ing, should never be confounded with the accompanying decorations. It should generally be distinguished from them by greater simplicity of expression; as we recognize Napoleon in the pictures of his battles, amidst a crowd of embroidered coats and plumes, by his grey cloak and his hat without a feather. In the verses of Petrarch it is generally impossible to say what thought is meant to be prominent. All is equally elaborate. The chief wears the same gorgeous and degrading livery with his retinue, and obtains only his share of the indifferent stare which we bestow upon them in common. The poems have no strong lights and shades, no background, no foreground; they are like the illuminated figures in an Oriental manuscript,plenty of rich tints and no perspective. Such are the faults of the most celebrated of these compositions. Of those which are universally acknowledged to be bad it is scarcely possible to speak with patience. Yet they have much in common with their splendid companions. They differ from them, as a May-day procession of chimney-sweepers differs from the Field of Cloth of Gold. They have the gaudiness but not the wealth. His muse belongs to that numerous class of females who have no objection to be dirty, while they can be tawdry. When his brilliant conceits are exhausted, he supplies their place with metaphysical quibbles, forced antitheses, bad puns, and execrable charades. In his fifth sonnet he may, I think, be said to have sounded the lowest chasm of Bathos. Upon the whole, that piece may be safely pronounced to be the worst attempt at poetry, and the worst attempt at wit, in the world.

The fifth sonnet.

A strong proof of the truth of these criticisms is, that almost all the sonnets produce exactly the same effect on the mind of the reader. They relate to all the various modes of a lover, from joy to despair: yet they are perused, as far as my experience and observation have gone, with exactly the same feeling. The fact is that, in none of them are the pas sion and the ingenuity mixed in just proportions. There is not enough sentiment to dilute the condiments which are employed to season it. The repast which he sets before us resembles the Spanish entertainment in Dryden's Mock Astrologer, at which the relish of all the dishes

Want of variety.

Italy and of Europe to the favourite topics of amorous flattery and lamentation, that we can scarcely think them original when we find them in the first author; and, even when our understandings have convinced us that they were new to him, they are still old to us. This has been the fate of many of the finest passages of the most eminent writers. It is melancholy to trace a noble thought from stage to stage of its profanation; to see it transferred from the first illustrious wearer to his lacqueys, turned, and turned again, and at last hung on a scarecrow. Petrarch has really suffered much from this cause. Yet that he should have so suffered is a sufficient proof that his excellencies were not of the highest order. A line may be stolen; but the prevailing spirit of a great poet is not to be surreptitiously obtained by a plagiarist. The continued imitation of twenty-five centuries has left Homer as it found him. If every simile and every turn of Dante had been copied ten thousand times, the Divine Comedy would have retained all its freshness. It was easy for the porter in Farquhar to pass for Beau Clincher, by borrowing his lace and his pulvilio. It would have been more difficult to enact Sir Harry Wildair.

Before I quit this subject I must defend Petrarch from one accusation which is in the present day frequently brought against him. His sonnets are pronounced by a large set of critics not to possess certain qualities which they maintain to be indispensable to sonnets, with as much confidence, and as much reason, as their prototypes of old insisted on the unities of the drama. I am an exoteric-utterly unable to explain the mysteries of this poetical faith. I only know that it is a faith, which except a man do keep pure and undefiled, without doubt he shall be called a blockhead. I cannot, however, refrain from asking what is the particular virtue which belongs to fourteen as distinguished from all other numbers? Does it arise from its being a multiple of seven? Has this principle

new

A new poetical faith.

any reference to the sabbatical ordinance? Or is it to the order of rhymes that these singular properties are attached? Unhappily the sonnets of Shakspeare differ as much in this respect from those of Petrarch, as from a Spenserian or an octave stanza. Away with this unmeaning jargon! We have pulled down the old regime of criticism. I trust that we shall never tolerate the equally pedantic and irrational despotism which some of the revolutionary leaders would erect upon its ruins. We have not dethroned Aristotle and Bossu for this.

