[An old copy of verses printed in Allan Ramsay's Miscellany, we are told by Gilbert Burns, gave his brother the hint of writing this curious song. See "The Auld Man's Address to the Widow," O wha is at my chamber door Fair widow are ye waukin, called by Ramsay, "The Auld Man's best Argument."] ANNA, THY CHARMS. ROBERT BURNS. Anna, thy charms my bosom fire, Yet in thy presence, lovely fair! To hope may be forgiven; For sure, 'twere impious to despair So much in sight of heaven. [Inserted by Burns in the second edition of his poems, the first Edinburgh copy. The idea as Mr. Cunningham observes is taken from the last verse of Hamilton's very exquisite song: Ah! the poor shepherd's mournful fate. See ante, p. 117. Mr. Motherwell justly remarks that "there is great point and elegance in this little lyric."] THE POSIE. ROBERT BURNS. O luve will venture in, where it daurna weel be seen; And a' to pu' a posie to my ain dear May. The primrose I will pu', the firstling o' the year, For she's the pink o' womankind, and blooms without a peer And a' to be a posie to my ain dear May. I'll pu' the budding rose, when Phoebus peeps in view, For it's like a baumy kiss o' her sweet bonnie mou’; The hyacinth for constancy, wi' its unchanging blueAnd a' to be a posie to my ain dear May. The lily it is pure, and the lily it is fair, And in her lovely bosom, I'll place the lily there; The hawthorn I will pu' wi' its locks o' siller gray, And a' to be a posie to my ain dear May. The woodbine I will pu' when the e'ening star is near, And the diamond-draps o' dew shall be her een sae clear; The violet's for modesty which weel she fa's to wear, I'll tie the posie round wi' the silken band o' luve, above, That to my latest draught of life the band shall ne'er remove, And this will be a posie to my ain dear May. [Professor Wilson has remarked, that similar sentiments inspired Meleager in his Heliodora's Garland.' "The feeling of 'he Greek lines," says Wilson," is tender, and the expression perfect: but com. pare the courtier with the clown, Meleager with Burns. The Scot surpasses the Greek in poetry as well as in passion; his tenderness is more heartfelt, his expression more exquisite."] JOHN ANDERSON. ROBERT BURNS. John Anderson my jo, John, VOL. II. John Anderson my jo, John, [" John Anderson my Jo," was formed like many of Burns' lyrics on some old verses, which the reader will find in Percy's Reliques vol. ii. p. 131; they are scarcely worthy of being reprinted.] OF A' THE AIRTS THE WIND CAN BLAW. ROBERT BURNS. Of a' the airts the wind can blaw, I dearly like the west, For there the bonnie lassie lives, The lassie I lo'e best: There wild-woods grow, and rivers row, And mony a hill between ; But day and night my fancy's flight I see her in the dewy flowers, There's not a bonnie flower that springs O blaw ye westlin winds, blaw saft And frae ilk fragrant hill and vale,* What sighs and vows, amang the knowes Hae passed atween us twa! How fond to meet, how wae to part, That night she gaed awa! The powers aboon can only ken, ["Burns wrote this charming song in honour of Jean Armour : he adds archly in his notes-" It was during the honey-moon." The poet published but the first and second verses: the others are gene. rally sung by the peasantry."-ALLAN CUNNINGHAM. A Mr. Reid in Glasgow wrote two additional verses of much beauty to this song, Mr. Motherwell has printed them, strangely enough, as Burns'; here they are; Upon the banks o' flowing Clyde The lasses busk them braw; This line is sometimes printed : 'Wi' gentle gale from hill and dale.' |