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ON PHYSICS, OR NATURAL PHILOSOPHY.

No. XXVIII.

(Continued from page 8.)

VIBRATION OF THE AIR IN SONOROUS PIPES.

Origin of the Sound in Wind Instruments.-In the different apparatus described in former lessons, the sound arose from the vibrations of solid bodies; the air was only the medium of conveyance. In wind instruments, constructed of pipes whose sides are sufficiently strong to resist vibration, it is the column of the air inclosed in the pipes which is alone the sonorous body. It is, in fact, demonstrable that the matter of the pipes has no influence on the sound, which is the same under equal dimensions, whether they are made of wood, glass, or metal, with the exception of the timbre or distinct quality of the sound. As to the manner of putting the air into vibration in pipes, wind instruments are divided into instruments with a mouth-piece, instruments with a rigid tongue, and instruments with a membraneous tongue.

Instruments with a Mouth-piece.-Iu instruments having a mouth-piece, all the parts of the latter are fixed. Fig. 140 Fig. 147.

Fig. 146.

body, as well as in others formerly investigated, there are portions which vibrate and portions which do not vibrate, that is, swells and nodes. When a pipe is closed at the extremity opposite to that where the passage is, it is almost evident that the stratum of air in contact with the bottom

Fig. 148.

belongs to a node of vibration; and it is equally manifest that the portion of air in the neighbourhood of the mouth belongs to a swell, for it is at this point that the disturbing cause exists. This node and this swell occur only when the pipe emits the lowest or fundamental sound. A change in the diameter of the pipe, in the dimensions of the mouth, or in the velocity of the current of air, will produce a series of sounds rising gradually higher and higher, and affecting the ratios of the different portions of the column of air in the pipe, as shown in fig. 149.

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represents the mouth-piece of an organ-pipe; and fig. 147 represents that of a whistle or flageolet. In these two figures, the opening i is called the passage; by this aperture the air is introduced into the pipe. The opening bo is called the mouth, and its upper lip, b, is made with a feathered edge. The upper part of both figures represents the pipe, which may be either open or closed according to the nature of the instrument. In fig. 146 the foot, or extremity, P, is employed to fix the pipe on a blowing machine, as shown in fig. 134, p. 364, vol. iv. When a rapid current of air rushes through the passage, it strike against the upper lip, and produces a concussion which prevents the air from issuing in a continuous manner from the mouth, and causes it to proceed intermittingly. From this cause the pulsations which are transmitted to the air in the pipe make it vibrate and emit a sound. In order that the emitted sound may be clear and distinct, a certain relation must be established among the lips, the aperture of the mouth, and the size of the passage; and the pipe must have a great length in comparison with its diameter. The number of vibrations depends, in general, on the dimensions of the pipe and the velocity of the current of air. In the German flute the mouth is a simple lateral and circular opening. It is owing to the arrangement of the lips that the current of air is made to strike against the edges of this aperture; this is seen in the Pandian reed, and in the perforated key which is made to whistle.

The following representation (fig. 148) of an organ-pipe or flute, exhibits a side section and front view, in which i shows the extremity of the passage, and the mouth. Since the vibration of air contained in the pipes is really the cause of the production of the sound, we shall find that in this sonorous

VOL. V.

Sound 3.

Sound 5.

2 codes and 2 swelle.

3 nodes and 3 swells.

After the first or fundamental sound, that which is produced the most naturally allows the node and the swell at the extremities of the pipe to remain ; but a new node appears at a third part of the column of air reckoning from the mouth, and a new swell at a third part reckoning from the bottom. The higher sound which immediately follows forms an additional node and an additional swell. The sounds which correspond to these different states of the pipe are higher and higher. The manner in which the column of air is divided in a closed pipe, shows that the different sounds emitted are to each other as the series of odd numbers 1, 3, 5, 7, etc.

In a pipe open at both ends the arrangement of the nodes and swells is different. The bottom, which in the former case determined at once a node of vibration, no longer exists; consequently, a swell takes its place. Thus, there is at each extremity of an open pipe, a swell; it is necessary, therefore, that there should be at least one node in the interior. Experiment shows that this node is in the middle, and that it divides the column of air into two parts which vibrate in an inverted direction. Each of these parts is, of course, one-half of that which would vibrate if the pipe were closed at one end, and this explains the reason why the fundamental sound of the pipe open at both ends is the higher octave of the former. After this fundamental sound, there exist also, in pipes open at both ends, a scries of sounds which arise from

106

the subdivision of the column of air into aliquot parts, and which produce new swells and new nodes, as exhibited in fig. 150.

