelline Hemingway Sanford, At the Hemingways (Boston, 1961), p. 54. 3 As quoted in Maxwell Geismar, Writers in Crisis (New York, 1947), p. 41. ' For Whom the Bell Tolls, pp. 338-39.
... Bell Tolls.4 Revealing, too, in "Fathers and Sons," is the rather direct statement of Dr. Adams' weakness, which here is labeled "sentimentality" — the weakness which forced him to subordinate himself to the feminine world which ...
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Contenido
3 | |
ROLES AND THE MASCULINE WRITER | 28 |
DARK LAUGHTER | 47 |
A STRUCTURE FOR EMOTIONAL CONTROL | 70 |
LEARNING TO PLAY THE GAME WELL | 99 |
CONTROL AND LOSS OF CONTROL THROUGH IRONY | 113 |
SUFFERING AND LOSS WITHOUT TEARS | 129 |
THE ROAD FROM SELF | 150 |
THE MASK OF HUMBLE PERFECTION | 169 |
LET BE BE FINALE OF SEEM | 186 |