 | George Eliot - 1885 - 370 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in " Middlemarch " between Dorothea and Rosamond,... | |
 | George Eliot - 1885 - 512 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in ' Middlemarch ' between Dorothea and Rosa188o.]... | |
 | George Eliot - 1885 - 366 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in " Middlemarch " between Dorothea and Rosamond,... | |
 | Mary Ann Evans - 1885 - 506 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in ' Middlemarch' between Dorothea and Rosamond,... | |
 | Joseph Rodes Buchanan - 1885 - 528 páginas
...marvelous rapidity, and George Eliot confessed her assistance. Mr. Cross says : " she told me that in all she considered her best writing there was a ' not...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in ' Middlemarch,' between Dorothea and Rosamond,... | |
 | Joseph Rodes Buchanan - 1885 - 538 páginas
...marvelous rapidity, and George Eliot confessed her assistance. Mr. Cross says : " she told me that in all she considered her best writing there was a ' not...of her, and that she felt her own personality to be merelv the instrument through which this spirit, as it were, was acting. Particularly she dwelt on... | |
 | George Eliot - 1885 - 398 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there..." not herself," which took possession of her, and thai she felt her own personality to be merely the instrument through which this spirit, as it were,... | |
 | Catherine Jane Hamilton - 1893 - 352 páginas
...Eliot's best writings, says Mr. Cross, " there was a ' not herself ' which took possession of her, she felt her own personality to be merely the instrument through which the spirit acted. This was specially the case in the scene between Dorothea and Rosamund. She always... | |
 | George Eliot - 1895 - 418 páginas
...have but slight personal experience of how the creative effort affected her. But she told me that, in all that she considered her best writing, there...through which this spirit, as it were, was acting. Particularly she dwelt on this in regard to the scene in " Middlemarch " between Dorothea and Rosamond,... | |
 | William Samuel Lilly - 1895 - 236 páginas
...her own express testimony that it was. " She told me," Mr. Cross relates, " that in all her best work there was a ' not herself ' which took possession...through which this spirit, as it were, was acting." That is quite sufficient to explain — if explanation be wanted — how we may reconcile the negative... | |
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But she told me that, in all that she considered her best writing, there was a " not herself," which took possession of her, and that she felt her own personality to be merely the instrument through which this spirit, as it were, was acting. 