Fundamental sound,

or sound 1.

Fig. 150.

called the tongue, and which, when it is fixed, fits the edges of the channel so as nearly to close it-this tongue is fixed only at its upper part; and 4th, an iron wire, bent at its lower part, which presses upon the tongue. This iron wire, which is called the catch, can be raised or lowered so as to regulate 1 node and 2 swells. all the motions of the tongue, and fix the height of the sound; and it admits of the complete adjustment of the pipes to the tongues. Suppose, now, that the tongue is replaced in the

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The existence of these nodes and swells is proved by introducing a piston into the pipe at each of the nodal points, and making holes in its side at each of the swell points; and when they are accurately adjusted, these different operations do not alter the height of the sound. The length of the column of air comprised between two nodes is called a concameration. The length of a concameration has been found by experiment nearly equal to the length of the wave of the sound produced by propagation in free air.

Instruments with a Rigid Tongue.-The air is put into vibration in instruments having a rigid tongue by a simple elastic piece of metal or of wood, which is put in motion by a current of air. This tongue acts in a manner easily comprehended, see figs. 151 and 152, which show a front and side view of it. Fig. 151.

Fig. 152.

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Fig. 154.

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Lis the tongue fixed at one extremity, in front of a rectangular opening, o, made in the side of the pipe, whether square or round. This tongue is constructed in such a manner that it is bent in a state of rest, and leaves the opening free to the admission of air. But if a current of air be produced in any manner so as to have a tendency to rush through the aperture o, in the direction indicated by the arrow, the tongue is forced against the side of the pipe, and for a moment it stops the flow of the current; then its elasticity restores it to its first position after this it is again impelled against the side of the pipe, and so on alternately, as long as the air exerts a tendency to rush through the aperture o. Thus we see that the impulse of the air must be made intermittingly, and when these intermittent impulses are sufficiently rapid, a sound arises which is stronger than that proceeding from the vibrations of the tongue or lamina alone.

This kind of tongue is used in hautboys, bassoons, clarionets, children's trumpets, and other simple instruments of this kind. Some organ-pipes have a mouth-piece like that already described, fig. 146; others have rigid tongues. Fig. 153 is a representation of one of the latter, with the arrangement best adapted for demonstration. It is mounted on the box of a blowing machine, and glass, inserted at E in the sides of the pipe, admits of the vibrations of the tongue being seen. A wooden apparatus, like a trumpet, is used for strengthening the sound. Fig. 154 represents the tongue outside of the pipe. It is composed of four pieces:-1st, a rectangular wooden pipe closed at the bottom, and open at the top, at o; 2nd, a brass plate, cc, pierced by a longitudinal aperture, called the channel, which is intended to give a passage to the air of the pipe MN to the or fice o; 3rd, an elastic lamina, i, which is

pipe м N, and that a current of air is admitted into the latter by the foot P; the tongue will then be acted on by the air, and by this action, being bent inwardly, will give a passage to the air, which will escape by the orifice o. But the tongue, in consequence of its elasticity, will return immediately to its first position; it will thus form a series of oscillations which will alternately open and close the channel, and cause the current of air to act intermittingly; hence arise the sonorous waves producing a sound whose height increases with the velocity of the current.

Membraneous Tongues.-The effects of membraneous tongues are not yet well ascertained; but they are interesting, as connected with the theory of the human voice. The following are the principal results of the researches of M. Muller, the physiologist, on this subject:

1st. If a narrow strip or ribbon of caoutchouc be stretched over a ring about of an inch in diameter, and if by means of a pipe of small diameter we blow on one of the edges of the ribbon in a direction oblique to its surface, the ribbon will be made to vibrate and a sound will be emitted..

2nd. If a strip of caoutchouc, of about of an inch in breadth, be stretched over a ring or a wooden frame, and if on each side of this elastic strip we fix a rigid plate made of card or of wood, so as to admit of a very straight and narrow slit between the plates and the caoutchouc, this strip will be made to vibrate by surrounding the ring or frame with the lips and blowing through it, or by blowing through a porte-vent or pipe, at one end of which the apparatus is placed.

