The Popular Educator, Volumen5John Cassell, 1856 |
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... Voice of Avw ; General Conspectus of the Greek Verb .. 9 VIII . Sections II . , III . , with exercises , etc IX . Sections IV . , V .; Le Pacha et le Dervis , with exercises , etc .. FRENCH READINGS . VII . Le Vieux Arbre et le ...
... Voice of Avw ; General Conspectus of the Greek Verb .. 9 VIII . Sections II . , III . , with exercises , etc IX . Sections IV . , V .; Le Pacha et le Dervis , with exercises , etc .. FRENCH READINGS . VII . Le Vieux Arbre et le ...
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... Voice ; Quality of the Voice ; Smoothness of the Voice ; Versatility ... Distinct Articulation ; Correct Pronunciation ; True Time 27 42 61 75 372 383 IX . Appropriate Pauses ; Right Emphasis 88 .... .... .... X. Correct Inflections 116 ...
... Voice ; Quality of the Voice ; Smoothness of the Voice ; Versatility ... Distinct Articulation ; Correct Pronunciation ; True Time 27 42 61 75 372 383 IX . Appropriate Pauses ; Right Emphasis 88 .... .... .... X. Correct Inflections 116 ...
Página 8
... voice or instrument can be performed by a different voice or an instrument of a different diapason . The whole of a piece may be thus transposed into the medium staff which better suits every instrument or every voice . There are three ...
... voice or instrument can be performed by a different voice or an instrument of a different diapason . The whole of a piece may be thus transposed into the medium staff which better suits every instrument or every voice . There are three ...
Página 9
... . λυθεντα λυθείσαν λυθεν The Student will find an advantage in comparing together the three Voices . The relation of their leading parts may be seen in the following PASSIVE MIDDLE VOICE . VOICE . ACTIVE VOICE . Pres LESSONS IN GREEK .
... . λυθεντα λυθείσαν λυθεν The Student will find an advantage in comparing together the three Voices . The relation of their leading parts may be seen in the following PASSIVE MIDDLE VOICE . VOICE . ACTIVE VOICE . Pres LESSONS IN GREEK .
Página 10
... VOICE . VOICE . ACTIVE VOICE . Pres . Teuse Active Voice , λυ - ω Middle Voice . λυ - ο - μαι Passive Voice . Active Voice . Second Perf . πε - φηνα Impf . Tense κλυον ε - λυ - ομην Second Plupf . ε - πε φην - ειν Middle Voice , Passive ...
... VOICE . VOICE . ACTIVE VOICE . Pres . Teuse Active Voice , λυ - ω Middle Voice . λυ - ο - μαι Passive Voice . Active Voice . Second Perf . πε - φηνα Impf . Tense κλυον ε - λυ - ομην Second Plupf . ε - πε φην - ειν Middle Voice , Passive ...
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Términos y frases comunes
a-vu-to acid Aorist apparatus atmosphere avait beds body boiling bulb called caloric carbonic carbonic acid Cash Account CASSELL'S LESSONS Centigrade chalk chlorine cloth co-efficient containing cupellation degrees diathermous E. A. ANDREWS East Dereham employed enfants engine English equal equation EXERCISE expansion Fahrenheit figure Fodora gases German given glass hygrometer impf inch indicated inflection interior angles Latin latter liquid logarithm mantissa means mercury metal Napoléon oolite paper covers parallel parallelogram pass Peter Hutchinson petite piston Pluperfect pressure Prob quantity of heat question quotient rays Richard O'Brien Richard Sykes right angles root RULE sides só-no solution sound steam straight line substances sulphuric sulphuric acid Sundries temperature tense thermometer thou tion tone triangle tube Union Bank vapour verbs vessel voice volume vowel weight Whence word Οἱ ου
Pasajes populares
Página 120 - ... to dive into the depths of dungeons; to plunge into the infection of hospitals; to survey the mansions of sorrow and pain; to take the gauge and dimensions of misery, depression, and contempt; to remember the forgotten, to attend to the neglected, to visit the forsaken, and to compare and collate the distresses of all men in all countries.
Página 30 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up...
Página 262 - In its sublime research, philosophy May measure out the ocean deep, may count The sands or the sun's rays : but, God, for thee There is no weight nor measure ; none can mount Up to thy mysteries. Reason's brightest spark, Though kindled by thy light, in vain would try To trace thy counsels, infinite and dark ; And thought is lost ere thought can soar so high, Even like past moments in eternity.
Página 182 - Dryden knew more of man in his general nature, and Pope in his local manners.
Página 182 - Of genius, that power which constitutes a poet; that quality without which judgment is cold and knowledge is inert; that energy which collects, combines, amplifies, and animates, the superiority must with some hesitation be allowed to Dryden.
Página 262 - A million torches lighted by thy hand Wander unwearied through the blue abyss : They own thy power, accomplish thy command. All gay with life, all eloquent with bliss What shall we call them? Piles of crystal light— A glorious company of golden streams — Lamps of celestial ether, burning bright — Suns lighting systems with their joyous beams ? But thou to these art as the noon to night.
Página 118 - I could a tale unfold, whose lightest word Would harrow up thy soul ; freeze thy young blood ; Make thy two eyes, like stars, start from their spheres ; Thy knotted and combined locks to part, And each particular hair to stand on end Like quills upon the fretful porcupine...
Página 182 - Pope had only a little, because Dryden had more : for every other writer since Milton must give place to Pope ; and even of Dryden it must be said, that, if he has brighter paragraphs, he has not better poems.
Página 182 - For this reason he kept his pieces very long in his hands, while he considered and reconsidered them. The only poems which can be supposed to have been written with such regard to the times as might hasten their publication, were the two satires of ' Thirty- eight ; ' of which Dodsley told me, that they were brought to him by the author, that they might be fairly copied.