These sonnet-fanciers would do well to reflect that, though the style of Petrarch may not suit the standard of perfection which they have chosen, they lie under great obligations to these very poems,― that, but for Petrarch, the measure, concerning which they legislate so judiciously, would probably never have attracted notice ;-and that to him they owe the pleasure of admiring, and the glory of composing, pieces which seem to have been produced by Master Slender, with the assistance of his man Simple.

I cannot conclude these remarks without making a few observations on the Latin writings of Pe trarch. It appears that,

Latin writings.

both by himself and by his contemporaries, these were far more highly valued than his compositions in the vernacular language. Posterity, the supreme court of literary appeal, has not only reversed the judgment, but, accord. ing to its general practice, reversed it with costs, and condemned the unfor tunate works to pay, not only for their own inferiority, but also for the injustice of those who had given them an unmerited preference. And it must be owned that, without making large allowances for the circumstances under which they were produced, we cannot pronounce a very favourable judgment. They must be considered as exotics, transplanted to a foreign climate, and reared in an unfavourable situation; and it would be unreasonable to expect from them the health and the vigour which we find in the indegenous plants around them, or which they might themselves have possessed in their native soil. He has but very imperfectly imitated the style of the Latin authors, and has not compensated for the deficiency by enriching the ancient language with the graces of modern poetry. The splendour and ingenuity which we admire, even when we

condemn it, in his Italian works, is almost totally wanting, and only illu minates with rare and occasional glimpses the dreary obscurity of the African. The eclogues have more animation; but they can only be called poems by courtesy. They have nothing in common with his writings in his native language, except the eternal pun about Laura and Daphne. None of these works would have placed him on a level with Vida or Buchanan. Yet, when we compare him with those who preceded him, when we consider that he went on the forlorn hope of literature, that he was the first who perceived, and the first who attempted to revive, the finer elegances of the ancient language of the world, we shall perhaps think more highly of him than of those who could never have surpassed his beauties if they had not inherited them.

He has aspired to emulate the philosophical eloquence of Cicero, as well as the poetical majesty of Virgil. His essay on the remedies of Good and Evil fortune is a singular work in a colloquial form, and a most scholas

The remedies of Good and Evil fortune.

tic style. It seems to be framed upon the model of the Tusculan Questions,with what success those who have read it may easily determine. It consists of a series of dialogues: in each of these a person is introduced who has experienced some happy or some adverse event: he gravely states his case: and a reasoner, or rather reason personified, confutes him; a task not very difficult, since the disciple defends his position only by pertinaciously repeating it, in almost the same words, at the end of every argument of his antagonist. In this manner Petrarch solves an immense variety of cases. Indeed, I doubt whether it would be possible to name any pleasure or any calamity which does not find a place in this dissertation. He gives excellent advice to a man who is in expectation of discovering the philosopher's stone;-to another, who has formed a fine aviary;-to a third, who is delighted with the tricks of a favourite monkey. His lectures to the unfortunate are equally singular. He seems to imagine that a precedent in point is a sufficient consolation for every form of suffering. Our "town is taken," says one complaint. Troy," replies his comforter. has eloped," says another. "If it had happened to you once, it happened to

Precedents in point.

"So was "My wife

Menelaus twice." One poor fellow is in great distress at having discovered that his wife's son is none of his. "It is hard," says he, "that I should have had the expense of bringing up one who is indifferent to me." "You are a man," returned his monitor, quoting the famous line of Terence; "and nothing that belongs to any other man ought to be indifferent to you." The physical calamities of life are not omitted; and there is in particular a disquisition on the advantages of having the itch, which, if not convincing, is certainly very amusing.

Invectives on medical science.

The invectives on an unfortunate physician, or rather upon the medical science, have more spirit. Petrarch was thoroughly in earnest on this subject. And the bitterness of his feelings occasionally produces, in the midst of his classical and scholastic pedantry, a sentence worthy of the second Philippic. Swift himself might have envied the chapter on the causes of the paleness of physicians.