3rd. If one-half of the orifice of a very short pipe be covered with an elastic membrane, and the other half with a rigid plate, leaving a narrow slit between them for the passage of the air, the membrane will be put into a state of vibration by the same means as in the preceding case.

4th. If the orifice of a very short pipe be covered with two elastic membranes instead of one elastic membrane and a rigid plate, leaving the narrow slit between them as before, the same effect will be produced by employing the same means. This arrangement is most like that of the glottis, or chink of the larynx, which is the upper part of the windpipe.

M. Muller has observed that, with a membraneous tongue, the sound is produced whether we blow or draw the air through it with the mouth. But in the latter case, the sound is usually lower by a semitone or a full tone. An increase in the force of blowing out or drawing in the air raises the tone a little. Up to a certain limit, the breadth has little influence in raising the sound; but the sound is lost when the slit is too large. In membraneous tongues, as well as in tense cords, the tone is raised when the tension is increased. If we fix the tongue in the middle and blow on one-half of it, we obtain the octave of the fundamental sound produced by the entire tongue. Membraneous tongues are subject to the same laws as tense cords, while rigid tongues follow those of elastic laminæ. M. Muller has particularly experimented on the tongues which are formed of two elastic membranes with a slit between them. He has proved that if two membranes are equally stretched, they emit a lower sound than the fundamental sound separately emitted by each. When a pipe was fitted to the tongue, the sound became lower still, and blowing through a porte-vent produced the same effect. Membraneous tongues have not hitherto been applied in music; but it is to this kind of apparatus that we must refer the construction of the human voice and the singing of birds.

When the lips are contracted by the muscles, they can act like membraneous tongues. The buccal cavity and the respiratory organs represent the porte-vent. The lips act in the same manner in blowing the horn, the trumpet, and the trombone; for it is not enough merely to blow into these instruments, but the lips also must be put into a state of vibration like membraneous tongues. It is for this reason that mouth-pieces are used of a diameter smaller in proportion as the sound is to be raised higher, and so that the lips may be contracted or widened according as the sound is to be elevated or lowered,

• The Organ of the Voice.-The voice is a sound produced in
a particular organ, called the larynx, at the moment when it
is traversed by the air breathed from the lungs. The larynx
is a wide and short pipe placed between the back of the
mouth and the trachea, or canal which conveys the air to the
lungs. A mucous membrane lines the interior of the larynx
and passes over two ligaments which have between them a
triangular opening with the base behind and the vertex in
front. These ligaments are the lower vocal cords. Above
them the larynx enlarges, then diminishes, and the mucous
membrane covers two new but weaker ligaments, which are
called the upper vocal cords, having between them an opening
similar to the former. The space between each vocal cord,
the lower and the upper, to the right and to the left, presents
two cavities which are called the ventricles of the larynx. The
triangular space comprised between the vocal cords, right and
left, is called the glottis. The edges of the openings are called
the lips of the glottis, and their distance from each other varies
with the action of certain muscles. Above the glottis, there is
a kind of fibro-cartilaginous moveable valve called the epi-
glottis; it is intended to prezent, in the action of swallowing,
the entrance into the larynx of food, solid or liquid, which, by
its stoppage in the wind-pipe, would occasion suffocation.
Moreover, the apparatus of the voice is completed by the
buccal cavity, the upper part of the pharynx, or opening of
the gullet and windpipe, and the nasal apertures. In order
that the sound of the voice may be produced, two conditions
are necessary: 1st, that the air contained in the lungs may
be expelled by expiration; 2nd, that the muscles of the glottis
may exert, under the power of the will, a tension properly
adapted to the vocal cords. We know, indeed, that the sound
of the voice is not produced at every expiration; and when
the nerves which belong to the muscles of the larynx are cut,
complete dumbness takes place. What proves that the sound
of the voice is produced chiefly in the larynx, is, that when
the trachea has been opened, the air breathed out is carried
off through the artificial opening without traversing the
larynx, and no sound can be produced; on the other hand, the
voice resumes its proper character when the opening is closed.
Besides, the voice remains, if an opening be made above the
glottis, so that the air is breathed out through the larynx.

It has also been determined in what part of the larynx the sound of the voice is produced. The experiments of MM. Bichat and Magendie prove that it is the lower vocal cords

that effect this. In fact, all the other parts of the larynx, even the upper vocal cords and epiglottis, may be destroyed, without destroying the voice; but it is entirely lost, if the lower vocal cords are destroyed.

The production of the sound of the voice has received much attention from natural philosophers and physiologists. This organ has in its turn been compared to a flute, to a stringed instrument, to a tongued instrument, and to the catcal of birdcatchers, The essential difference between these various opinions is, whether the air alone is put into vibration by striking against the lips of the glottis, in the same manner as in the instruments having a mouth-piece; or, whether the vocal cords themselves, which are struck by the air breathed out of the lungs, are the first to vibrate, and thus become the producers of the sound. From the experiments on the caoutchouc membranes already described, M. Muller concludes that it is the membraneous parts of the larynx which vibrate, and that the organ of the voice may be compared to a double membraneous tongue. This hypothesis appears to be the most satisfactory; but, after all, the organ of the voice is of a nature entirely its own, and cannot be compared in an absolute manner with any known instrument. We may, however, draw a limit on this point, by considering it as a wind-instrument in which the lungs represent the blowing machine; the trachea the porte-vent; and the mouth the box or apparatus for strengthening and modifying the sound, in a manner similar to that of the horn with tongued pipes. In the articulated voice, or uttered word, the tongue, teeth, and lips play an important part in the pronunciation of the vowels and consonants. The Organ of Hearing.-The ear is the organ by means of which we are made sensible of the undulations of sonorous bodies, and these are transmitted by the external air to the acoustic nerve. The cartilaginous external ear acts like the funnel of a hearing trumpet, of which the tube commences at the acoustic or auditory nerve, and is hollowed out at the os temporalis. It is by this canal that the sonorous waves are introduced, and made to strike and put into vibration an elastic membrane stretched at the bottom of the canal, called the tympanum or drum. Beyond this membrane there is a cavity, called the middle ear or cavity of the tympanum, which is filled with air received from the back part of the mouth by a canal called the Eustachian tube or horn. Behind this cavity, and opposite to the membrana tympani, there is a membrane of the same kind which closes two apertures called the fenestra ovalis and the fenestra rotunda. These two membranes are connected by a chain of small bones called the malleus, the incus, the os orbiculare, and the stapes, and put in action by two muscles. The vibrations of the membrana tympani are transmitted to the membrane of the fenestra ovalis by means of this osseous chain, from the air in the cavity of the tympanum, and from the bony sides of this cavity. The fenestra ovalis and the fenestra rotunda put this cavity in communication with the vestibulum, which is placed at the end of the system of canals called the cochlea, and the three semicircular canals, which together form the labyrinth or internal ear. These canals contain a fluid in which the threads of the auditory nerve are immersed. The vibrations of the membrane of the fenestræ are transmitted to this fluid and to the auditory nerve; and this nerve, by transmitting its impressions to the brain, realises the condition nece ssary to the sensation of hearing, see fig. 155.

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LESSONS IN CHEMISTRY.-No. XXVII. The Metal Lead.-The physical characteristics of this very useful metal are so well known, that they scarcely require description. Soft, blueish white, possessing considerable specific gravity, very fusible, laminable, ductile, easily tarnishing on exposure to air,-lead, when obtained free from combination, could scarcely be confounded with any other metal. Not only is lead very plentifully distributed throughout nature, but it is a very useful metal, as the slightest reflection will demonstrate to the student. Its combinations, however, are for the most part poisonous, the amount of their power being dependent on their degree of solubility; and as lead is employed for thousands of purposes involving intimate contact with articles of food and drink, it behoves us to be able to appreciate the conditions under which this metal, so useful a servant, may become an

insidious enemy.

Chemical Qualities of Lead Combinations.-Combinations of this metal, as of every other, admit of classing into the soluble and the insoluble. For the purposes of our experiments we shall require a soluble solution, and none is better for our purposes than a solution of acetate of lead, commonly called "sugar of lead." It consists of protoxide of lead united with acetic acid. Take about as much as will lie heaped upon a fourpenny piece of crystallised sugar of lead, and dissolve it in about a wine-glass full of common water; if pump or well-water, all the better. Try to dissolve it, I should have said; because, as the operator will find, perfect solution cannot be effected, but a white powder will remain. So far, then, as concerns the solution we were desirous of making, our operation is a failure. I meant it to be a failure, in order to demonstrate a fact. The white appearance developed is, however, not without its own significance, and we shall revert to it by-and-by; meantime preserve the whitened liquor in a properly-labelled corked bottle. Repeating now the experiment with the substitution of pure distilled water for impure or common water, a solution of absolute transparency will result, if the water employed be totally free from impurity; gradually, however, it will be found that mere contact with atmospheric air gives rise to a certain turbidity, and this for a reason we shall discover presently.