Of his Latin works the Epistles are the most generally known and admired. As compositions they are Epistles. certainly superior to his essays. But their excellence is only comparative. From so large a collection of letters, written by so eminent a man, during so varied and eventful a life, we should have expected a complete and spirited view of the literature, the manners, and the politics of the age. A traveller-a poet-a scholar-a lover-a courtier-a recluse-he might have perpetuated, in an imperishable record, the form and pressure of the age and body of the time. Those who read his correspondence, in the hope of finding such information as this, will be utterly disappointed. It contains nothing characteristic of the period or of the individual.

It is a series not of letters, but of themes and, as it is not generally known, might be very safely employed at public schools as a magazine of commonplaces. Whether he write on politics to the Emperor and the Doge, or send advice and consolation to a private friend, every line is crowded with examples and quotations, and sounds big with Anaxagoras and Scipio. Such was the interest excited by the character of Petrarch, and such the admiration which was felt for his epistolary style, that it was with difficulty that his letters reached the place of their destination. The poet describes, with pretended regret and real complacency, the importunity of the curious, who often opened, and sometimes stole, these favourite compositions. It is a remarkable fact that, of all his epistles, the least affected are those which are addressed to the dead and the unborn. Nothing can be more absurd than his whim of composing grave letters of expostulation and commendation to Cicero and Seneca: yet these strange performances are written in a far more natural manner than his communications to his living correspondents. of all his Latin works the preference must be given to the Epistle to Posperity; a simple, noble, and pathetic composition, most honourable both to his taste and his heart. If we can make allowance for some of the affected humility of an author, we shall perhaps think that no literary man has left a more pleasing memorial of himself.

But

In conclusion, we may pronounce that the works of Petrarch were below both his genius and his celebrity; and that the circumstances under which he wrote were as adverse to the development of his powers as they were favourable to the extension of his fame.

I HAVE thought it good to set down in writing a memorable debate, wherein I was a listener, and two men of pregnant parts and great reputation discoursers; hoping that my friends will not be displeased to have a record both of the strange times through which I have lived, and of the famous men with whom I have conversed. It chanced in the warm and beautiful spring of the year 1665, a little before the saddest summer that ever London saw, that I went to the Bowling Green at Piccadilly, whither, at

At the Bowling Green.

that time, the best gentry made continual resort. There I met Mr. Cowley, who had lately left Barnelms. There was then a house preparing for him at Chertsey; and till it should be finished, he had come up for a short time to London, that he might urge a suit to his Grace of Buckingham touching certain lands of her Majesty's, whereof he requested a lease. I had the honour to be familiarly acquainted with that worthy gentleman and most excellent poet, whose death hath been deplored with as general a consent of all Powers that delight in the woods, or in verse, or in love, as was of old that of Daphnis or of Callus.

After some talk, which it is not material to set down at large, concerning his suit and his vexations at the Court, where indeed his honesty did him more harm than his parts could do him good, I entreated him to dine with me at my lodging in the Temple, which he most courteously promised. And that So eminent a guest might not lack a better

entertainment than cooks or vintners can provide, I sent to the house of Mr. John Milton, in the Artillery Walk, to beg that he Guests in the Temple. would also be my guest. For, though he had been secretary, first to the Council of State, and, after that, to the Protector, and Mr. Cowley had held the same post under the Lord St. Albans in his banishment, I hoped, notwithstanding, that they would think themselves rather united by their common art than divided by their different factions. And so indeed it proved. For while we sat at table, they talked freely of many men and things, as well ancient as modern, with much civility. Nay, Mr. Milton, who seldom tasted wine, both because of his singular temperance and because of his gout, did more than once pledge Mr. Cowley, who was indeed no hermit in diet. At last, being heated, Mr. Milton begged that I would open the windows. "Nay," said I, "if you desire fresh air and coolness, what should hinder us, as the evening is fair, from sailing for an hour on the river?" To this they both cheerfully consented; and forth we walked, Mr. Cowley and I leading Mr. Milton between us, to the Temple Stairs. There we took a boat; and thence we rowed up the river.