Having prepared our solution, let us now deal with it analytically. Let the reader assume it to be unknown; let him, for the purpose of argument, call it x. What is the ? Such is the question we require to solve.

By this time the student will know intuitively, so to speak, the series of questions we have to demand of our unknown x. Is it a metal? Yes or no. If a metal, what class of metal? what section of the class? and lastly, what metal?

I need scarcely state that you will begin your testing operation by the employment of hydrosulphuric acid in aqueous solution. It yields a black precipitate, thereby teaching us that the solution we have to deal with not only contains a metal, but a metal of the calcigenous class; teaches us, moreover, that the metal is neither iron, manganese, uranium, cobalt, or nickel, all of which require hydrosulphate of ammonia to effect their precipitation: teaches us that the metal is neither zinc, nor arsenic, nor antimony, cadmium, or tin in per-combination; since, were it either of these, the precipitate could not be black. Gradually, then, we have narrowed the list of bodies to which our a might belong. The analyst might now, in the ordinary course of testing, employ an aqueous solution of ferrocyanide of potassium (prussiate of potash) as a test; under which circumstances he would obtain a whitish precipitate-the teaching conveyed by which would be still less than that already imparted by the hydrosulphuric acid. The operator would now have recourse to "random tests;" likely enough he would at once have recourse to a soluble chloride, say chloride of sodium, or common salt. Supposing a solution of this substance employed-the stronger the better, saturated by preference-he would most likely obtain from a solution of acetate of lead of the strength described, a white precipitate. I say most likely, because in proportion as the temperature of the lead-containing solution is higher, so is the tendency less of the white precipitate to fall. Its precipitation, however, may be assured by adding a certain amount of alcohol (rectified spirit of wine).

On collecting a little of this white precipitate (say a few grains), placing it in a little flask, adding pure water, and

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boiling, it will be found to dissolve completely. In other words, the white substance obtained by the addition of chloride of sodium to acetate of lead is the chloride of lead, which is so far from being totally insoluble in water (even cold), that we were obliged to add alcohol in order to insure its absolute precipitation; and is so perfectly soluble in hot water that we have been enabled to convert the former white powder into a colourless solution. This precipitate, moreover, is neither whitened nor turned black by the agency of ammonia. Let us now draw these facts into one focus and appreciate their significance. In the first place, we have already seen that there only exist two metals the chlorides of which possess the slightest claim to the quality of insolubility: of these the protochloride of mercury (calomel) and the chloride of silver may be regarded as abso lutely insoluble (in water); the third, which is chloride of lead, is not absolutely insoluble. Clearly, then, it is chloride of lead we are dealing with, and consequently the metal whose solution we are investigating must be lead. The action of ammonia still further demonstrates that it can neither be chloride of silver nor of mercury. However, the chemist would scarcely think it safe, in any instance, to rely implicitly on the indications of one line of testing. He would scarcely then be warranted in allowing our unknown x to escape without further questioning. Effect of Sulphuric Acid and soluble Sulphates on Salts of Lead.Let me premise, in reference to these tests, that the sulphuric acid to be employed as a test in this instance should be for convenience diluted, the dilution being in the ratio of about one of acid and nineteen of water (by measure). As to the soluble sulphates, the experimentalist may either employ sulphate of soda, much used in veterinary practice under the name of "Glauber's salt," or else sulphate of magnesia, better known as Epsom salts." Taking a little of the solution of x, add to it a portion of dilute sulphuric acid, or any soluble sulphate. Remark the heavy white precipitate which deposits. Remark, too, how insoluble this precipitate is in water-even hot: for if a portion be boiled in pure water, the clear liquid decanted, and tested with hydrosulphuric acid, not the slightest blackening results; an evidence so palpable as to require no comment. Remark, too, that this same white precipitate is scarcely soluble, if soluble at all, in nitric acid, even though boiling.

66

All the facts of this line of demonstration prove that we are dealing with sulphate of lead. Only one sulphate besides it has an equal amount of insolubility; this one is the sulphate of baryta, which, however, is generated out of a solution neither precipitable by chlorides nor by hydrosulphuric acid. Before leaving the sulphate of lead, let the experimentalist satisfy himself that a precipitate identical in every respect may be generated by the substitution of a soluble sulphate for sulphuric acid.