On the river.

The wind was pleasant; the evening fine; the sky, the earth, and the water, beautiful to look upon. But Mr. Cowley and I held our peace, and said nothing of the gay sights around us, lest we should too feelingly remind Mr. Milton

of his calamity; whereof, however, he needed no monitor; for soon he said, sadly, "Ah, Mr. Cowley, you are a happy man. What would I now give but for one more look at the sun, and the waters, and the gardens of this fair city!"

"I know not," said Mr. Cowley, "whether we ought not rather to envy you for that which makes you envy others and that specially in this place, where all eyes which are not closed in blindness ought to become fountains of tears. What can we look

Blindness and sight.

upon which is not a memorial of change and sorrow, of fair things vanished, and evil things done? When I see the gate of Whitehall, and the stately pillars of the Banqueting House, I cannot choose but think of what I have there seen in former days, masques, and pageants, and dances, and smiles, and the waving of graceful heads, and the bounding of delicate feet. And then I turn to thoughts of other things which even to remember makes me to blush and weep ;-of the great black scaffold, and the axe and block, which were placed before those very windows; and the voice seems to sound in mine ears, the lawless and terrible voice, which cried out that the head of a king was the head of a traitor. There stands Westminster Hall, which who can look upon and not tremble to think how time, and change, and death confound the councils of the wise, and beat down the weapons of the mighty? How have I seen it surrounded with tens of thousands of petitioners crying for justice and privilege! How have I heard it shake with fierce and proud words, which made the hearts of the people burn within them! Then it is blockaded by dragoons, and cleared by pikemen. And they who have conquered their master go forth trembling at the word of their servant. And yet a little while, and the usurper comes forth from it, in his robe of ermine, with the golden staff in one hand and the Bible in the other, amidst the roaring of the guns and the shouting of the people. And yet again a little while, and the doors are thronged with multitudes in black, and the hearse and the plumes come forth; and the tyrant is borne, in more than royal pomp, to a royal sepulchre. A few days more, and his head is fixed to rot on the pinnacles of that very hall where he sat on a throne in his life and lay in state after his death. When I

Visions of the past.

think on all these things, to look round me makes me sad at heart. True it is that God hath restored to us all our old laws, and the rightful line of our kings. Yet, how I know not, but it seems to me that something is wanting-that our court hath not the old gravity, nor our people the old loyalty. These evil times, like the great deluge, have overwhelmed and confused all earthly things. And, even as those waters, though at last they abated, yet, as the learned write, destroyed all trace of the garden of Eden, so that its place hath never since been found, so hath this opening of all the flood gates of political evil effaced all marks of the ancient political paradise."

"Sir, by your favour," said Mr. Milton, though, from many circumstances both of body and of fortune, might plead fairer excuses for despondency than yourself, I yet look not so sadly either on the past or on the future. That a deluge hath passed over this our nation, I deny not. But I hold it not to be such a deluge as that of which you speak; but rather a blessed flood, like those of the Nile, which in its overflow doth indeed wash away ancient landmarks, and confound boundaries, and sweep away dwellings, yea, doth give birth to many foul and dangerous reptiles. Yet hence is the fulness of the granary, the beauty of the garden, the nurture of all living things.

A blessed flood.

friend Elwood read to me last year. Truly, for elegance and rhetoric, that essay is to be compared with the finest tractates of Isocrates and Cicero. But neither that nor any other book, nor any events, which with most men have, more than any book, weight and authority, have altered my opinion, that, of all the assemblies that ever were in this world, the best and most useful was our Long Parliament. I speak not this as wishing to provoke debate; which neither yet do I decline."

Mr. Cowley was, as I could see, a little nettled. Yet, as he was a man of a kind disposition and a most refined courtesy, he put a force upon himself, and answered with more vehemence and quickness indeed than was his wont, yet not uncivilly. "Surely, Mr. Milton, you speak not as

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