With these facts before him-namely, with the double evidence supplied by the agency of chlorides, on the one hand, and sulphuric acid and sulphates on the other, the operator need not entertain a doubt as to the name of the metal x. It must be lead. Nevertheless I shall mention further tests presently; not that they are required so far as our present examination goes, but that they might be required under other circumstances. Meantime, before proceeding to these further tests, let us well contemplate some practical applications which admit of being made, of chemical reactions already brought before us. All soluble lead compounds are poisonous, as I have already remarked; and of course all absolutely insoluble ones are innocuous. Supposing, then, a naturally fatal dose of acetate of lead, or any other soluble salt of that metal, swallowed-what would be the antidote to the same? Our aim would not be to convert the soluble salt into the chloride, certainly; because the latter is scarcely to be called insoluble. We should try to convert it into the absolutely insoluble sulphate: but how?

To administer sulphuric acid pure would be out of the question: to administer dilute sulphuric acid would be highly dangerous; but the young chemist will not fail to see that a soluble sulphate (Epsom salts) might be given with advantage, even though administered in excess. Having, then, once established the fact of poisoning by an over-dose of lead salt, administer solution of Epsom salt copiously. This is the antidote. In our next lesson we shall resume the consideration of the tests for lead solutions, and perhaps discuss the peculiarities of the metal when operated upon in the dry way.

4th.

LESSONS IN BOOKKEEPING.-No. XIV.

(Continued from page 230, Vol. IV.)

FOREIGN TRADE.

Effected by Andrew Lloyd, an insurance on
7hhds. of Sugar, valued at £25 per hhd., from
Berbice to London, at 3 per cent., the amount of
premium being
Policy duty

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4th.

Effected for account of Nathan Herschell, Barba-
does, the foregoing Insurance
Premium and Policy on £175
Commission on do., at per cent.

Victoria

6th,

HAVING allowed our students time to study the principles and
practice of Bookkeeping as applicable to the transactions of
Home Trade, we now proceed to lay before them a series of
transactions in Foreign Trade; and afterwards to show them
how to enter these transactions into the proper books, as we
have done in our preceding Lessons in reference to Home
Trade. The following Memoranda of Transactions are to be
entered in the same manner as before; 1st, All Receipts and
Payments of Cash in the Cash Book. Here, however, the
transactions with the Bank are to be entered along with the
Cash transactions in business; but they are not recorded in
the Memoranda, because they would take up a quantity of Received of David Anderson for freight per Ship
unnecessary space, and the student can easily judge for him-
self how much money must be drawn from the Bank each day
for the Payments, or how much should be lodged in the Bank
from the Receipts. For this purpose, of course, he will make
the proper entries in the separate columns appointed for the
Bank transactions as shown in the Cash Book under the Head
of Home Trade. This process renders it unnecessary for the
Merchant to keep a separate Bank account or Bank Book
and it shows by the balances at the end of the month, or of
any other period when they are taken, how the Bank and
Business Cash transactions operate as a check on each other,
the difference between these balances being always the amount

of cash in hand.

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Effected by Andrew Lloyd, an Insurance on £700,
on 20 tierces of coffee, valued at £35 per tierce,
from Berbice to London, at 2 per cent. pre-
mium

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Effected for account of John Henderson, Berbice,
the foregoing Insurance
Premium and Policy on £700
Commission on do., at per cent

12th.

2nd, All Drafts and Remittances of Bills are entered in the Bills Receivable Book, and all Acceptances of Bills in the Bills Payable Book. In these two books, the columns for the various particulars relating to the Bills are more numerous than those shown in the Bill Books under the head of Home Trade; the student will, of course, be directed by the titles of these columns to insert every particular in its proper place. Paid Bill No. 101, Robert Simpson 3rd, The particulars of all the other transactions relating to the Foreign Trade are entered in the Day Book; but many of these particulars are copied from other Books usually kept in a Merchant's Counting House; viz. the Invoice Book, the Account Sales Book, the Account Current Boo the Insurance Book, etc.

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Received in Cash for Bill No. 551 on Richard
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29th.

Took out of Cash for Petty Cash Account

August 1st.

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Purchased Goods of the following persons,
Of Samuel Morley, 9 bales tow Osnaburgs £236 5 0
Tuelon and Co., 3 cases of hats

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